Stanislavsky in the world: the system and its transformations across continents
"Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to n...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Methuen Drama
2017
|
| Schriftenreihe: | Drama & performance studies
|
| Schlagworte: | |
| Online-Zugang: | Register // Gemischte Register Inhaltsverzeichnis |
| Zusammenfassung: | "Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before"... |
| Beschreibung: | xiii, 461 Seiten Illustrationen, Karten, Portraits |
| ISBN: | 9781472587879 9781472587886 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044340281 | ||
| 003 | DE-604 | ||
| 005 | 20170801 | ||
| 007 | t | ||
| 008 | 170607s2017 xxkac|| |||| 00||| eng d | ||
| 010 | |a 017000052 | ||
| 020 | |a 9781472587879 |9 978-1-4725-8787-9 | ||
| 020 | |a 9781472587886 |c paperback |9 978-1-4725-8788-6 | ||
| 035 | |a (OCoLC)994295428 | ||
| 035 | |a (DE-599)BVBBV044340281 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-12 |a DE-19 | ||
| 050 | 0 | |a PN2062 | |
| 082 | 0 | |a 792.02/8 |2 23 | |
| 245 | 1 | 0 | |a Stanislavsky in the world |b the system and its transformations across continents |c edited by Jonathan Pitches and Stefan Aquilina |
| 264 | 1 | |a London ; Oxford ; New York ; New Delhi ; Sydney |b Bloomsbury Methuen Drama |c 2017 | |
| 300 | |a xiii, 461 Seiten |b Illustrationen, Karten, Portraits | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Drama & performance studies | |
| 520 | |a "Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before"... | ||
| 600 | 1 | 4 | |a Stanislavsky, Konstantin |d 1863-1938 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Stanislavskij, Konstantin Sergeevič |d 1863-1938 |0 (DE-588)118616765 |2 gnd |9 rswk-swf |
| 650 | 4 | |a DRAMA / General / bisacsh | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Method acting |x History | |
| 650 | 4 | |a DRAMA / General | |
| 650 | 0 | 7 | |a Stanislawski-System |0 (DE-588)4346004-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Interkulturalität |0 (DE-588)4519498-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Stanislavskij, Konstantin Sergeevič |d 1863-1938 |0 (DE-588)118616765 |D p |
| 689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
| 689 | 0 | 2 | |a Stanislawski-System |0 (DE-588)4346004-5 |D s |
| 689 | 0 | 3 | |a Interkulturalität |0 (DE-588)4519498-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Pitches, Jonathan |d 1968- |0 (DE-588)1049223349 |4 edt | |
| 700 | 1 | |a Aquilina, Stefan |0 (DE-588)113701444X |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 9781472587893 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 9781472587909 |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029743333 | ||
Datensatz im Suchindex
| _version_ | 1804177573118214144 |
|---|---|
| adam_text | Index
Accademia ď Arte Drammatica 36
Actors Studio 4,40,60, 70,137,209,216,
223,241,340, 350, 352
