Special event production: the resources
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Abingdon, Oxon ; New York, NY
Routledge
2016
|
| Edition: | Second edition |
| Subjects: | |
| Item Description: | Vendor-supplied metadata |
| Physical Description: | 1 online resource |
| ISBN: | 9781317664246 1317664248 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044359843 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170620s2016 |||| o||u| ||||||eng d | ||
| 020 | |a 9781317664246 |9 978-1-317-66424-6 | ||
| 020 | |a 1317664248 |9 1-317-66424-8 | ||
| 035 | |a (ZDB-4-NLEBK)ocn920519697 | ||
| 035 | |a (OCoLC)920519697 | ||
| 035 | |a (DE-599)BVBBV044359843 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 394.2 |2 23 | |
| 100 | 1 | |a Matthews, Doug |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Special event production |b the resources |c Doug Matthews |
| 250 | |a Second edition | ||
| 264 | 1 | |a Abingdon, Oxon ; New York, NY |b Routledge |c 2016 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Vendor-supplied metadata | ||
| 505 | 8 | |a Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities | |
| 505 | 8 | |a 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems | |
| 505 | 8 | |a 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event | |
| 505 | 8 | |a 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors | |
| 505 | 8 | |a 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments | |
| 650 | 7 | |a SOCIAL SCIENCE / Customs & Traditions |2 bisacsh | |
| 650 | 7 | |a Special events industry |2 fast | |
| 650 | 7 | |a Special events / Planning |2 fast | |
| 650 | 4 | |a Special events |x Planning |a Special events industry | |
| 650 | 0 | 7 | |a Veranstaltung |0 (DE-588)4125453-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Event-Marketing |0 (DE-588)4335461-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Management |0 (DE-588)4037278-9 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Veranstaltung |0 (DE-588)4125453-3 |D s |
| 689 | 0 | 1 | |a Management |0 (DE-588)4037278-9 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Event-Marketing |0 (DE-588)4335461-0 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Matthews, Doug |t Special Event Production: The Resources |d : Taylor and Francis,c2015 |
| 912 | |a ZDB-4-NLEBK | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029762474 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Record in the Search Index
| _version_ | 1804177606839369728 |
|---|---|
| any_adam_object | |
| author | Matthews, Doug |
| author_facet | Matthews, Doug |
| author_role | aut |
| author_sort | Matthews, Doug |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV044359843 |
| collection | ZDB-4-NLEBK |
| contents | Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments |
| ctrlnum | (ZDB-4-NLEBK)ocn920519697 (OCoLC)920519697 (DE-599)BVBBV044359843 |
| dewey-full | 394.2 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 394 - General customs |
| dewey-raw | 394.2 |
| dewey-search | 394.2 |
| dewey-sort | 3394.2 |
| dewey-tens | 390 - Customs, etiquette, folklore |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| edition | Second edition |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04842nmm a2200553zc 4500</leader><controlfield tag="001">BV044359843</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170620s2016 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781317664246</subfield><subfield code="9">978-1-317-66424-6</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1317664248</subfield><subfield code="9">1-317-66424-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-NLEBK)ocn920519697</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)920519697</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044359843</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">394.2</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Matthews, Doug</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Special event production</subfield><subfield code="b">the resources</subfield><subfield code="c">Doug Matthews</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Second edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Abingdon, Oxon ; New York, NY</subfield><subfield code="b">Routledge</subfield><subfield code="c">2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Vendor-supplied metadata</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Customs & Traditions</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Special events industry</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Special events / Planning</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Special events</subfield><subfield code="x">Planning</subfield><subfield code="a">Special events industry</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Veranstaltung</subfield><subfield code="0">(DE-588)4125453-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Event-Marketing</subfield><subfield code="0">(DE-588)4335461-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Management</subfield><subfield code="0">(DE-588)4037278-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Veranstaltung</subfield><subfield code="0">(DE-588)4125453-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Management</subfield><subfield code="0">(DE-588)4037278-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Event-Marketing</subfield><subfield code="0">(DE-588)4335461-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Matthews, Doug</subfield><subfield code="t">Special Event Production: The Resources</subfield><subfield code="d">: Taylor and Francis,c2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-NLEBK</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029762474</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV044359843 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:50:45Z |
| institution | BVB |
| isbn | 9781317664246 1317664248 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029762474 |
| oclc_num | 920519697 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-4-NLEBK |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Routledge |
| record_format | marc |
| spelling | Matthews, Doug Verfasser aut Special event production the resources Doug Matthews Second edition Abingdon, Oxon ; New York, NY Routledge 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Vendor-supplied metadata Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd rswk-swf Event-Marketing (DE-588)4335461-0 gnd rswk-swf Management (DE-588)4037278-9 gnd rswk-swf Veranstaltung (DE-588)4125453-3 s Management (DE-588)4037278-9 s 1\p DE-604 Event-Marketing (DE-588)4335461-0 s 2\p DE-604 Erscheint auch als Druck-Ausgabe Matthews, Doug Special Event Production: The Resources : Taylor and Francis,c2015 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Matthews, Doug Special event production the resources Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd Event-Marketing (DE-588)4335461-0 gnd Management (DE-588)4037278-9 gnd |
| subject_GND | (DE-588)4125453-3 (DE-588)4335461-0 (DE-588)4037278-9 |
| title | Special event production the resources |
| title_auth | Special event production the resources |
| title_exact_search | Special event production the resources |
| title_full | Special event production the resources Doug Matthews |
| title_fullStr | Special event production the resources Doug Matthews |
| title_full_unstemmed | Special event production the resources Doug Matthews |
| title_short | Special event production |
| title_sort | special event production the resources |
| title_sub | the resources |
| topic | SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd Event-Marketing (DE-588)4335461-0 gnd Management (DE-588)4037278-9 gnd |
| topic_facet | SOCIAL SCIENCE / Customs & Traditions Special events industry Special events / Planning Special events Planning Special events industry Veranstaltung Event-Marketing Management |
| work_keys_str_mv | AT matthewsdoug specialeventproductiontheresources |