Socially engaged art after socialism: art and civil society in Central and Eastern Europe
Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Gallie...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
I.B. Tauris
2017
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| Schriftenreihe: | International library of modern and contemporary art
33 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
| Zusammenfassung: | Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action |
| Beschreibung: | xx, 361 Seiten Illustrationen 23 cm |
| ISBN: | 9781784537135 1784537136 |
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Contents
List of Illustrations ix
Acknowledgements xvii
Introduction 1
Within and Beyond the Borders of Bulgaria,
Hungary and Romania 7
Subversive Potential in Social Capital 10
Politics of Socially Engaged Art in CEE 11
Research Methodologies and Significance 13
1 Points of Contention: Socially Engaged Art Practice in
Contemporary Theory 18
2 Civil Society, and Social, Cultural and
Political Capital 24
Civil Society 24
Social, Cultural and Political Capital 27
3 Historical Antecedents: Participatory Art under
Socialism, 1956-89 33
Socially Engaged Art in Socialist Hungary 35
Participatory Art in Socialist Romania 53
Unconventional Art in Socialist Bulgaria 64
PART I FROM SECOND SOCIETY TO CIVIL SOCIETY 71
4 Civil Society in a Period of Post-Socialist Transition 75
5 Antipolitics: Exhibitions at the Soros Centres for
Contemporary Art 81
Reclaiming Public Life through Interventionist
Public Art 83
v
92
108
112
118
129
133
134
141
147
150
154
154
160
165
171
180
182
184
191
198
Contents
Curatorial Visions: Framing Community-Oriented
Art Projects
Soros Centres for Contemporary Arts: Constraint
and Self-Determination
Sofia: Participatory Public Art and Emerging
Contemporary Art Institutions
Friendship Networks in Post-1989 Emerging Art
Institutions for Contemporary Art
FROM LOCALIZED PUBLIC SITES TO EU
TRANSNATIONAL PUBLIC SPHERES
Place-Making: Framing Art in Public Spaces Curatorially
Moszkva Tér (Gravitáció) i Moscow Square
(Gravitation)
Visual Seminar
Spaţiul Public Bucureşti / Public Art Bucharest
Catching Up to Europe with Culture
Representing Counterpublics in Bucharest,
Budapest and Sofia
h.arta: Undermining Curatorial Protocols in
Self-Organizing Collaborative Projects
János Sugár: Staging Confrontation in
Participatory Public Art
Luchezar Boyadjiev: Roma Counterpublic Art
Monuments in Sofia
Ivan Moudov: Performing a Museum of Contemporary
Art through Collective Participation
Contesting the Politics of Belonging in the
Post-1989 EU Community
About the Artists: Bejenaru and Big Hope
'Mental Maps’ in ‘Fortress Europe’
The Power of the Gaze
Constructing Differential Spaces through Social
Capital and Political Capital
vi
Contents
PART III INSTITUTIONALIZED AND INSTITUTIONALIZING 203
10 Institutionalized Community Arts Programmes 207
Art for Social Change: Bypassing
Systemic Causes 208
cARTier: Cultivating Self-Help through Art in
Marginalized Communities 220
Participation and Collaboration as Apolitical
Strategies of Engagement 229
11 Big Hope: Reviving Leftist Activism in Budapest 232
Hungarian Cultural Institutions: Stage for
Populist Right-Wing Narratives 233
Big Hope and Homelessness 235
Disobbedienti 245
In and Out of Institutions 253
12 Self-Institutionalizing as Political Agency 258
From DINAMO to IMPEX: Expanding
Institutional Framing 260
Department of Art in Public Space: Challenging
the Left’s Official Condemnation 265
OGMS’s Self-Institutionalization 271
Self-Institutionalizing as Platforms for
Self-Determination 279
Conclusion 283
Notes 289
Bibliography 331
Index 349
vii
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347
Index
OGMS, 6, 205, 259, 271-82
Academy of Fine Arts,
Budapest, 56
Acostioaei, Dan, 222
Aczél, György, 38
Africa, 182, 185
Algeria, 188
Kenya, 190
Maghreb, 188
Morocco, 188
Nigeria, 184, 187
Tunisia, 188
Agricultural State Cooperatives
and Peasant Associations, 62
