Speaking in subtitles: revaluing screen translation
Over 6000 different languages are used in the world today, but the conventions of media speak are far from universal and the complexities of translation are rarely acknowledged by the industry, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingenci...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Over 6000 different languages are used in the world today, but the conventions of media speak are far from universal and the complexities of translation are rarely acknowledged by the industry, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingencies of translation are vital to screen media's global storytelling. Looking at a range of examples, from silent era intertitling to contemporary crowdsourced subtitling, and from avant-garde dubbing to the increasing practice of'fansubbing', Tessa Dwyer proposes that screen media itself is fundamentally translational field |
| Beschreibung: | vii, 228 Seiten Illustrationen 24 cm |
| ISBN: | 9781474410946 |
Internformat
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| 505 | 8 | |a Includes bibliographical references and index | |
| 520 | |a Over 6000 different languages are used in the world today, but the conventions of media speak are far from universal and the complexities of translation are rarely acknowledged by the industry, audiences or scholars. Redressing this neglect, Speaking in Subtitles argues that the specific contingencies of translation are vital to screen media's global storytelling. Looking at a range of examples, from silent era intertitling to contemporary crowdsourced subtitling, and from avant-garde dubbing to the increasing practice of'fansubbing', Tessa Dwyer proposes that screen media itself is fundamentally translational field | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Figures vi
Acknowledgements viii
Introduction 1
Part 1 Devaluation and Deconstruction
1. Sub/Dub Wars: Attitudes to Screen Translation 19
2. Vanishing Subtitles: The Invisible Cinema (1970-4) 52
3. Dubbing Undone: Can Dialectics Break (1973) 79
Part 2 Errant and Emergent Practices
4. Media Piracy, Censorship and Misuse 109
5. Fansubbing and Abuse: Anime and Beyond 13 5
6. Streaming, Subbing, Sharing: Viki Global TV 164
Conclusion: Error Screens 186
Bibliography 189
Index 220
With over 6,000 languages in the world today, media speak
is far from universal, but the complexities of translation
are rarely acknowledged by the industry, or by audiences
and scholars. Redressing this neglect, Speaking in Subtitles
argues that the oddities and idiosyncrasies of translation are
vital to screen media s global storytelling. Examining a range
of examples from crowdsourced subtitling to avant-garde
dubbing to the growing field of fansubbing , Tessa Dwyer
proposes that film, television and video are fundamentally
translational media.
|
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| title | Speaking in subtitles revaluing screen translation |
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| title_full | Speaking in subtitles revaluing screen translation Tessa Dwyer |
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| title_sort | speaking in subtitles revaluing screen translation |
| title_sub | revaluing screen translation |
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