Classical myth and film in the new millennium:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Oxford University Press
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xviii, 412 Seiten Illustrationen |
| ISBN: | 9780190204167 |
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| 245 | 1 | 0 | |a Classical myth and film in the new millennium |c by Patricia Salzman-Mitchell and Jean Alvares |
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Datensatz im Suchindex
| _version_ | 1804177635377414144 |
|---|---|
| adam_text | BRIEF CONTENTS
PART I
CHAPTER 1
CHAPTER 2
PART II
CHAPTER 3
CHAPTER 4
ACKNOWLEDGMENTS xvii
INTRODUCTION·. CLASSICAL MYTH AND FILM IN THE NEW
MILLENNIUM 1
HOMERIC ECHOES 33
Introduction: Sing, Oh Muse! Homeric Echoes,
Modem Issues in Millennial Films 35
Petersen s Troy: Reimagining Homeric Heroes 39
Resinging the Odyssey: Myth and Myth Making
in 0 Brother, Where Art Thou ? 65
THE RELUCTANT HERO 97
Introduction: Hercules, Clash of the Titans/
Wrath of the Titans, and Immortals 99
What s Old Is Newish Again: Hercules 103
Clash of the Titans/Wrath of the Titans: Altered
Prototypes and Aeschylean, Wagnerian
Dimensions 129
Theseus in Immortals: An Ideal Hero for a
Rough Age 157
CHAPTER 5
PART III
WOMEN IN THE MARGINS 181
CHAPTER
CHAPTER
PART
CHAPTER
CHAPTER
CHAPTER
PART
CHAPTER
CHAPTER
Introduction: Mythical Women in the Margins 183
6 Blooming Maiden and Fertile Goddess: The Myths of
Pan s Labyrinth 187
7 The Perils of Oppression: The Myth of Medea in
Arturo Ripstein s Such is Life 221
IV COMING OF AGE IN THE NEW
MILLENNIUM 249
Introduction: Growing up in a Different World 251
8 Gaze, Knowledge, Snakes, and Riddles: Harry Potter
and the Chamber of Secrets as Foundation Myth 253
9 Arrows, Roots, Bread, and Song: Mythical Aspects of
The Hunger Games 279
10 Percy Jackson and the Olympians: The Lightning Thief
an American Parody of the Hero s Journey 307
V NEW VERSIONS OF PYGMALION 333
Introduction: New and Old Pygmalions 335
11 Lars and the Real Girl and the Pygmalion Myth:
Trauma, Community, and Desire 337
12 Ruby Sparks: Rereading Pygmalion and Narcissus 361
EPILOGUE: MYTHS AND MOVIES, MOVIES AND MYTHS 387
APPENDIX 389
CREDITS 391
INDEX 393
CONTENTS
PART I:
CHAPTER 1
ACKNOWLEDGMENTS xvii
INTRODUCTION: CLASSICAL MYTH AND FILM IN THE NEW
MILLENNIUM 1
Why We Are Here and What We Are Doing 1
Re-presenting the Past 5
Classics and Film 9
Myth Theories, Structures of Meaning, and Archetypes 12
The Three Categories of Myths; Myth and Truth 12
Myth, Structure, and Archetype 13
Myth, Structure, and Psychology 16
Gender, Otherness, and Myth Interpretation 20
Some Overarching Narrative and Symbolic Structures 23
Titans vs. Olympians: Creation and Succession Myths 23
The Hero and the Components of the Hero s Career 25
What Is Myth Good For? 27
References 28
HOMERIC ECHOES 33
Introduction: Sing, Oh Muse! Homeric Echoes,
Modern Issues in Millennial Films 35
Petersen s Troy: Reimagining Homeric Heroes 39
The Matter of Troy 42
History Mythologized 44
No Gods, Just Heroes 47
Achilles: Life, Death, Passion, and Glory 48
Briseis: Eros and Thanatos 53
Hector: For Family and Motherland 56
Paris: When Love Is Not Enough 59
Heroes at the End 61
Troy and the Millennium 62
References 62
chapter 2 Resinging the Odyssey: Myth and Myth Making in
O Brother, Where Art Thou ? 65
Odysseus7 Journey and O Brother 67
Real and Mythologized History: American Myth and Cinema 69
Sing O Muse! The Power of Song 70
Odysseus Rebooted 74
Everett s Odyssey 75
Escape and Descent 75
The Recovery of Music 78
Descending Deeper 81
Hitting Rock Bottom 83
The Ascent Upward Begins 84
The Suitor Defeated, an Evil Purged 86
The Test and Death Struggle 33
The Happy Ending and Looking Forward 90
Ideal Dimensions in Regressive Times: Public Benefit,
Community, and Individual Redemption 91
References 93
Discussion Questions for Part I 95
PART II THE RELUCTANT HERO 97
Introduction: Hercules, The Clash of the Titans/Wrath
of the Titans, and Immortals: The Fate of Humans, The
Fate of the Gods 99
chapter 3 What s Old Is Newish Again: Hercules 103
Heracles, the Hero, and His Canonical Career 104
Hercules/Heracles and the Sword-and-Sandals or Peplum
Movie 109
Heracles/Hercules in the Movies 112
Our Hercules: Archetypal Patterns, Myth into Truth, Truth into
Myth, and the Need for a Hero 117
CHAPTER 4:
CHAPTER 5:
Archetypal Patterns and the Mythical Arc 121
Fate, Prophecy, and the Final Confirmation of Identities 122
The Call of the Military, the Logic of Empire 125
Hercules the Mythical and the Reshaped Hero: A Movie for the
Millennium 126
References 126
Clash of the Titans/Wrath of the Titans: Altered
Prototypes and Aeschylean, Wagnerian
Dimensions 129
The Prelude: Clash of the Titans I 131
The Archetypes and Themes: Creation to Apocalypse 131
Clash of the Titans: Perseus Tragic Beginning 135
The Quest for Medusa 137
