Artistic practice as research in music: theory, criticism, practice
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey
Ashgate
[2015]
|
| Schriftenreihe: | SEMPRE studies in the psychology of music
|
| Schlagworte: | |
| Beschreibung: | Print version record |
| Beschreibung: | 1 online resource |
| ISBN: | 9781409445463 1409445461 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044359288 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170620s2015 |||| o||u| ||||||eng d | ||
| 020 | |a 9781409445463 |9 978-1-4094-4546-3 | ||
| 020 | |a 1409445461 |9 1-4094-4546-1 | ||
| 035 | |a (ZDB-4-NLEBK)ocn908336560 | ||
| 035 | |a (OCoLC)908336560 | ||
| 035 | |a (DE-599)BVBBV044359288 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 082 | 0 | |a 780.72 |2 23 | |
| 084 | |a LP 19200 |0 (DE-625)105951: |2 rvk | ||
| 084 | |a LR 56400 |0 (DE-625)109800:13528 |2 rvk | ||
| 084 | |a LR 56650 |0 (DE-625)109805:13528 |2 rvk | ||
| 245 | 1 | 0 | |a Artistic practice as research in music |b theory, criticism, practice |c edited by Mine Dogantan-Dack |
| 264 | 1 | |a Farnham, Surrey |b Ashgate |c [2015] | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a SEMPRE studies in the psychology of music | |
| 500 | |a Print version record | ||
| 505 | 8 | |a Cover; Contents; List of Figures and Table; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Introduction; PART I Institutional and Critical Perspectives; 1 Performing Research: Some Institutional Perspectives; 2 Practising Research, Playing with Knowledge; 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective; 4 Determination and Negotiation in Artistic Practice as Research in Music; PART II Disciplinary and Methodological Issues | |
| 505 | 8 | |a 5 Practice-based Music Research: Lessons from a Researcher's Personal History6 Following Performance across the Research Frontier; 7 The (F)utility of Performance Analysis; 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition; PART III Specific Projects; 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool; 10 Creating New Music for a Redesigned Instrument; 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime; 12 FLAT TIME/sounding; Index | |
| 505 | 8 | |a Internationally renowned scholars and practitioners come together in this volume to provide fresh insights into the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music | |
| 650 | 7 | |a Music / Performance |2 fast | |
| 650 | 7 | |a Musicology |2 fast | |
| 650 | 7 | |a MUSIC / Genres & Styles / Classical |2 bisacsh | |
| 650 | 7 | |a MUSIC / Reference |2 bisacsh | |
| 650 | 4 | |a Music / Performance | |
| 650 | 4 | |a Musicology | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Musicology |a Music |x Performance | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwissenschaft |0 (DE-588)4130526-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Forschungsmethode |0 (DE-588)4155046-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Künstlerische Tätigkeit |0 (DE-588)4262436-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musizieren |0 (DE-588)4170838-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musizieren |0 (DE-588)4170838-6 |D s |
| 689 | 0 | 1 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 0 | 2 | |a Rezeption |0 (DE-588)4049716-1 |D s |
| 689 | 0 | 3 | |a Musikwissenschaft |0 (DE-588)4130526-7 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Künstlerische Tätigkeit |0 (DE-588)4262436-8 |D s |
| 689 | 1 | 1 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | 2 | |a Forschungsmethode |0 (DE-588)4155046-8 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Doğantan, Mine |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |t Artistic practice as research in music |z 9781409445456 |
| 912 | |a ZDB-4-NLEBK | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029761919 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804177605853708288 |
|---|---|
| any_adam_object | |
| author2 | Doğantan, Mine |
| author2_role | edt |
| author2_variant | m d md |
| author_facet | Doğantan, Mine |
| building | Verbundindex |
| bvnumber | BV044359288 |
| classification_rvk | LP 19200 LR 56400 LR 56650 |
| collection | ZDB-4-NLEBK |
| contents | Cover; Contents; List of Figures and Table; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Introduction; PART I Institutional and Critical Perspectives; 1 Performing Research: Some Institutional Perspectives; 2 Practising Research, Playing with Knowledge; 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective; 4 Determination and Negotiation in Artistic Practice as Research in Music; PART II Disciplinary and Methodological Issues 5 Practice-based Music Research: Lessons from a Researcher's Personal History6 Following Performance across the Research Frontier; 7 The (F)utility of Performance Analysis; 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition; PART III Specific Projects; 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool; 10 Creating New Music for a Redesigned Instrument; 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime; 12 FLAT TIME/sounding; Index Internationally renowned scholars and practitioners come together in this volume to provide fresh insights into the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music |
