Free as gods: how the Jazz Age reinvented modernism
Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyc...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lebanon, NH
ForeEdge, An imprint of University Press of New England
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (1918-1929). Drawing on unpublished albums, drawings, paintings, and manuscripts, Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works, by revealing them in conversation with one another. He illuminates social interconnections and artistic collaborations among the most famous-Fitzgerald, Hemingway, Gershwin, Archibald Motley Jr., and Langston Hughes, and women such as Gertrude Stein and Nancy Cunard |
| Beschreibung: | xiii, 271 Seiten, 8 ungezählte Seiten Bildtafeln Illustrationen 24 cm |
| ISBN: | 9781611688504 |
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| 520 | 3 | |a Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (1918-1929). Drawing on unpublished albums, drawings, paintings, and manuscripts, Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works, by revealing them in conversation with one another. He illuminates social interconnections and artistic collaborations among the most famous-Fitzgerald, Hemingway, Gershwin, Archibald Motley Jr., and Langston Hughes, and women such as Gertrude Stein and Nancy Cunard | |
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Datensatz im Suchindex
| _version_ | 1804177669902827520 |
|---|---|
| adam_text | O
O
*Z.
PREFACE
IX
INTRODUCTION
1
ITHITLJ
IN
Z
MMQ
PART
I
FREEDOM:
ANYTHING
GOES
15
1
ENTER
THE
BALLETS
RUSSES
33
2
ONE
OF
THOSE
FABULOUS
FLIGHTS:
COLE
PORTER
45
3
STAIRWAY
TO
PARADISE:
GEORGE
GERSHWIN
51
4
INEVITABLE
PARIS
BECKONED:
JOHN
DOS
PASSOS
AND
E. E.
CUMMINGS
57
5
DANCING
ON
DYNAMITE:
NANCY
CUNARD
62
6
FROM
FLAPPERS
TO
PHILOSOPHERS:
F.
SCOTT
FITZGERALD
71
7
NEW
AMAZEMENTS:
HART
CRANE
83
8
WEARY
BLUESMAN:
LANGSTON
HUGHES
93
9
MAKING
IT
IN
THE
PARIS
ART
WORLD
100
PART
2
ORDER:
BLESSED
RAGE
111
10
EXISTENTIAL
OCTAVES:
ERNEST
ANSERMET
113
11
GEOMETRY
AND
GODS,
SIDE
BY
SIDE:
LE
CORBUSIER
119
12
CONNOISSEUR
OF
CONTRASTS:
FERNANDLEGER
132
13
TRANSFIGURATIONS
OF
THE
COMMONPLACE:
GERALD
MURPHY
140
14
PROPHET
OF
DISORDER:
OSWALD
SPENGLER
161
PART
J TRUTH:
THE
TRUEST
SENTENCE
165
15
THE
TRUTH
IN
PAINTING:
PABLO
PICASSO
174
16
WORDS
IN
A
STRANGE
LANGUAGE:
ARCHIBALD
MACLEISH
194
17
THE
MALADY
OF
LANGUAGE:
EUGENE
JOLAS
213
18
THE
REAL
THING:
ERNEST
HEMINGWAY
221
NOTES
237
BIBLIOGRAPHY
249
INDEX
259
COLOR
ILLUSTRATIONS
FOLLOW
PAGE
112
|
| any_adam_object | 1 |
| author | Riley, Charles A. II. 1958- |
| author_GND | (DE-588)1137636076 |
| author_facet | Riley, Charles A. II. 1958- |
| author_role | aut |
| author_sort | Riley, Charles A. II. 1958- |
| author_variant | c a r ca car |
| building | Verbundindex |
| bvnumber | BV044394241 |
| ctrlnum | (OCoLC)993665151 (DE-599)BVBBV044394241 |
| era | Geschichte 1900-2000 Geschichte 1918-1929 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1918-1929 |
| format | Book |
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| spelling | Riley, Charles A. II. 1958- Verfasser (DE-588)1137636076 aut Free as gods how the Jazz Age reinvented modernism Charles A. Riley II. Lebanon, NH ForeEdge, An imprint of University Press of New England [2017] xiii, 271 Seiten, 8 ungezählte Seiten Bildtafeln Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Among many art, music and literature lovers, particularly devotees of modernism, the expatriate community in France during the Jazz Age represents a remarkable convergence of genius in one place and period-one of the most glorious in history. Drawn by the presence of such avant-garde figures as Joyce and Picasso, artists and writers fled the Prohibition in the United States and revolution in Russia to head for the free-wheeling scene in Paris, where they made contact with rivals, collaborators, and a sophisticated audience of collectors and patrons. The outpouring of boundary-pushing novels, paintings, ballets, music, and design was so profuse that it belies the brevity of the era (1918-1929). Drawing on unpublished albums, drawings, paintings, and manuscripts, Charles A. Riley offers a fresh examination of both canonic and overlooked writers and artists and their works, by revealing them in conversation with one another. He illuminates social interconnections and artistic collaborations among the most famous-Fitzgerald, Hemingway, Gershwin, Archibald Motley Jr., and Langston Hughes, and women such as Gertrude Stein and Nancy Cunard Geschichte 1900-2000 Geschichte 1918-1929 gnd rswk-swf Geschichte Moderne (DE-588)4039827-4 gnd rswk-swf Geistesleben (DE-588)4274490-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Arts, French / France / Paris / 20th century Avant-garde (Aesthetics) / France / Paris / History / 20th century Artists / Professional relationships / France / Paris / History / 20th century Paris (France) / Intellectual life / 20th century Artists / Professional relationships Arts, French Avant-garde (Aesthetics) Intellectual life France / Paris 1900-1999 History Frankreich (DE-588)4018145-5 g Moderne (DE-588)4039827-4 s Avantgarde (DE-588)4133965-4 s Künste (DE-588)4033422-3 s Geistesleben (DE-588)4274490-8 s Jazz (DE-588)4028532-7 s Geschichte 1918-1929 z DE-604 Online version Riley, Charles A. Free as gods Hanover : ForeEdge, An imprint of University Press of New England, 2017 978-1-51260-055-1 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029796414&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Riley, Charles A. II. 1958- Free as gods how the Jazz Age reinvented modernism Geschichte Moderne (DE-588)4039827-4 gnd Geistesleben (DE-588)4274490-8 gnd Künste (DE-588)4033422-3 gnd Avantgarde (DE-588)4133965-4 gnd Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4039827-4 (DE-588)4274490-8 (DE-588)4033422-3 (DE-588)4133965-4 (DE-588)4028532-7 (DE-588)4018145-5 |
| title | Free as gods how the Jazz Age reinvented modernism |
| title_auth | Free as gods how the Jazz Age reinvented modernism |
| title_exact_search | Free as gods how the Jazz Age reinvented modernism |
| title_full | Free as gods how the Jazz Age reinvented modernism Charles A. Riley II. |
| title_fullStr | Free as gods how the Jazz Age reinvented modernism Charles A. Riley II. |
| title_full_unstemmed | Free as gods how the Jazz Age reinvented modernism Charles A. Riley II. |
| title_short | Free as gods |
| title_sort | free as gods how the jazz age reinvented modernism |
| title_sub | how the Jazz Age reinvented modernism |
| topic | Geschichte Moderne (DE-588)4039827-4 gnd Geistesleben (DE-588)4274490-8 gnd Künste (DE-588)4033422-3 gnd Avantgarde (DE-588)4133965-4 gnd Jazz (DE-588)4028532-7 gnd |
| topic_facet | Geschichte Moderne Geistesleben Künste Avantgarde Jazz Frankreich |
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