Perseus, the Kraken, and Andromeda: The Apparent First
Ending—Perseus Gets Io 142
Wrath of the Titans: Heroism Rejected, the Death of the Gods
Begins 143
Agenor and the Search for the Fallen One 145
The Labyrinth of Tartarus and the Hero s Ordeal 147
Perseus and the Second Titanomachy 149
The End of the Gods, a Reconciliation, a New Beginning 151
Clash/Wrath: Two Movies for the Millennium 153
References 154
Theseus in Immortals: An Ideal Hero for a Rough
Age 157
Titans and Olympians 160
Theseus the Hero in Classical Myth 162
Hyperion 165
Theseus Beginnings in Immortals 167
It Must Be His Choice 168
Bearing the Cross, Rescued by the Mystic Lady of Sorrow, Hope
Regained 170
At the Heart of the Labyrinth; Burial and Rebirth 171
Prelude to an Armageddon 173
The Struggle for Life, Death, Memory, and History Begin 175
Victory, Apotheosis, and the Future 177
The Millennium and the Dream of the Moral and Divine 178
References 179
Discussion Questions for Part II 180
PART IfI: WOMEN IN THE MARGINS 181
Introduction: Mythical Women in the Margins 183
chapter 6: Blooming Maiden and Fertile Goddess: The Myths of
Pan s Labyrinth 187
The Spanish Civil War and Films of Resistance: Rebirth After
War 190
A Quest for Rebirth 192
The World Below, the World Above 194
Faunus 197
Forests and Magical Woodlands 200
Blood, Slime, Sexuality, and Life 201
Demeter-Persephone 204
The Child-Killing King of Death 206
Blood, Sacrifice, Birth, and Rebirth 211
Under the Moon 214
Pan s Labyrinth and the Millennium 216
References 217
chapter 7: The Perils of Oppression: The Myth of Medea in
Arturo Ripstein s Such Is Life 221
Myths of Medea 223
Medea in the Movies 225
Ripstein and His Cinema 228
Of Love, Marriage, and Ira 230
The Exile, the Witch, the Lost Wife 236
New Millennium, New Beginnings 244
References 246
Discussion Questions for Part III 248
PART IV: COMING OF AGE IN THE NEW
MILLENNIUM 249
Introduction: Growing up in a Different World 251
chapter 8: Gaze, Knowledge, Snakes, and Riddles: Harry Potter
and the Chamber of Secrets as Foundation Myth 253
Gods, Titans, and Giants 254
Serpents, Beginnings, and Deadly Gazes 256
Perseus, Harry, Mycenae, and Medusa s Gaze 259
The Hero and His Attributes 259
The Hero s Descent 262
A Dangerous Book of the Dead 265
The Damsel in Distress 267
Thebes and the Sins of the Past 268
Vision and Darkness 268
The Hero as Exile and Survivor 271
Oedipal Complexities 272
Harry Potter and the New Millennium 2 73
References 274
chapter 9 : Arrows, Roots, Bread, and Song: Mythical Aspects of
The Hunger Games 279
Primeval Battles and Their Aftermath 281
A World of Contrasts 283
Maidenhood and the Hunt 285
Katniss Kourotrophos 290
Katniss and the Earth 294
The Bread of Life 297
Katniss and the Coming of Age 300
Echoes of War at the New Millennium 303
References 304
chapter io: Percy Jackson and the Olympians: The Lightning Thief, an
American Parody of the Hero s Journey 307
Parody and the Parodic Journey 309
The Magical Child and the Problematic Parent 311
The Hero 315
The Quest 317
Call to Adventure 317
A New World 319
The Jersey Gorgon 322
American Athena 324
Millennial Lotus Eaters 325
Abandon All Hope, Ye Who Enter the Hollywood Hills 326
Gods and Demigods: The Return Home 329
Myth Makes the Millennium 330
References 330
Discussion Questions for Part ГѴ 332
PART V: NEW VERSIONS OF PYGMALION 333
Introduction: New and Old Pygmalions 335
chapter li: Lars and the Real Girl and the Pygmalion Myth:
Trauma, Community, and Desire 337
Ovid s Pygmalion Myth: Three Themes 339
Pygmalion and Trauma 340
Pygmalion and the Word of the Father 343
Pygmalion as (Tragic) Hero-Protagonist 344
What About Galatea? 344
The Role of the Community 345
Lars and the Real Girl: Lars Creates His Bianca 346
Lars s Trauma and Bianca 347
Dr. Dagmar, the Community, and the Healing of Lars 349
Lars Begins to Heal 352
Lars and the Death of Bianca 354
Conclusions: Lessons from Lars 356
References 358
chapter 12: Ruby Sparks: Rereading Pygmalion and Narcissus 361
The Coming-of-Age and Hero s-Joumey Paradigm 362
Woman as Text 363
Reflections in the Pool: Calvin s Narcissism 365
The Artist s Isolation 3 70
Not-So-Ideal Women 3 72
Resisting Readings 3 75
Ruby Wakes Up 376
Happy Ending? 381
Ruby Sparks as a Movie for Our Time 383
References 384
Discussion Questions for Part V 386
EPILOGUE: MYTHS AND MOVIES, MOVIES AND MYTHS 387
APPENDIX: FURTHER READINGS ON CLASSICS
IN FILM AND TELEVISION 389
CREDITS 391
INDEX 393
|
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| title | Classical myth and film in the new millennium |
| title_auth | Classical myth and film in the new millennium |
| title_exact_search | Classical myth and film in the new millennium |
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| title_short | Classical myth and film in the new millennium |
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