| ctrlnum | (ZDB-4-NLEBK)ocn908336560 (OCoLC)908336560 (DE-599)BVBBV044359288 |
| dewey-full | 780.72 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.72 |
| dewey-search | 780.72 |
| dewey-sort | 3780.72 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03982nmm a2200709zc 4500</leader><controlfield tag="001">BV044359288</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170620s2015 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781409445463</subfield><subfield code="9">978-1-4094-4546-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1409445461</subfield><subfield code="9">1-4094-4546-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-4-NLEBK)ocn908336560</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)908336560</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044359288</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">780.72</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 19200</subfield><subfield code="0">(DE-625)105951:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56400</subfield><subfield code="0">(DE-625)109800:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56650</subfield><subfield code="0">(DE-625)109805:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Artistic practice as research in music</subfield><subfield code="b">theory, criticism, practice</subfield><subfield code="c">edited by Mine Dogantan-Dack</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Farnham, Surrey</subfield><subfield code="b">Ashgate</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">SEMPRE studies in the psychology of music</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Print version record</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Cover; Contents; List of Figures and Table; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Introduction; PART I Institutional and Critical Perspectives; 1 Performing Research: Some Institutional Perspectives; 2 Practising Research, Playing with Knowledge; 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective; 4 Determination and Negotiation in Artistic Practice as Research in Music; PART II Disciplinary and Methodological Issues</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">5 Practice-based Music Research: Lessons from a Researcher's Personal History6 Following Performance across the Research Frontier; 7 The (F)utility of Performance Analysis; 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition; PART III Specific Projects; 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool; 10 Creating New Music for a Redesigned Instrument; 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime; 12 FLAT TIME/sounding; Index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Internationally renowned scholars and practitioners come together in this volume to provide fresh insights into the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Music / Performance</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Musicology</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Genres & Styles / Classical</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Performance</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musicology</subfield><subfield code="a">Music</subfield><subfield code="x">Performance</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwissenschaft</subfield><subfield code="0">(DE-588)4130526-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Künstlerische Tätigkeit</subfield><subfield code="0">(DE-588)4262436-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musizieren</subfield><subfield code="0">(DE-588)4170838-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikwissenschaft</subfield><subfield code="0">(DE-588)4130526-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Künstlerische Tätigkeit</subfield><subfield code="0">(DE-588)4262436-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Forschungsmethode</subfield><subfield code="0">(DE-588)4155046-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Doğantan, Mine</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="t">Artistic practice as research in music</subfield><subfield code="z">9781409445456</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-NLEBK</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029761919</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV044359288 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:50:44Z |
| institution | BVB |
| isbn | 9781409445463 1409445461 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029761919 |
| oclc_num | 908336560 |
| open_access_boolean | |
| physical | 1 online resource |
| psigel | ZDB-4-NLEBK |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Ashgate |
| record_format | marc |
| series2 | SEMPRE studies in the psychology of music |