AIDS, 86
Albania, 72, 183, 185
Alexandrescu, Dragos, 222
Alianz Kulturstifung, 147
Alliance Françoise, 203
Alonso, Teresa, 185
A It or jay, Gábor, 44
America see United States of
America
András, Edit, 91, 286
Angel, Judit, 245
Antall, József, 8, 75, 80, 83-4
antipolitics, 12, 19, 24, 35,
84, 94, 117, 251 see also
Konrad, George
Art for Social Change, 6, 13,204,
208-20,212 fig. 10.1,213
fig 10.2, 224, 229-31,242,
244, 284
Article 1 of the Socialist
Constitution, 69
Artpool Research Centre, 13, 43,
44, 260, 264
Assa, Gredi, 68
Association Diafa A1 Maghreb, 188
Association of Hungarian Fine and
Applied Artists, 56
ATA Centre for Contemporary
Art (formerly ATA-Ray
Gallery), 119
Athenaeum Culture House,
220,225
Atlanta, Georgia, 241-2
Austria, 7, 271
Vienna, 72, 159, 271, 274, 275
Austro-Hungarian Empire, 7
Babias, Marius, 147, 227, 270
BAK (basis voor actuele kunst), 23
Balatonboglar, 38, 39 fig. 3.1,40
fig. 3.2, 40 fig. 3.3, 41 fig. 3.4,
43, 44, 46
Balibar, Etienne, 181-2, 195
Balkans, 73, 152, 171, 263, 301n4
Baltanski, Kamen, 124
349
Index
Básescu, Traían, 6, 148, 149, 258,
266, 269
Bauman, Pari, 30
Baza Award, 121
Bejenaru, Matei, 5, 9, 11, 131,
159, 180, 182, 183, 191-201,
220-9, 230
Beke, László, 40 fig. 3.3, 41 fig. 3.4,
46-7, 48-9, 90, 91, 134
Béla Balázs film studio, 164
Belarus, 72
Belgrade, Serbia, 162
Bencsik, Barnabás, 89, 134
Berlin Wall, 16, 22, 72, 81, 193
Beuys, Joseph, 57,104
Big Hope, 1,6,11, 18, 19, 131,
182-5,204-5,227, 231,
232-57, 285
Turin, 5, 180,186 fig. 9.1, 199,
200 fig. 9.4
BIG Torino International Biennial
of Young Artists, 185
Birrell, Ross, 184
Bishop, Claire, 20, 21, 164
Black Panther, 46
Blazhev, Svilen, 68
Bodor, Judit, 161, 163
Borcila, Rozalinda, 261-3
Borrissov, Boyko, 178, 258
Bosnia and Herzegovina, 72
Bossi, Umberto, 185, 249
Bossi-Fini Act, 185, 249
Bostev, Nikolai, 124
Boubnova, Iara, 66, 68,119,120,
121, 143
Bourdieu, Pierre, 11,15,17, 27-8,
30-31, 93
Bourriaud, Nicolas, 20,21
Boyadjiev, Luchezar, 119,120,123
fig 6.3A-B, 130,144, 145,153,
154, 165-71,167fig. 8.6,168
fig 8.7,179, 201,227
Boyadzhiev, Bozhidar, 68
Brâncufi, Constantin, 57
Britain, 33, 85, 131,191-8
London, 5, 9, 180, 183,191-5,
198-201,278
British Council, 203
Brown, Gordon, 194
Bryzgel, Amy, 19
Budapest French Institute, 85
Budapest Public Baths, 51
Budapest Technical University, 252
Bugajski, Janusz, 54
Bulgaria
Black Sea, 8
City of Truth, 116, 117
Ministry of Culture, 178,
218.279
Museum of Contemporary Art,
173-9, 279
Museum for Socialist Art, 279
National Academy of Fine Arts,
67, 115, 119, 125
National Art Gallery, 166,
178.279
National Gallery of Foreign Art,
66, 166, 178,279
National Palace of Culture
(NPC), 114
350
Index
Plovdiv, 275
Red Square, 64
Social Democrats, 113
Sofia, 1, 5, 13, 64, 66, 67, 69,
80, 111, 112-27, 114fig. 6.1,
130, 150, 151, 153, 154-79,
229, 257, 271, 272 fig. 12.6,
274, 285
Sofia Arsenal Museum of
Contemporary Art, 178
Sofia Municipal Council, 142
Union of Democratic Forces
(UDF), 113, 115, 116, 144
Bulgarian Agrarian National Union
(BANU-NP), 113
Bulgarian Communist Party
(BCP), 64, 69,71, 112-17
Bulgarian Socialist Party (BSP),
113, 115, 116
Bunea, Marcel, 64, 96, 99-102, 101
fig. 5.5, 108
Butler, Judith, 284
Café-Bar Manifest, 266,267fig.
12.4A-F, 268 fig. 12.5, 269, 270,
280, 281
CALC, 185
Cantarea Romaniei festival (The
Singing of Romania), 108
Cárcel, Cristian, 156
Carneci, Magda, 55
cARTier, 6, 13, 204, 208, 220-31,
221 fig. 10.4,223 fig. 10.5, 224
fig. 10.6, 242, 244, 284
Casarini, Luca, 246-7
Castells, Manuel, 29
Catalonia, Spain, 183
Catholics, 99
Ceau§escu, Elena, 112
Ceau§escu, Nicolae, 7, 8, 54, 56,
60, 63, 67, 75-6, 78, 94, 99,
102, 104, 108, 112, 150, 156,
266,269
Central Eastern Europe (CEE),
1-10, 13, 19, 20, 22-5, 28, 29,
31, 55, 56, 65, 76-83, 92, 124,
126, 146, 167, 170, 193, 201,
204, 205, 219, 226, 227, 230,
239, 258, 260, 287
Centre for Culture and
Communication Foundation
(C3), 13, 109, 243
Chapel Studio, 38, 39fig. 3.1, 40
fig. 3.2, 40 fig. 3.3, 41 fig.
