Shaping the archive in late medieval England: history, poetry, and performance
Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
| Schriftenreihe: | Cambridge studies in medieval literature
97 |
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext Inhaltsverzeichnis |
| Zusammenfassung: | Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss of Eden blur the relationship between original and record; stories of Noah's ark foreground the difficulty of compiling inventories; and engagements with the Harrowing of Hell suggest the impossibility of separating the past from the present. Reading Middle English plays alongside chronicles, poetry, and works of visual art, Shaping the Archive in Late Medieval England considers how poetic form, staging logistics, and the status of performance all contribute to our understanding of the ways in which medieval thinkers imagined the archive |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 21 Apr 2017) |
| Beschreibung: | 1 online resource (xi, 214 pages) |
| ISBN: | 9781316819265 |
| DOI: | 10.1017/9781316819265 |
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| 520 | |a Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss of Eden blur the relationship between original and record; stories of Noah's ark foreground the difficulty of compiling inventories; and engagements with the Harrowing of Hell suggest the impossibility of separating the past from the present. Reading Middle English plays alongside chronicles, poetry, and works of visual art, Shaping the Archive in Late Medieval England considers how poetic form, staging logistics, and the status of performance all contribute to our understanding of the ways in which medieval thinkers imagined the archive | ||
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Datensatz im Suchindex
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| adam_text | Titel: Shaping the archive in late medieval England
Autor: Novacich, Sarah Elliott
Jahr: 2017
Contents
List of Figures page viii
Acknotvledgments ix
A Note on Citation Style x
List of Abbreviations xi
Introduction i
i Model Worlds 2.5
2 Ark and Archive S2
3 Uxor Noe and the Drowned 86
4 Infernal Archive 109
5 The Harrowing of Hell: Closure and Rehearsal 136
Epilogue 161
Notes 165
Bibliography 192
Index 2.08
|
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| contents | Machine generated contents note: 1. Model worlds; 2. Ark and archive; 3. Uxor Noe and the drowned; 4. Infernal archive; 5. The Harrowing of Hell: closure and rehearsal |
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| dewey-search | 820.9/3823 |
| dewey-sort | 3820.9 43823 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781316819265 |
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| spelling | Novacich, Sarah Elliott Verfasser aut Shaping the archive in late medieval England history, poetry, and performance Sarah Elliott Novacich Cambridge Cambridge University Press 2017 1 online resource (xi, 214 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in medieval literature 97 Title from publisher's bibliographic system (viewed on 21 Apr 2017) Machine generated contents note: 1. Model worlds; 2. Ark and archive; 3. Uxor Noe and the drowned; 4. Infernal archive; 5. The Harrowing of Hell: closure and rehearsal Sarah Elliott Novacich explores how medieval thinkers pondered the ethics and pleasures of the archive. She traces three episodes of sacred history - the loss of Eden, the loading of Noah's ark, and the Harrowing of Hell - across works of poetry, performance records, and iconography in order to demonstrate how medieval artists turned to sacred history to think through aspects of cultural transmission. Performances of the loss of Eden blur the relationship between original and record; stories of Noah's ark foreground the difficulty of compiling inventories; and engagements with the Harrowing of Hell suggest the impossibility of separating the past from the present. Reading Middle English plays alongside chronicles, poetry, and works of visual art, Shaping the Archive in Late Medieval England considers how poetic form, staging logistics, and the status of performance all contribute to our understanding of the ways in which medieval thinkers imagined the archive Geschichte English literature / Middle English, 1100-1500 / History and criticism Religion in literature Holy, The, in literature Christianity and literature / England / History / To 1500 Civilization, Medieval, in literature Erscheint auch als Druck-Ausgabe, hardback 978-1-107-17705-5 Erscheint auch als Druck-Ausgabe, paperback 978-1-316-63031-0 https://doi.org/10.1017/9781316819265 Verlag URL des Erstveröffentlichers Volltext HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029771694&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Novacich, Sarah Elliott Shaping the archive in late medieval England history, poetry, and performance Machine generated contents note: 1. Model worlds; 2. Ark and archive; 3. Uxor Noe and the drowned; 4. Infernal archive; 5. The Harrowing of Hell: closure and rehearsal Geschichte English literature / Middle English, 1100-1500 / History and criticism Religion in literature Holy, The, in literature Christianity and literature / England / History / To 1500 Civilization, Medieval, in literature |
| title | Shaping the archive in late medieval England history, poetry, and performance |
| title_auth | Shaping the archive in late medieval England history, poetry, and performance |
| title_exact_search | Shaping the archive in late medieval England history, poetry, and performance |
| title_full | Shaping the archive in late medieval England history, poetry, and performance Sarah Elliott Novacich |
| title_fullStr | Shaping the archive in late medieval England history, poetry, and performance Sarah Elliott Novacich |
| title_full_unstemmed | Shaping the archive in late medieval England history, poetry, and performance Sarah Elliott Novacich |
| title_short | Shaping the archive in late medieval England |
| title_sort | shaping the archive in late medieval england history poetry and performance |
| title_sub | history, poetry, and performance |
| topic | Geschichte English literature / Middle English, 1100-1500 / History and criticism Religion in literature Holy, The, in literature Christianity and literature / England / History / To 1500 Civilization, Medieval, in literature |
| topic_facet | Geschichte English literature / Middle English, 1100-1500 / History and criticism Religion in literature Holy, The, in literature Christianity and literature / England / History / To 1500 Civilization, Medieval, in literature |
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