| spelling | Artistic practice as research in music theory, criticism, practice edited by Mine Dogantan-Dack Farnham, Surrey Ashgate [2015] 1 online resource txt rdacontent c rdamedia cr rdacarrier SEMPRE studies in the psychology of music Print version record Cover; Contents; List of Figures and Table; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Introduction; PART I Institutional and Critical Perspectives; 1 Performing Research: Some Institutional Perspectives; 2 Practising Research, Playing with Knowledge; 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective; 4 Determination and Negotiation in Artistic Practice as Research in Music; PART II Disciplinary and Methodological Issues 5 Practice-based Music Research: Lessons from a Researcher's Personal History6 Following Performance across the Research Frontier; 7 The (F)utility of Performance Analysis; 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition; PART III Specific Projects; 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool; 10 Creating New Music for a Redesigned Instrument; 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime; 12 FLAT TIME/sounding; Index Internationally renowned scholars and practitioners come together in this volume to provide fresh insights into the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music Music / Performance fast Musicology fast MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Performance Musicology Musik Musicology Music Performance Musik (DE-588)4040802-4 gnd rswk-swf Musikwissenschaft (DE-588)4130526-7 gnd rswk-swf Forschungsmethode (DE-588)4155046-8 gnd rswk-swf Künstlerische Tätigkeit (DE-588)4262436-8 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musizieren (DE-588)4170838-6 gnd rswk-swf Musizieren (DE-588)4170838-6 s Aufführung (DE-588)4143388-9 s Rezeption (DE-588)4049716-1 s Musikwissenschaft (DE-588)4130526-7 s 1\p DE-604 Künstlerische Tätigkeit (DE-588)4262436-8 s Musik (DE-588)4040802-4 s Forschungsmethode (DE-588)4155046-8 s 2\p DE-604 Doğantan, Mine edt Erscheint auch als Druck-Ausgabe Artistic practice as research in music 9781409445456 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Artistic practice as research in music theory, criticism, practice Cover; Contents; List of Figures and Table; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Introduction; PART I Institutional and Critical Perspectives; 1 Performing Research: Some Institutional Perspectives; 2 Practising Research, Playing with Knowledge; 3 Artistic Research and Music Scholarship: Musings and Models from a Continental European Perspective; 4 Determination and Negotiation in Artistic Practice as Research in Music; PART II Disciplinary and Methodological Issues 5 Practice-based Music Research: Lessons from a Researcher's Personal History6 Following Performance across the Research Frontier; 7 The (F)utility of Performance Analysis; 8 Imaginary Workscapes: Creative Practice and Research through Electroacoustic Composition; PART III Specific Projects; 9 The Role of the Musical Instrument in Performance as Research: The Piano as a Research Tool; 10 Creating New Music for a Redesigned Instrument; 11 Improvisations Towards an Origin: The Steel Cello and the Bow Chime; 12 FLAT TIME/sounding; Index Internationally renowned scholars and practitioners come together in this volume to provide fresh insights into the cultural, institutional, theoretical, methodological, epistemological, ethical and practical aspects and implications of the rapidly evolving area of artistic research in music Music / Performance fast Musicology fast MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Performance Musicology Musik Musicology Music Performance Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd Forschungsmethode (DE-588)4155046-8 gnd Künstlerische Tätigkeit (DE-588)4262436-8 gnd Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd Musizieren (DE-588)4170838-6 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4130526-7 (DE-588)4155046-8 (DE-588)4262436-8 (DE-588)4049716-1 (DE-588)4143388-9 (DE-588)4170838-6 |
| title | Artistic practice as research in music theory, criticism, practice |
| title_auth | Artistic practice as research in music theory, criticism, practice |
| title_exact_search | Artistic practice as research in music theory, criticism, practice |
| title_full | Artistic practice as research in music theory, criticism, practice edited by Mine Dogantan-Dack |
| title_fullStr | Artistic practice as research in music theory, criticism, practice edited by Mine Dogantan-Dack |
| title_full_unstemmed | Artistic practice as research in music theory, criticism, practice edited by Mine Dogantan-Dack |
| title_short | Artistic practice as research in music |
| title_sort | artistic practice as research in music theory criticism practice |
| title_sub | theory, criticism, practice |
| topic | Music / Performance fast Musicology fast MUSIC / Genres & Styles / Classical bisacsh MUSIC / Reference bisacsh Music / Performance Musicology Musik Musicology Music Performance Musik (DE-588)4040802-4 gnd Musikwissenschaft (DE-588)4130526-7 gnd Forschungsmethode (DE-588)4155046-8 gnd Künstlerische Tätigkeit (DE-588)4262436-8 gnd Rezeption (DE-588)4049716-1 gnd Aufführung (DE-588)4143388-9 gnd Musizieren (DE-588)4170838-6 gnd |
| topic_facet | Music / Performance Musicology MUSIC / Genres & Styles / Classical MUSIC / Reference Musik Musicology Music Performance Musikwissenschaft Forschungsmethode Künstlerische Tätigkeit Rezeption Aufführung Musizieren |
| work_keys_str_mv | AT dogantanmine artisticpracticeasresearchinmusictheorycriticismpractice |