Adedeji, Joel 274, 278
Adler, Stella 4,8,209,241,242,243,345,
352,359
Agrebi, Mohammed Abdelaziz 291,292,
295, 304
Akhter, Mohsina 423
Al-Deen, Selim 427
Alekséieva, Kira 214
Alexander Technique 329
Alexandrinsky Theatre 135
Alkazi, Ebrahim 394, 396,400,402-6,407,
409,410,413
Alvarez, Pedro 248
Amateur theatre 108,114,120
American Conservatory Theatre (ACT)
San Francisco 342
An Actor Prepares 36,38,44-9, 58,64, 81,
103,113,121, 146, 149,151,152,166,
190, 199, 246,252,254, 279, 296, 298,
332,339, 343, 350, 356, 375, 395,401,
409,410,418,420,421, 424
An Actors Work (on Himself) 35,36, 38,40,
44-9, 51-4, 58-9, 64, 81,103, 113,121,
146, 149,151,152,166, 190, 199,246,
252,279,296,298,332, 339, 343, 350,
375, 395, 401,409,410,418,420,421,
424
Andreou, Vassilis 134
Antoine, André 64, 75, 144, 292, 297;
Théâtre Libre 144
Antorova, Konkordia 54
Aotearoa (New Zealand) 21,27, 319-23,
367-90
Appia, Adolphe 55,230,297
Aquilina, Karmenu 117
Araújo, Antonio 230,234
Arbuzov, Alexei 106
Arendt, Hannah 312
Argentina 20,207,210-12,261-7; Escuela
de Teatro de Buenos Aires 262,267;
National School of Theatre 261; Theatre
Institute of the University of Buenos
Aires 211
Arko, Yusuf Hassan 421
Armenis, Giorgos 130
Artaud, Antonin 12,83, 192, 225, 232,234,
292
Ashbolt, Allan 331, 332, 336
Australasia 14,21,317,320, 322,361
Australia 21, 319-23,325-46, 347-66;
Ensemble Theatre Sydney (ETS) 347,
348, 350; National Institute of Dramatic
Art (NIDA) 325, 338-45; Sydney
Theatre Company 325; Victorian
College of the Arts (VCA) School of
Drama 327,330,341,343; Melbourne
Theatre Company (MTC) 340, 342
Awasthi, Suresh 405,408,415
Axworthy, Geoffrey 274,277, 278,279
Ayckbourn, Alan 361
Azad, Pavel 422,440
Azzopardi, Karmen 115-16
Azzopardi, Mario 107,109,113, 117,
121
Babu, Fazlur Rahman 426
Badia, Nora 247
Bain, Keith 342
Bangladesh 21,391,393-7,417-43;
Department of Drama and Dramatics
(JU) 421,426; Department of Theatre
and Performance Studies (DU) 421,
422,423,424, 427,440; Group Theatre
419-20, 421,430,437-8
Banham, Martin 274, 277-8, 281
Barba, Eugenio 12, 55, 56, 57,119,230,232,
234, 254, 282,440
Barter, Nicholas 196,197, 202, 203
Bartet, Julia 69
454
Index
Bates, Sandra 362-3
Batti, Gaston 127
Bayly, Lorraine 351,354,364
Beaumarchais, Pierre 67,99
Beecher-Stowe, Harriet 95
Belasco, David 3
Ben Ammar, Raja 302, 306
Ben Ayed, Aly 292,296, 297,298,305
Ben-Ari, Reiken 242, 243,257
Benedetti, Jean 4,17,59,163,209,215,379,
385
Berliner Ensemble 64,340
Bernard Shaw, George 230,365
Bernhardt, Sarah 28,71,296
Berry, Cicely 327,413
Bhabha, Homi 272,381,395,396,397
Bharata 394,399,400,402,405,406,407,
408,409,410,412,414
Bhatia, Shelia 401,402
Binet, Alfred 69
binte Siddique, Taskin 433
Blainey, Geoffrey 319,323
Blair, Rhonda 375,377, 385
Blake, Shirley 118
Blanchett, Cate 338
Boal, Augusto 222-3,233,234
Bodenwieser, Gertrud 342
Bolachova, Tania 247
Boleslavsky, Richard 42,166,190,216-17,
350,394,401
Bolsheviks 71,73,76,77,83,95,103