3.4, 42-50
Charter 77, 24, 28, 35, 52
Chervenkov, Vulvo, 64
Chicago, 46, 72, 81, 95-6, 109
Chira, Alexandru, 96, 97fig. 5.4,
98, 99, 100, 108
Chomsky, Noam, 184
Christo, 60, 171, 172
City Group, 12, 66, 68, 113, 114 fig.
6.1, 115
Club of the (eternally) Young
Artists (C(e)YA), 69
Cold War, 8, 19, 64-5,
72,135
Coleman, James, 29
Colorado Valley, 60
351
Index
communism, 8, 19, 38, 50, 54, 60,
62, 63, 75, 155, 238, 270
Control Club, 266, 280
Cornwall, Andrea, 203, 215, 285
Council of Europe, 266
Creative Time, 22, 81, 85
Crista, Maria, 154
Critic Atac, 281
Croatia, 72, 162
Csillag, Gabor, 250
Czech language, 47
Czech Republic, 72, 75
Czechoslovakia, 19, 28, 35, 42, 46,
47, 52, 76, 117-18 see also
Prague Spring (1968)
Dada, 44, 51
Dan, Călin, 64, 92-3, 95, 108,
110, 165
Daniel, Andrei, 68, 116
Danube, River, 52, 233
Danube Circle, 28, 52, 251-2
Debord, Guy, 184, 187
Decebal Scriba, 64
Department for Art in Public
Space, 6, 11, 205, 259, 265-70,
267fig. 12AA-F, 268 fig 12.5y
271, 280
Dia Art Foundation, 241
Diaspora Romaneasca, 194
Dimitrov, Georgi, 64, 117
Dimitrov Mausoleum, 167
Dimova, Dessislava, 278
DINAMO, 6, 11, 205, 259, 260-5,
279, 280, 281, 282, 284, 285
Dinescu, Micea, 76
Disney, 233
Disobbedienti, 245-53
D-Media, 156
Documenta IX, 164
Dowley, Kathleen M., 16
Eastern bloc, 8, 64-5, 73, 141
E-cart.ro, 6, 205, 265, 268 fig 12.5
270, 281
Emil, Cheta, 97
English language, 13, 42, 85, 91,
148, 183, 188,235
Eötvös Loránd University, 250
Erdély, Miklós, 36, 37,46, 92,
164, 261
Erdogan, Recep Tayyip, 286
Erhardt, Miklós see Big Hope
Ernu, Vasile, 281
Esami, Octavian, 15
Estonia, 72
European Union (EU), 3, 6, 13, 14,
18,72, 75, 79, 80, 130, 131,
140, 141, 150-3, 159, 168, 170,
178, 180-2, 185, 193, 194, 196,
198, 201
Schengen zone, 194
Farina, Geoff, 184
Ferjentsik, Viola, 245
FIDESZ (Association of Young
Democrats), 52, 82, 137, 138,
233-4, 237, 238, 258, 286
Fini, Gianfranco, 185, 249
Fluxus, 51, 104-5
352
index
FMK (Fiatal Művészek
Klubja), 261
Fogarasi, Andreas, 245, 245
M 114
France, 55, 81, 187
Angers, 59
Paris, 59
Fraser, Andrea, 203
Fraser, Nancy, 127, 145
Free Democrats (SZDSZ), 52
FSZKI Dózsa György út homeless
shelter, 244
Fujimori, Alberto K., 286
Funar, Gheorghe, 149
G8 summit, 157, 246
Gabiik, Suzy, 20
Galántai, György, 38, 39fíg. 3.1,42,
43-4, 46, 48 fig. 3.5, 49 fig. 3.6,
260, 261
Gardner, Anthony, 2, 19, 83, 152
Garton Ash, Timothy, 71
Gáspár, Ilona, 235-6, 237fig. 11.2
Gazeta de Transilvania
(newspaper), 102, 103 fig.
