Every frame a Rembrandt: art and practice of cinematography
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Boston
Focal Press
©2000
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Schlagworte: | |
Online-Zugang: | FAW01 URL des Erstveröffentlichers |
Beschreibung: | Includes index This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection Filmography: pages 245-247 This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly, and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer.--From publisher description |
Beschreibung: | xvii, 253 pages |
ISBN: | 9780080506067 0080506062 9780240803999 024080399X |
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245 | 1 | 0 | |a Every frame a Rembrandt |b art and practice of cinematography |c Andrew Laszlo, with additional material by Andrew Quicke |
264 | 1 | |a Boston |b Focal Press |c ©2000 | |
300 | |a xvii, 253 pages | ||
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500 | |a Includes index | ||
500 | |a This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection | ||
500 | |a Filmography: pages 245-247 | ||
500 | |a This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly, and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer.--From publisher description | ||
650 | 7 | |a ART / Film & Video |2 bisacsh | |
650 | 7 | |a PHOTOGRAPHY / Techniques / Cinematography & Videography |2 bisacsh | |
650 | 7 | |a Cinematography |2 fast | |
650 | 7 | |a Films |2 gtt | |
650 | 7 | |a Filmtechniek |2 gtt | |
650 | 7 | |a Cameravoering |2 gtt | |
650 | 7 | |a Fotografia cinematográfica |2 larpcal | |
650 | 7 | |a Cinema / Estados unidos |2 larpcal | |
650 | 4 | |a Film | |
650 | 4 | |a Cinematography | |
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Datensatz im Suchindex
_version_ | 1804177652705132544 |
---|---|
any_adam_object | |
author | Laszlo, Andrew |
author_facet | Laszlo, Andrew |
author_role | aut |
author_sort | Laszlo, Andrew |
author_variant | a l al |
building | Verbundindex |
bvnumber | BV044385524 |
collection | ZDB-33-ESD |
ctrlnum | (ZDB-33-ESD)ocn499049799 (OCoLC)499049799 (DE-599)BVBBV044385524 |
dewey-full | 778.5 |
dewey-hundreds | 700 - The arts |
dewey-ones | 778 - Specific fields & kinds of photography |
dewey-raw | 778.5 |
dewey-search | 778.5 |
dewey-sort | 3778.5 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte |
format | Electronic eBook |
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id | DE-604.BV044385524 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:51:29Z |
institution | BVB |
isbn | 9780080506067 0080506062 9780240803999 024080399X |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029787745 |
oclc_num | 499049799 |
open_access_boolean | |
owner | DE-1046 |
owner_facet | DE-1046 |
physical | xvii, 253 pages |
psigel | ZDB-33-ESD ZDB-33-ESD FAW_PDA_ESD |
publishDate | 2000 |
publishDateSearch | 2000 |
publishDateSort | 2000 |
publisher | Focal Press |
record_format | marc |
spelling | Laszlo, Andrew Verfasser aut Every frame a Rembrandt art and practice of cinematography Andrew Laszlo, with additional material by Andrew Quicke Boston Focal Press ©2000 xvii, 253 pages txt rdacontent c rdamedia cr rdacarrier Includes index This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert). The "war stories" of a seasoned Hollywood professional cinematographer Explains how specific problems and challenges were overcome for each film Illustrated with production stills from the author's personal collection Filmography: pages 245-247 This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. "Every frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly, and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer.--From publisher description ART / Film & Video bisacsh PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh Cinematography fast Films gtt Filmtechniek gtt Cameravoering gtt Fotografia cinematográfica larpcal Cinema / Estados unidos larpcal Film Cinematography Kameramann (DE-588)4029412-2 gnd rswk-swf Kameraarbeit (DE-588)4536859-4 gnd rswk-swf Kameramann (DE-588)4029412-2 s 1\p DE-604 Kameraarbeit (DE-588)4536859-4 s 2\p DE-604 Quicke, Andrew Sonstige oth http://www.sciencedirect.com/science/book/9780240803999 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Laszlo, Andrew Every frame a Rembrandt art and practice of cinematography ART / Film & Video bisacsh PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh Cinematography fast Films gtt Filmtechniek gtt Cameravoering gtt Fotografia cinematográfica larpcal Cinema / Estados unidos larpcal Film Cinematography Kameramann (DE-588)4029412-2 gnd Kameraarbeit (DE-588)4536859-4 gnd |
subject_GND | (DE-588)4029412-2 (DE-588)4536859-4 |
title | Every frame a Rembrandt art and practice of cinematography |
title_auth | Every frame a Rembrandt art and practice of cinematography |
title_exact_search | Every frame a Rembrandt art and practice of cinematography |
title_full | Every frame a Rembrandt art and practice of cinematography Andrew Laszlo, with additional material by Andrew Quicke |
title_fullStr | Every frame a Rembrandt art and practice of cinematography Andrew Laszlo, with additional material by Andrew Quicke |
title_full_unstemmed | Every frame a Rembrandt art and practice of cinematography Andrew Laszlo, with additional material by Andrew Quicke |
title_short | Every frame a Rembrandt |
title_sort | every frame a rembrandt art and practice of cinematography |
title_sub | art and practice of cinematography |
topic | ART / Film & Video bisacsh PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh Cinematography fast Films gtt Filmtechniek gtt Cameravoering gtt Fotografia cinematográfica larpcal Cinema / Estados unidos larpcal Film Cinematography Kameramann (DE-588)4029412-2 gnd Kameraarbeit (DE-588)4536859-4 gnd |
topic_facet | ART / Film & Video PHOTOGRAPHY / Techniques / Cinematography & Videography Cinematography Films Filmtechniek Cameravoering Fotografia cinematográfica Cinema / Estados unidos Film Kameramann Kameraarbeit |
url | http://www.sciencedirect.com/science/book/9780240803999 |
work_keys_str_mv | AT laszloandrew everyframearembrandtartandpracticeofcinematography AT quickeandrew everyframearembrandtartandpracticeofcinematography |