Borghi, Renato 221
Boris Shchukin Institute 170-1
Brando, Marlon 117
Brazil 20,207-10,213-37; Asdrúbal Trouxe
o Trombone 228,229; Dramatic Art
School of São Paulo 217; Grupo
Mambembe 228,229; Os Comediantes
217-21,225; Pod Minoga 228; Royal
Bixigas Company 228; Teatro Brasileiro
de Comédia (TBC) 222,225,230,233;
Teatro de Arena 210,222-4,228,234;
Teatro do Ornitorrinco 228,229; Teatro
Oficina 224,225,228,234; Teatro
Municipal do Rio de Janeiro 218; Vento
Forte 228
Breazu, Marcei 262
Brecht, Bertolt 40,64,84,119,131,135,145,
188,191,202,208,209-10, 223,224, 225,
229,230,234, 249,250,251,253, 303,
310, 311,330, 340,348,363,396
Brene, Jose R. 244,245
Brining, James 202
Bristol Old Vic 107
Bristol University Drama Department 107
Brook, Peter 12,13,119,152,343
Broughton, John 378
Brown, Tim (T-profile) 17-18
Brown, Tom 339, 344
Buchner, Georg 313
Buenaventura, Enrique 210
Building a Character 44,49,58,153,154,
163,252,254, 299,340,395,409,410,
418,421,422,424
Bulgakov, Mikhail 252,255
Buzo, Alex 363
Camilleri,Frank 111, 112,120
CaoYu 152,153
Capitalism 8,108
Carnicke, Sharon Marie 1,2,4,5,6,7,8,9,
15,103,216,226,315,344,348, 373,374,
381,399,423
Castro, Andres 209,240,241
Cauchi, Manuel 118
Celdran, Carlos 255,256
Centre for Higher Dramatic Studies
(Cairo) 296
Chaker, Cherif 299
Chekhov, Anton 56,73,74,106,128,130,
131,133,150,151,207,230,251, 267,
395,423,427
Chekhov, Michael 3,70,81,83,87,92-6,
100-1,102,103,131,166,202,241,250,
305
Chekhov, Mikhail see Chekhov, Michael
Chen, Mingzheng 172,176,178,179,185,
190
Cherry, Wal 340
China 16,20,141,143-6,149-65,166-95,
274,386,394; Beijing Peoples Art
Theatre (ВРАТ) 146,149,152,153,154,
162; Central Academy of Drama
(CAD) 150,154,168,170,171,173,174,
180,184,185,186,190,192; Cultural
Revolution (1966-76) 145; huaju
(spoken drama) 143,149,150,162,166,
191 ;jingju (Beijing Opera) 150,181,
Index
455
2B4; Shanghai Theatre Academy (STA)
168,169,170-3,175,176,177-8,180,
185,190,192; xingxiang (image) 151;
xinxiang (mental image) 149,151,163;
xiqu (indigenous Chinese theatre) 181
Chmara, Grigori 81
Clurman, Harold 4,335
Colbung, Ken 362
Colonialism 19,105,371,440
Communism 8,103,167,200
Cómo se hace un actor see An Actor
Prepares
Cooke, Dominic 216
Copeau, Jacques 29,32,38,42,55,64, 75,
81,83,119,127,190,297; Vieux-
Colombier 29, 75
Coquelin, Benoît-Constant 28,68,69,71,
83,153,162,163,304
Corrieri, Sergio 248
Costa, Jaime 219
Craig, Edward Gordon 55,56,81,144,147,
190,198, 230, 292, 303,402
Crawford, Cheryl 351, 352
Crawford, Terence 325
Cremona, Vicki Ann 110
Orilla, Heddy 261
Cruciani, Fabrizio 30,55,56; Founding
Fathers 55, 56
Cuba 20,207-10,238-60,284; Argos Teatro
255,256; Escuela Nacional de Arte 242;
Grupo Teatro Escambray 253; LOS
DOCE 250; Prometeo 242; Regla de
Ocha (Yoruba) 239; Salitas Movement
249,258; Teatro Estudio 249,250,251,
253; Teatro Mio 255
Cué, Michaelis 250,251
Cunill Cabanellas, Antonio 261
d’Amico, Silvio 35,36,37, 38,39,40, 53