5.6, 104
Gemisheva, Mariela, 272, 272
fig. 12.6
George Enescu Árts University, 183
GERB (Citizens for European
Development of
Bulgaria), 258
Gericault, Theodore, 116-17
German Cultural Foundation,
141, 203
Germany, 21, 58, 72, 141,
147, 246
Berlin, 21, 163, 184
Berlin Wall, 16, 22, 72, 81, 193
Bonn, 58
East Berlin, 72
Kassel, 109, 171
Munich, 121
Geurmeur, Steven, 271, 274
Gheorghiu-De, Gheorghe, 54,
62, 149
Gilardi, Elio, 184
Goethe Centre, 203
Goethe-Institute Bucharest, 147
Gorbachev, Mikhail, 66
Gordon, Douglas, 120
Grabbe, Heather, 193-4
Graur, Teodor, 64
Group of Social Dialogue
(GDS), 267
Groys, Boris, 106
Guriev, Sergei, 286
Gyemant, Anca, 154
Haacke, Hans, 245, 246
Habermas, Jürgen, 280
Hajas, Tibor, 261
Hankiss, Elemer, 28, 34-5, 63
Hansen, Miriam, 27
Harper, Krista, 251-2
h.arta, 1, 5, 130, 149, 153, 154-60,
155 fig. 8.1, 157fig. 8.2, 179,
201, 270, 285
Harvey, David, 79-80
Havana, Cuba, 163
353
Index
Havel, Václav, 12, 24-5, 34, 35, 76,
91, 117
Hay, Sherri, 90
Heathrow airport, 196
Hegyi, Dóra, 134, 136-7, 139, 226,
227, 235
Helyetes Szomjazok (Substitute
Thirsters) Group, 51, 110
Hentzsch, Sabine, 147, 270
Herja Mine, 58
Hirschhorn, Thomas, 15-16,
19,21
Hislop, Dominic see Big Hope
Hock, Bea, 161, 163
Horváth, Balázs, 250
Hotel Intercontinental, 45
Houdt, Friso van, 150-1
Howard, Marc, 78
Hoxha, Enver, 183
Hungarian Academy of Arts
(MMA), 256
Hungarian Democratic Forum
(MDF), 52, 75, 84, 137, 237
Hungarian language, 47, 184
Hungarian National Socialist
Arrow Cross Party, 233
Hungarian Secret Security Police
(AVO), 35, 233
Hungarian University of Fine
Arts, 88
Hungary
3Ts, 38, 55
Balaton, Lake, 38
Budapest, 1-7, 12-13, 35-8,
43-56, 81-92, 108, 109,
130-9, 148, 151, 153, 154-79,
180, 184, 199, 204, 205, 231,
232-5, 239-81,285-8
Budapest Municipal Council, 43
Danube, river 233
Dunaújváros, 184
New Economic Mechanism
(1968), 38
revolution (1956), 35-7,
55, 233-4
Roma, 160-1
Romania, 8, 99, 150, 161
Rózsadomb, 160
Socialist Workers Party, 8
Soviet occupation, 8, 36
Iliescu, Ion, 76, 80, 93, 94,149
IMPEX, 6, 11, 205, 259, 260,
261, 263, 264, 264 fig. 12.2,
279-82,284
Indigo Group, 164
Indymedia, 250, 253
Institute of Contemporary Art,
Sofia (ICA), 13, 119, 120-7,
142, 170, 271-8, 285
Intermedia Department of the
Hungarian Academy of Fine
Arts, 164
International Centre for
Contemporary Art, 13, 109
International Monetary Fund
(IMF), 2
Ion Andreescu Fine Art
Academy, 104
Iron Curtain, 72, 83
IRWIN, 20, 260
Istanbul biennale, 119
354
Index
Italy, 131, 184-91
Bologna, 249
Genoa, 246
Milan, 275
Turin (Torino), 5, 180, 185-91,
196, 198-201, 246, 249-50, 256
Venice, 55
Jackson, Shannon, 20
Jacob, Mary Jane, 81, 95-6
Jeanne-Claude, 60, 172
Jelinek, Csaba, 239
Kabakov, Ilya, 19
Kádár, János, 8, 36, 38, 55, 261
Kálmán, Rita, 263
Kassel, 72
Kelleher, Michael, 64-5
Kemp-Welch, Kiara, 12, 19, 43, 44
Antipolitics in Central European
Art 1956-1989 (Kemp-Welch),
12, 19, 44
Keserű, Katalin, 84
Kessler, Erwin, 107
Kester, Grant, 10, 14, 20, 21, 22,
162-3,189
Khrushchev, Nikita, 35
Kiossev, Alexander, 112-13, 118,
144, 152, 178
Király, Iosif, 64 see alsó subREAL
Kiscelli Muséum, 164
KissPál, Szabolcs, 287
Kisderem / Project Room, 235
Klaniczay, Júlia, 43, 260
Kligman, Gail, 131
Klimentiev, Boris, 124
Kluge, Alexander, 26-7, 257
Koleva, Galina, 77, 118
Komitski, Vikenti, 271
Konrád, George, 12, 19, 24, 35,
46, 53, 76, 84, 94, 117, 251
Antipolitics (Konrád), 24
Kopecký, Petr, 25
Koroknál, Zsolt, 87, 87 fig. 5.2,
88, 134
Kostov, Lyuben, 69, 70
Kozma, Eszter, 287
Kulik, Oleg, 120
Kultura (newspaper), 69
Kunstverein, Salzburger, 271
Kunst-Werke, Berlin, 21, 163
Kuzmanov, Kirii, 271
Kwon, Miwon, 96
Lacy, Suzanne, 20, 22, 95, 242
László, Gergely, 261
Latvia, 19
Le Havre airport, 196
Lefebvre, Henri, 198
Lennon, John, 117
Le Witt, Sol, 49
LI Cuza High School, 222
Liget Galéria, 232, 246-7, 247fig.
