Special event production: the resources
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Abingdon, Oxon ; New York, NY
Routledge
2016
|
| Ausgabe: | Second edition |
| Schlagworte: | |
| Beschreibung: | Vendor-supplied metadata |
| Beschreibung: | 1 online resource |
| ISBN: | 9781317664246 1317664248 |
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| 505 | 8 | |a Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities | |
| 505 | 8 | |a 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems | |
| 505 | 8 | |a 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event | |
| 505 | 8 | |a 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors | |
| 505 | 8 | |a 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments | |
| 650 | 7 | |a SOCIAL SCIENCE / Customs & Traditions |2 bisacsh | |
| 650 | 7 | |a Special events industry |2 fast | |
| 650 | 7 | |a Special events / Planning |2 fast | |
| 650 | 4 | |a Special events |x Planning |a Special events industry | |
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| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Matthews, Doug |t Special Event Production: The Resources |d : Taylor and Francis,c2015 |
| 912 | |a ZDB-4-NLEBK | ||
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Datensatz im Suchindex
| _version_ | 1804177606839369728 |
|---|---|
| any_adam_object | |
| author | Matthews, Doug |
| author_facet | Matthews, Doug |
| author_role | aut |
| author_sort | Matthews, Doug |
| author_variant | d m dm |
| building | Verbundindex |
| bvnumber | BV044359843 |
| collection | ZDB-4-NLEBK |
| contents | Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments |
| ctrlnum | (ZDB-4-NLEBK)ocn920519697 (OCoLC)920519697 (DE-599)BVBBV044359843 |
| dewey-full | 394.2 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 394 - General customs |
| dewey-raw | 394.2 |
| dewey-search | 394.2 |
| dewey-sort | 3394.2 |
| dewey-tens | 390 - Customs, etiquette, folklore |
| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| edition | Second edition |
| format | Electronic eBook |
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| id | DE-604.BV044359843 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:50:45Z |
| institution | BVB |
| isbn | 9781317664246 1317664248 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029762474 |
| oclc_num | 920519697 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-4-NLEBK |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Routledge |
| record_format | marc |
| spelling | Matthews, Doug Verfasser aut Special event production the resources Doug Matthews Second edition Abingdon, Oxon ; New York, NY Routledge 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Vendor-supplied metadata Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd rswk-swf Event-Marketing (DE-588)4335461-0 gnd rswk-swf Management (DE-588)4037278-9 gnd rswk-swf Veranstaltung (DE-588)4125453-3 s Management (DE-588)4037278-9 s 1\p DE-604 Event-Marketing (DE-588)4335461-0 s 2\p DE-604 Erscheint auch als Druck-Ausgabe Matthews, Doug Special Event Production: The Resources : Taylor and Francis,c2015 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Matthews, Doug Special event production the resources Cover; Title; Copyright; Contents; List of figures; List of tables; Preface; Acknowledgements; 1 Entertainment; 1.1 Defining entertainment; 1.1.1 Form in entertainment; 1.1.2 Reasons for entertainment; 1.1.3 Content in entertainment; 1.2 Staging entertainment; 1.2.1 Number of performers or acts; 1.2.2 Scheduling and timing; 1.2.3 Using the event space; 1.2.4 Building the show; 1.2.5 Beginnings, segues, and endings; 1.3 Working with performers; 1.3.1 Mindset; 1.3.2 Creature comforts; 1.3.3 Unique preparations and performance needs; 1.3.4 Communications; 1.3.5 The special case: celebrities 1.3.6 Risk and safety2 Décor; 2.1 Design theory; 2.1.1 Elements of design; 2.1.2 Principles of design; 2.2 Categories of décor; 2.2.1 Backdrops; 2.2.2 Themed sets; 2.2.3 Props; 2.2.4 Furniture; 2.2.5 Linens and napery; 2.2.6 Drapery; 2.2.7 Banners and signs; 2.2.8 Tension fabric structures; 2.2.9 People and other creatures as décor; 2.2.10 Floral décor; 2.2.11 Inflatables; 2.2.12 Technology as décor; 2.2.13 Other unique décor; 2.3 Considerations for the setup and strike of décor; 2.3.1 Prior to the event; 2.3.2 At the event; 2.3.3 After the event; 3 Audio systems 3.1 Acoustic theory and its application to the event space3.1.1 What is sound?; 3.1.2 Sound propagation and its relationship to the event space; 3.2 Uses of an audio system; 3.2.1 Audio for speech; 3.2.2 Audio for entertainment; 3.3 Main audio system groups and their components; 3.3.1 Input group; 3.3.2 Mixing and Processing group; 3.3.3 Output group; 3.4 Signal flow and equipment locations in the event space; 3.4.1 Signal flow; 3.4.2 Equipment locations; 3.5 Pre-event sound check and system operation during the event; 3.5.1 Pre-event sound check; 3.5.2 System operation during the event 3.6 Risk and safety4 Visual presentation technology; 4.1 Purpose of visual presentations; 4.2 Content in visual presentations; 4.2.1 Setting goals and content for the show; 4.2.2 Choosing equipment and personnel; 4.2.3 Putting it together; 4.3 Visual sources; 4.3.1 Still image files; 4.3.2 Pre-recorded digital video; 4.3.3 Live video and image magnification (IMAG); 4.3.4 4K and 8K ultra-high-definition (UHD) video; 4.3.5 Projection mapping; 4.3.6 Interactive content; 4.3.7 The Internet; 4.4 Control and distribution; 4.5 Projection equipment; 4.5.1 Types of projectors 4.5.2 Key specifications for projectors4.5.3 Edge blending and warping; 4.6 Display equipment; 4.6.1 Plain screens; 4.6.2 Monitors; 4.6.3 Videowalls; 4.6.4 LED screens; 4.6.5 Teleprompters and confidence monitors; 4.7 Equipment setup and operation; 4.7.1 Setup; 4.7.2 Operation during the event; 4.8 Risk and safety; 5 Lighting systems; 5.1 Objectives of event lighting; 5.1.1 Visibility; 5.1.2 Relevance; 5.1.3 Composition; 5.1.4 Mood; 5.2 Qualities of light; 5.2.1 Intensity; 5.2.2 Distribution; 5.2.3 Color; 5.2.4 Direction; 5.2.5 Movement; 5.3 Lighting instruments SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd Event-Marketing (DE-588)4335461-0 gnd Management (DE-588)4037278-9 gnd |
| subject_GND | (DE-588)4125453-3 (DE-588)4335461-0 (DE-588)4037278-9 |
| title | Special event production the resources |
| title_auth | Special event production the resources |
| title_exact_search | Special event production the resources |
| title_full | Special event production the resources Doug Matthews |
| title_fullStr | Special event production the resources Doug Matthews |
| title_full_unstemmed | Special event production the resources Doug Matthews |
| title_short | Special event production |
| title_sort | special event production the resources |
| title_sub | the resources |
| topic | SOCIAL SCIENCE / Customs & Traditions bisacsh Special events industry fast Special events / Planning fast Special events Planning Special events industry Veranstaltung (DE-588)4125453-3 gnd Event-Marketing (DE-588)4335461-0 gnd Management (DE-588)4037278-9 gnd |
| topic_facet | SOCIAL SCIENCE / Customs & Traditions Special events industry Special events / Planning Special events Planning Special events industry Veranstaltung Event-Marketing Management |
| work_keys_str_mv | AT matthewsdoug specialeventproductiontheresources |