Dalcroze, Emile 198,343
Daniels, Erinä 382,383
Dansey, Harry 380
Davies, Lindy 343
Davis, Jack 362
Davydova, Alexandra 93
De la Vega, Irma 209,240,241
De Lany, Robert 350
De Luis, Adolfo 209,240,243-7,251,252
De Morais, Dulcina 219
De Niro, Robert 117
De Pirro, Nicola 39
del Cioppo, Atahualpa (El Galpón) 210
Delamere, Alex 202
Delsarte, Jacques 292, 343
Diaghilev, Serge 71,83
Diakov, Valentine 334
Diderot, Denis 28, 38,40, 64,69,82, 83,291,
300
Dikiy, Aleksei 335
Dinelli, Mel 361
Diver, Cindy 377-9, 380
Doboujinski, Mstislav 95
Dongli, Guo 172,176,185,190
Doria, Gustavo 218
Dorókhina, Tatiana 214
Dostoevsky, Fyodor 73
Doughty, Marvic 109
Driss, Mohamed Massoud 293,305,306
Dubey, Satyadev 412
Dullin, Charles 81,306
Earley, Michael 119
Edwards, Alan 340, 344
Edwards, Gail 342
Eisenstein, Sergei 229
Enright, Nick 342,363
ensemble 17,28,29,31,64, 75, 78,81,91,
96,125,129,132,136,201,202,248,283,
348, 350, 376, 377,434
Escartin, Adela 209,240,242-3
Euripides 133,135
Evangelatou, Katerina 135
Exton, Clive 362
Farrugia, Lino 115,118,121
Feldenkrais, Moshe 327,329,343
Ferreira, Procopio 219
Filho, Antunes (Macunaima) 230,234,
235
Finch, Peter 335-8
First Studio 6,42,56,66,88, 89,93,95,102,
132,250,258,414
First World War 88,101,124
Fitton, Doris 322,332,333,334, 335,339,
349
Florian, Stephen 108,112,116,120,121
folk 129,130,232,235,283,394,395,402
Fomenko, Piotr 107,114
456
Index
France 20,27-8,63-86,120,127,143,217,
274,292,299,305,321
Free Stage (Jiyu Gekijo) 20,197
Fuchs, Georg 230
Gabrėnas, Antanas 97
Gacio, Roberto 242
Galan, Jaroslav 99
Gannoun, Ezzedine 302,306
Garcia, Santiago 210
Gelada, Jose 240
Gémier, Firmin 65,81
George, Miria 381
German Expressionism 76,84,144,220
Gest, Morris 73
Ghosh, Girishchandra 438,439,441
Gibson, Mel 338
Gielgud, John 335
GITIS 32,87,97,99,103,107,132,170,
211
globalisation 14, 30,112,143,440
Gogol, Nikolai 28,229,252,264
Goldoni, Carlo 74,75,150,233
Goncharov, Andrei 3
Gordon, Hayes 21,320,321,322,330,
347-64
Gorki, Maxim see Gorky, Maxim
Gorky, Maxim 73,74,79,99,149,152,154,
224,233,234
Government Inspector; The 51,93,103,185,
229,264
Greece 20,27,31,124-39; National Theatre
(Athens) 125,131,132; Royal
Conservatory (Athens) 125; Royal
Theatre (Athens) 125; Theatro Technis
31,127,129,131
Grey, Lina 219
Gromov, Viktor 93,95,102
Grotowski, Jerzy 12,35,54-7,60,100,119,
130,192,225,230,232,250,282,305,
310,311
Group Theatre 322,352,419,421,430,
438
Grybauskas, Juozas 96,103
Guarnieri, Gianfrancesco 221,222,234
Guelman, Alexander 251
Guerrieri, Gerardo 30,35,40,48-52,57,59
Gureev, G.N. 170,171,173,174,186,191
Gurevich, Liubov 42,48,69
Guthrie, Tyrone 338
Habima Theatre, Tel Aviv 242,335
Hamlet 93,102,103,147,207,273,294,305,
312,332,363,439
Hapgood, Norman 43,44
Haque, Anisul Barun 422
Hatta, Motoo 199
Hay, Alexander 340,342,344
Heller, Joseph 362
Hendry, Jonathan 377
Herbert, John 362
Hervé, Florimond 64
Hijikata,Yoshi 198
Hirata, Oriza 146,200,201
Hodge, Alison 202