11.5, 248 fig. 11.6, 248 fig.
11.7, 255,256
Lind, Maria, 20, 254
Lindblad, Goran, 266
Linden, Roland, 8
Linia 1/3 (magazine), 222
Ludwig Múzeum - Kortárs
Művészeti Múzeum Budapest,
233, 234, 265, 287
355
índex
Lukano v, Andrei, 113
Lupa§, Ana, 56-62, 104
Lyahova, Nadya, 172
Maastricht Treaty see Treaty on
the EU
Mad Housers, 241-2
Maersk Dubai company, 198
Marcu, Marius, 106 fig. 5.7, 107
Marxism, 27-8, 84, 137, 270
Mason, Andrew, 181
McDonald’s, 80
McKee, Yates, 250-1
Mélyi, József, 287
Mészöly, Suzanne, 83, 84, 85,
92, HO
Metodiev, Stefan, 166-71
Mihaylova, Vladiya, 271
Missiano, Viktor, 122
Mladenov, Petar, 116, 117
Moscow Square, 50, 139, 160
Moscow Square (Gravitation), 5,
130, 133, 134-41, 135 fig.
7.1 A, 136fig. 7. IB, 161 fig. 8.3,
162fig. 8.4
Motti, Gianni, 19
Moudov, Ivan, 1,5, 11, 130, 154,
171-9, 201,271,275, 278
see also MUSIZ
Moudova, Raymonda, 119
Műcsarnok-Kunsthalle Budapest,
84, 85, 164, 232, 245, 255, 256
Mureçan, Ciprian, 266
MUSIZ, 1, 5, 172-9, 172 fig.
8.8, 173-4fig. 8.9A-D, 175
fig. 8.10
Nagy, Imre, 35-6, 82
Nakovska, Slava, 278
National Society of the Blind and
Visually Impaired, 90
NATO (North Atlantic Treaty
Organization), 159
Nazis, 234
Negt, Oskar, 26-7, 257
Nemes, Csaba, 287
Nemzeti Színház (National
Theatre) Budapest, 233, 234
Netherlands, 23, 81, 151
Amsterdam, 275, 276, 276
fig. 12.8
New Europe Barometer 10-Nation
Survey (NEBS), 77
New York, 81, 82, 84, 85-6, 91, 110,
124, 126, 241,246
Brooklyn, 242
Manhattan, 242
September 11 terrorist attack, 246
New York Times (newspaper),
274, 286
Nixon, Richard, 266
Nozharova, Vessela, 278
Oakland, California, 22
Ofensiva Generositatii, 156
OFF-Biennale-Budapest, 164, 165,
281,287-8
01o§, Mihai, 56-62, 104-5
O’Neill, Paul, 254
Open Society Foundation - Sofia,
124
Open Society Institute (OSI-NY),
124, 126
356
Index
Orbán, Viktor, 135, 137, 233, 237,
249, 255, 256, 258, 265
Ordinili Architectilor din Romania
(Románián Architects
Order), 155
Ottoman Empire, 7, 64
Pacsika, Márton, 287
Palonen, Emilia, 84, 137, 234
Pauer, Gyula, 44-5, 46, 47
Peizer, Jonathan, 126
Pejic, Bojana, 80
Periferie Biennial for
Contemporary Art (2001-8),
183, 226-8
Perjovschi, Dan, 19, 64, 73, 100
Perjovschi, Lia, 19, 64, 73, 100
Peru, 286
Petresin-Bachelez, Natasa, 260
Pintilie, Ileana, 59, 61
Piotrowski, Piotr, 18, 46
Pistoletto, Michelangelo,
185, 191
Poland, 19, 28, 35, 52, 62, 72,
75, 113
Orange Alternative, 117
Pollack, Maxine, 54
Ponedelev, Vihrony, 68
Popova, Diana, 66-7, 69, 116,
124, 171-2
Popper, Karl, 82
Prague Spring (1968), 47, 54
Prashkov, Kiril, 68, 118, 119
Pro Helvetia, 203, 220, 222, 228
Pro Women Foundation, 220
Prodanov, Vassil, 152
Pulse (newspaper), 69
Putin, Vladimir V, 286
Putnam, Robert, 10, 29, 30, 77, 79
Rákosi, Mátyás, 35
Rakovski Street, 68
Rakowitz, Michael, 261
Rama, Edi, 183
Rancière, Jacques, 129
Reagan, Ronald, 241
Red Cross, 36
Red House Centre for Culture and
Debate, 13, 109, 208, 212, 214
fig. 10.3, 216-18
Revista 22 (magazine), 100
Reyes, Jen Delos, 22
Richardson, Joanne, 156,
237-8, 253
Rogozanu, Costi, 281
Roma, 2, 77, 79, 99, 100, 100 fig.