Hodgman, Roger 341
Horn, Pantelis 124
Hu, Daol72,177,192
Huang, Zuolin 145,188,190
Hunt, Hugh 339
hybridity 18,144,208,272,310,311,385,
393-7,399,415,438
Ibsen, Henrik 14,74,125,126,128,130,
137,144,146,150,182,198,207,230,
250,266,332,361,395,423,425,426
Ichikawa, Sandanji II 146,197
II Dramma (The Drama) 39
India 21,386,391,393-7, 399-416,437,
438; National School of Drama (NSD)
393,399-415
Inspector General The see Government
Inspector; The
Institutul Ion Luca Caragiale (Bucharest)
261
interculturalism 18,22,397
Irving, Henry 439
Italy 6,20,27,30,31,35-62; Court of Bari
30,45,47,48,52,58; Einaudi
(publishers) 51,52-3,59; Laterza
(publishers) 45,46,47,48,50, 51, 52,
54,58,59; Piccolo Teatro di Milano 40,
107
Ivanovna, Galina 170
Jackson, Kevin 342,343
Jaibi, Fadhel 272,292,302,303,305,306
Jain, Kirti 396,400,412,413
Index
457
Jakševičius, Algirdas 92,93,96,102,103
Janisheski, Jeff 344
Japan 19,20,141,143-6,150,182,191,
196-204,240,274,394,402; angra
(Underground theatre) 200-1; gei
(actions) 198 gekidan (actors’
membership groups) 198-9; Jiyu Gekijo
(Free Theatre) 20,144,197; shingeki
(modern theatre movement) 144,197,
198,199,200,203; shogekijo (little/fringe
theatre) 201,203; yoseijo (drama
school) 199
Jarry, Alfred 229
Jewel, Riaz Mahmud 422
Jiang Qing (Madam Mao) 187
Jiao, Juyin 144,146,149-63,186
Jones, Patricia 362
Jouvet, Louis 75,81,336
Judic, Anne 64,82
Juknevičius, Romualdas 87,93,96,97,100
Jurašas, Jonas 100
Kabuki 182,197,198; kata (trained
gestures) 198
Kachalov Group (Kachalov, Vasily) 72,89
Kačinskas, Henrikas 96,103
Kahn, Ahasan 425
Kaiser, Georg 144
Kallergis, Lykourgos 128,137
Karanth, Babukodi Venkataramana 396,
400,405-9,410
Karanth, Shivarama 406
Kar at zas, Dimitris 135
Katrakis, Manos 132
Katselis, Pelos 124
Kay,‘Sydney’ John 336
Khan, Tariq Anam 422,440
Khrushchev, Nikita 2,100
Kiasashvili, Niko 106
Kingston, Peter 363
Kipste, Egil 343-4
Kiveli, Andrianou 124
Knebel, Maria 130,133,134,137,138,226,
300,305
Knight, Tony 342
Koiransky, Aleksandr 42
Konski, Grigori 98,100
Ко topouli, Marika 124,125
Kougioumtzis, Mimis 130
Kouka, Hone 381,382,385,386,387
Koun, Karolos (Theatro Technis) 31,125,
127-31,132,133,136
Krėvė, Vincas 90,102; Šarūnas 90,91,92,
93,102
Kristi, Georgui 214
Kulnyov, Boris 145,146,149,154,155,156,
159,162,168,170-80,185,189,191
Kusnet, Eugenio 209,216,220-8,230,233,
234
La construcción del personaje see Building a
Character
La formation de Vacteur see An Actor
Prepares
La mia vita nelldrte see My Life in Art
Laban, Rudolf 234,329, 343
laboratory 20,132,248,250,252,401
Lan Ma 154
Lanskoi, Yvgeny 344
Lao She 152,158,163
Latham, David 330
Lavoro delVattore see An Actors Work (on
Himself)
Lavoro delVattore su se stesso see An Actors
Work (on Himself)
Lazanis, Giorgos 130
Lecoq, Jacques 329
Leikov, YW. 170,171,173,174
Lensky, Aleksandr 42,66,82
Lermontov, Mikhail 132,133
Lesli, Platon Vladimirovich 168,170,171,
173.174.186.191.192
Lezcan, Miriam 255