5.5, 102, 108, 138, 156, 160-1,
165-71, 194, 230
Romanca Society, 194-5
Romania
Ardeal, 7
Black Sea, 8
Braşov, 102, 103 fig. 5.6
Bucharest, 1, 6, 7, 13, 55, 59,
63-4, 80, 81, 92, 94, 96, 108,
109, 130, 133, 146, 147-51,
153, 154-79, 205, 257, 259,
266, 275, 281,285
Cluj-Napoca, 8, 12, 55, 58, 104,
149, 156, 275
Erdély, 7
Fine Arts Academy in Iaşi, 182
357
Index
Romania (cont.)
Greater Romanian Party, 149
Hungarians, 8, 99, 150
Iaşi, 13, 159, 182-3, 220, 221
fig 10.4, 223 fig 10.5, 224fig
10.6, 226, 227, 229
Independent Group for Social
Dialogue, 78
Lapusi, 101 fig. 5.5
Maramureş, 57, 58
Mărgău Village, 58, 59
Ministry of Culture, 56
National Fine Arts Academy, 96
National Salvation Front (FSN),
76, 93, 94
Oancea Esplanade, 221 fig.
10.4,222
Orthodox Romanians, 99
Party of National Unity of
Romania, 8
Party of Social Democrats
(PSD), 54, 149
Ponorata, 99
revolution (1989), 93, 94, 270
Sălişte, 59
Securitate, 93, 94
Sibiu, 64
Tårgu Mures, 55, 99
Tătăraşi, 220, 221 fig. 10.4, 222,
224, 226, 228, 229, 230
Tăuşeni, 96, 97fig 5.4
Timişoara, 55,158, 159, 275, 285
Transylvania, 7, 8, 58, 99,
150, 161
Union of Artists, 55-6, 78, 149
University Square, 59, 94, 117
Romanian Communist Party, 8, 54,
55, 56,61,71,76, 94
Romanian Cultural Centre, 194
Romanian Cultural Institute (ICR),
147,193-4
Romanian Orthodox Church of
London, 194, 195
Romanian Peasant Museum, 105,
106fig. 5.7
Romanian Workers Party, 54
Rosier, Martha, 184, 241,
242, 244
Roussev, Spas, 278
Ruff, Gaudenz B., 278
Russia, 19, 20, 286
Russo-Turkish War (1877-8), 64
Saieva, Vasselina, 275
samizdat literature, 34,47, 50,
63, 156
Sampson, Steven, 62, 63
San Francisco Museum of Modern
Art, 22
São Paulo, Brazil, 55
Sarieva, Katrin, 275
Sassen, Saskia, 194
Schinkel, Willem, 150-1
Schmidt, Maria, 233
Schopflin, George, 38
Seale, Bobby, 45
Seattle, Washington, 250, 252
Second Vienna Award (1940), 7
Sei, Keiko, 249
Serapionov, Kalin, 119, 120, 121 fig.
6.2,123 fig 6.3A-B
Šević, Katarina, 261, 263
358
Index
Sheidebauer, Thomas, 185
Shipka 6 Gallery, 69
Shock Therapy, 2, 129-30
Sierra, Santiago, 21, 163, 164
Siulea, Ciprian, 281
Silver, Brian D., 16
Situationist International,
51, 187
Skiling, Gordon, 35
Slovak language, 47
Slovakia, 72, 75
Slovenia, 72, 89
Ljubljana, 72, 272
Sofia Arsenal Museum of
Contemporary Art, 258
Sofia Art Gallery, 122
Sofianski, Stefan, 143, 167
Solakov, Nedko, 68, 69, 119, 120,
121, 124, 278
Solidarity movement, 24, 35, 52
Solidarność, 28
Somers, Margaret, 11
Somogyi, Hajnalka, 261, 263, 281
Sonoma Valley, California, 60
Soros, George, 4, 15, 43, 83
Soros Centre for the Arts - Sofia
(SCA), 109, 124, 208,218
Soros Centres for Contemporary
Art (SCCA), 4, 15, 81-111,
124-7, 130
Soros Foundation, 43, 84, 90,
108-9, 110, 126, 299
Sotirof, Jordan, 115
Soviet Bloc, 2, 8, 33-4, 38, 54, 71,
73, 129, 170
Soviet Red Army, 35, 36, 54
Soviet Union, 8, 12, 33, 36, 38, 54,
60, 64-5, 71, 73, 82, 118, 137,
152,170
Gulag, 93
Moscow, 33, 54
Stalin, Joseph, 33, 35, 38, 89
Stalinism, 35, 38, 54, 55, 234
Stalinization, 55, 64
Stanley, Flavia, 185
Stefanov, Svilen, 124
Stella, Frank, 57
Stockholm, 72, 109
Stoyanov, Kamen, 271, 274
Stúdió of Young Artists, 56
subREAL, 64, 110
Sugár, János, 5, 130, 138-9, 153,
154, 160-5, 179, 201
Switzerland, 203, 220, 225-6, 228
Zürich, 222, 272
Szántó, András, 84, 90-91
Szenes, István, 44
Szentjóby, Tamás, 12, 40 fig. 3.2,
44-6, 89, 90, 134, 261
Tache, Rodica, 154
Taka, 211-16, 213 fig. 10.2, 214 fig.
10.3, 219, 220, 229, 230
Támogatás (Support), 38, 55
Taté Modern, 192, 192 fig. 9.2, 193,
194-5, 199
Telekommunikáció Nemzetközi
Páráiéi Uniója (TNPU /
IPUT), 90
Teodorescu, Bogdán, 222
Terror Háza Múzeum, 233, 234,
258, 265
359
Index
Thompson, Nato, 15, 22
Tichindeleanu, Ovidiu, 269-70
Tūtās (Prohibition), 38, 55
Timar, Adrian, 12, 64, 102, 103
fig. 5.6
Tiravanija, Rikrit, 20, 21, 120
Tirtiaux, Adrien, 271
Tismåneanu, Vladimir, 266
Tismåneanu Report (2006),
266, 267
Titu, Alexandra, 61, 107
Todorov, Georgi, 69
Toth, Gåbor, 50-1, 92
Trafo, 260, 261, 263
Treaty of Paris (1947), 7
Treaty of Trianon (1920), 7
Treaty on the EU (1993), 180-1
Treisman, Daniel, 286
Turai, Hedvik, 162
Tūres (Tolerance), 38, 42, 55
Turgosvishte group, 66, 67
Turin International Biennial,
199-200
Turkey, 7, 286
Tute Bianche, 246
Ūjlak Group, 51, 264
UK see Britain
UN Development Program, 2
Ungureanu, Cristian, 222
Union of Bulgarian Artists (UBA),
65-9, 116-17, 118, 124,166, 179
Unions of the Artists, 109, 178
United States of America, 13, 33,
38,51,80,81,82, 85,91,
239, 241
University of Fine Arts
Budapest, 184
University of Sofia, 116
Urban, Nicolaus, 44
US see United States of America
Vachudova, Milada Anna, 75
Varga, János, 251
Várnagy, Tibor, 52-3, 245,245 fig
11.4,, 254, 255fig 11.8, 256
Várnai, Gyula, 12, 88, 88 fig. 5.3,
89, 134
Vásárhelyi, Miklós, 82
Vasileva, Stela, 271
Vaska Emanouilova Gallery, 122
Vassileva, Maria, 67, 122
Vector: Art and Culture in Context
(magazine), 183
Vector Association, 159, 183,
222, 226-8
Vector Gallery, 183, 226, 228
Verdery, Katherine, 54, 60
Vienna, 72, 159, 271, 274-5
viennacontemporary, 274, 275
Viennese Actionism, 44, 61
Voeten, Hugo, 278
Voinea, Raluca, 157-8
Walzer, Michael, 26
Warner, Michael, 27,154,170,177,281
Wodiczko, Krysztof, 241
World Bank, 2, 207
World Trade Organization summit,
Seattle, 250, 253
World Values Survey (WVS), 77
World War I, 7
360
Index
World War II, 54, 225
Writers Union of Hungary, 36
Yalta conference (1945), 33
Yugoslavia, 2, 42
Zhelev, Zheliu, 113, 116
Zhidarov, Philip, 68, 115, 116
Zhivkov, Todor, 8, 64-5,
112,118
Zhivkova, Ljudmila, 65
Bayerische
rv * ■:֊- h ; b :\ o t h
Ï-S Uneven
361 |
| any_adam_object | 1 |
| author | Galliera, Izabel Anca |
| author_GND | (DE-588)134136322 |
| author_facet | Galliera, Izabel Anca |
| author_role | aut |
| author_sort | Galliera, Izabel Anca |
| author_variant | i a g ia iag |
| building | Verbundindex |
| bvnumber | BV044343422 |
| ctrlnum | (OCoLC)1002232751 (DE-599)BVBBV044343422 |
| era | Geschichte 1990- gnd |
| era_facet | Geschichte 1990- |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Ungarn (DE-588)4078541-5 gnd Rumänien (DE-588)4050939-4 gnd Bulgarien (DE-588)4008866-2 gnd |
| geographic_facet | Ungarn Rumänien Bulgarien |
| id | DE-604.BV044343422 |
| illustrated | Illustrated |
| indexdate | 2024-08-10T01:11:57Z |
| institution | BVB |
| isbn | 9781784537135 1784537136 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029746412 |
| oclc_num | 1002232751 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | xx, 361 Seiten Illustrationen 23 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | I.B. Tauris |
| record_format | marc |
| series | International library of modern and contemporary art |
| series2 | International library of modern and contemporary art |
| spelling | Galliera, Izabel Anca Verfasser (DE-588)134136322 aut Socially engaged art after socialism art and civil society in Central and Eastern Europe Izabel Galliera London ; New York I.B. Tauris 2017 xx, 361 Seiten Illustrationen 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier International library of modern and contemporary art 33 Dissertation University of South Florida 2013 Reclaiming public life from the ideologies of both communist regimes and neoliberalism, their projects have harnessed the politically subversive potential of social relations based on trust, reciprocity and