Ligizos, Hector 135
Linares, Ernestina 248
Lipkovskaya, Yevgenia 145,168-71,174,
185.190.192
Lithuania 20,27,29-30,87-104,217,219,
220; Acting Studio 89, 90; Hebrew
Acting Studio 90,95,102; Klaipėda State
Theatre 96; National Theatre 87,88,89,
91,92,93,95,96,97,101,102; Vilnius
National Drama Theatre 97; Young
Theatre (Jaunųjų teatras) 95
Liubimov, Yuri 216
Livathinos, Stathis 125,131-4,135,136
Liverpool Institute of Performing Arts 107
Llerena, Lilliam 242
458
Index
Lo Gatto, Ettore 40
London Drama Centre 6
Lü,Fu 183,184
Lubovsky, Will Lee 335
Luhrmann, Baz 338
Lunacharsky State Theatre Institute 105,
190,240
Lvov, Giacomo 36,58
Lyndersay, K.W. Dexter 280
Lynn, Veronica 241,242,243,244
Ma vie dans Y Art see My Life in Art
Mackeviçiüté, Antanina 97
Mademoiselle George 71
Maeterlinck, Maurice 71,144
Maharishi, Mohan 412
Majumdar, Ferdousi 419
Mallia, Alfred 113
Malmgrem, Yat 342
Malta 20,27,29,105-23; Atturi Theatre
Productions 106,109,115,116; Curtain
Raiser Productions 109; Groups for
Human Encounter 109,112,117,121;
Koperatturi 109; Lemonhead
Productions 109;MTADA (Manoel
Theatre Academy of Dramatic Art)
106-7,117; Politeatru 106,107,109,
118; Teatru 111,109,112,120; Valletta
European Capital of Culture (2018) 119
Mao, Zedong 166,183,187
Markov, Pavel 113
Marshall, Albert 105
Martinez Allende, Francisco 240,243
Martinez Corrêa, José Celso 221,224,225,
235
Marxism 8,187,223, 335
McCallum, Rua 380-1
McConnochie, Rhys 363
McIntyre, Gail 188
McMahon, Gregan 322,331,332,345
Mei, Lanfang 168,188
Meisner, Sanford 4,320,322,347,350-3,
355,356,359
Melik֊ Zhakarov, Sergei 14
Mellor, Aubrey 203,338,339,340,342,345
Melo, Abel Gonzalez 255
Melo, Graça 219
Merezhko, Viktor 106
Merlin, Bella 7,9,202,226,344,369,379
Method, The (see also Lee Strasberg) 4,8,
70,114,118,131,180,200,216,220,221,
223,241,330,340,350,351,355,356,
358; Australian Method 338,345
Meyerhold, Vsevolod 3,55,59,71,72,81,
82, 83,96,119,130,171,191,202, 217,
227,228,229,230,231,232,234,258,
299, 303,305,402
Mi vida en el arte see My Life in Art
Milano, Paolo 38,40
Miller, Arthur 207,233,365
Miuchi, Suzue 200
Molière 66,67,83,302
Mollica, Fabio 56
Morin, Francisco 240,242
Moruo, Guo 156,158
Moscow Art Theatre (MAT) 1,2,3,6,14,
15,17,20,27,28,29,31,36,39,40,42,
63,65,67, 70,71-2,74,75,76, 77,78-80,
83,88,93,98,99,103,105,106,128,129,
132,147,150,152,170,171,183,207,
215,217,220,225,239,242,247,250,
257,292,293,322,330,331,332,335,
340.351.354.355.414
Moundraki, Irini 132
Mounet-Sully, Jean 69,71
Müller, Heiner 311
Muscat, Bryan 115
My Life in Art 8,12,36,38, 41,42,43,48,49,
51,52,53,59,64,121,129,137,146,215,
252,254,262,298,299,301,322,332,
420
Nafpliotou, Maria 134
Natyasastra 16,394,396,399,400,402,405,
406.408.409.414
Nemirovich-Danchenko, Vladimir 1,22,
37,77, 78, 79,80,83,150,151,152,293,
335
Nester, Zika 322,347,350,351,353,358,
364,365
New Zealand (Aotearoa) 21,27,319-23,
367-90; Kilimogo Productions 368,374,