solidarity. Drawing on archival material and exclusive interviews, in this book Izabel Galliera traces the development of socially engaged art from the early 1990s to the present in Bulgaria, Hungary and Romania. She demonstrates that, in the early 1990s, projects were primarily created for exhibitions organized and funded by the Soros Centers for Contemporary Art. In the early 2000s, prior to Bulgaria, Hungary and Romania entering into the European Union, EU institutions likewise funded socially-conscious public art in the region. Today, socially engaged art is characterised by the proliferation of independent and often self-funded artists' initiatives in cities such as Sofia, Bucharest and Budapest.Focusing on the relationships between art, social capital and civil society, Galliera employs sociological and political theories to reveal that, while social capital is generally considered a mechanism of exclusion in the West, in post-socialist contexts it has been leveraged by artists and curators as a vital means of communication and action Geschichte 1990- gnd rswk-swf Kunst Politik Zivilgesellschaft (DE-588)7668631-0 gnd rswk-swf Soziales Kapital (DE-588)4510173-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ungarn (DE-588)4078541-5 gnd rswk-swf Rumänien (DE-588)4050939-4 gnd rswk-swf Bulgarien (DE-588)4008866-2 gnd rswk-swf Art / Political aspects / Europe, Eastern Art / Political aspects / Europe, Central Social movements in art Social practice (Art) Communism and art / Europe, Eastern Communism and art / Europe, Central Socialism and art / Europe, Eastern Socialism and art / Europe, Central (DE-588)4113937-9 Hochschulschrift gnd-content Bulgarien (DE-588)4008866-2 g Ungarn (DE-588)4078541-5 g Rumänien (DE-588)4050939-4 g Kunst (DE-588)4114333-4 s Soziales Kapital (DE-588)4510173-5 s Zivilgesellschaft (DE-588)7668631-0 s Geschichte 1990- z DE-604 Erscheint auch als Online-Ausgabe 978-1-78672-222-5 Erscheint auch als Online-Ausgabe, PDF 978-1-78673-222-4 International library of modern and contemporary art 33 (DE-604)BV040977987 33 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Galliera, Izabel Anca Socially engaged art after socialism art and civil society in Central and Eastern Europe International library of modern and contemporary art Kunst Politik Zivilgesellschaft (DE-588)7668631-0 gnd Soziales Kapital (DE-588)4510173-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)7668631-0 (DE-588)4510173-5 (DE-588)4114333-4 (DE-588)4078541-5 (DE-588)4050939-4 (DE-588)4008866-2 (DE-588)4113937-9 |
| title | Socially engaged art after socialism art and civil society in Central and Eastern Europe |
| title_auth | Socially engaged art after socialism art and civil society in Central and Eastern Europe |
| title_exact_search | Socially engaged art after socialism art and civil society in Central and Eastern Europe |
| title_full | Socially engaged art after socialism art and civil society in Central and Eastern Europe Izabel Galliera |
| title_fullStr | Socially engaged art after socialism art and civil society in Central and Eastern Europe Izabel Galliera |
| title_full_unstemmed | Socially engaged art after socialism art and civil society in Central and Eastern Europe Izabel Galliera |
| title_short | Socially engaged art after socialism |
| title_sort | socially engaged art after socialism art and civil society in central and eastern europe |
| title_sub | art and civil society in Central and Eastern Europe |
| topic | Kunst Politik Zivilgesellschaft (DE-588)7668631-0 gnd Soziales Kapital (DE-588)4510173-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Politik Zivilgesellschaft Soziales Kapital Ungarn Rumänien Bulgarien Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029746412&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040977987 |
| work_keys_str_mv | AT gallieraizabelanca sociallyengagedartaftersocialismartandcivilsocietyincentralandeasterneurope |