377,378,379,386,387; manaakitanga
(allowing receptiveness) 368,375,376,
377,379; Tawata Productions 368,
381-3; tikanga (customary Maori
cultural practices); 368,372,374,377,
378,379,382; Toi Whakaari о Aotearoa:
Index
459
New Zealand Drama School 368,371,
386; whanaungatanga (spirit of kinship)
321, 368, 375-7,376, 377, 379,380, 381,
385
Nigeria 20,239,271,273-4,277-89; Lufodo
Academy of Performing Arts 286;
Nollywood 280,286,287; School of
Drama (University of Ibadan) 274,277,
278,279,283,285,287
Nivoix, Paul 66
Noble, Andrew 372
Noreika, Laimonas 87,97
O’Neill, Eugene 96,144,248,365
Odets, Clifford 127,335
Oehr, Jane 362
Ogunmola, Kola 283
Oikonomou, Thomas 31,125-6
Okakura, Shiro 199
Oleka-Žilinskas, Andrius 30, 87, 88-96,
100,101,102,103
Olivier, Laurence 338
organic life/organicity 36,56,96,130,136,
144, 213,226, 231, 243,244,253, 257,
439
Orlov, Vasilii 98,101
Orlova, Marja 98,101
Osanai, Kaoru 20,146,147,197
Ostrovski, Alexander 28,252
Ouerghi, Nejia 301
Ouerghi, Noureddine 301,306
Ouyang,Yuqian 184,186
Oyston, Peter 341
Pacino, A1 114
Pagnol, Marcel 66
Pavlov, Ivan 70
Pavlova, Tatiana 35, 36, 37
Peixoto, Fernando 221
Perry, Charles 219
Piscator, Erwin 223, 242,243
Pitches, Jonathan 121,127, 202,287,412
Pitoeff, Georges 81,127
Politis, Fotis 31,124,126-7
postcolonialism 272,281,311,313,330,
370, 371,440
Povoledo, Elena 45
Prague Group 89,105
Pramanik, Abdul Halim 427,428,429,440
Prybiskava, Zoya Arkkadava 351
Puche, Alejandro González 211
Puget, Claude-André 244
Quentin, Robert 339
Quintero, Hector 244
RADA (Royal Academy of Dramatic Art)
6,196,198,286,338,340, 394
Ragauskaitė, Aurelija 97
Raghunandana, S. 409
Rahman, Nurur 424,425,440
Rapoport, Iosef M. 247,248,252
Rashid, Mamunur 420,421,438,440,441
Raubaitė, Birutė 87,97
Real Escuela Superior De Arte Dramático
Madrid 107
Rebellato, Dan 14,113
Reid, Don 354,364,365
Reinhardt, Max 126, 230,402,
representation 28,64,68,69, 70, 82,84,229,
242, 248,251,304,367,370,377,380,
418,419,436,439,440
Revuelta, Raquel 248,249
Revuelta, Vincente 209, 243,247-52, 258
Reynolds, EUzabeth 30,43-8,49, 50,52,53,
58
Riaskova, Radka 300
Ribot, Théodule 69,70,351
Ribush, Doha 336, 349
Richards, Thomas 57
Ripellino, Angelo Maria 53, 59
ritual 132, 255, 256,310, 311, 321, 370, 373,
375, 377,385, 394
Robbins, J.J. 42
Rodiris, Dimitris 124
Rodrigues, Nelson 218,219, 220
Rose Bruford College 6,107,119,274,278,
280
Ross, Andrew 362
Rosset, Caca 229
Rouchá, Jacques 81,297
Royal Central School of Speech and Drama
107
Rubin, Leon 202
Ruth, Annie 371, 377
Saint-Denis, Michel 6,339
Sajer, Faouez 298-9
460
Index
Sano, Seki 240,241,243,257
Sayem, Moncef 302,306
Schembri-Bonaci, Giuseppe 107,110
Schildkraut, Joseph 4
Schranz, John J. 105,112,117
Scrimgeour, Colin 336
Second Studio 98,414
Second World War 6,15,30,40,87,96,97,
125,233,335, 336, 339,361, 386
Sen, Satu 394,400,401,415
Senda, Koreya 199
Serov, Georgy 81
Serov, Gueorgui 81
Sevastikoglou, George 127,137
Shah, Brij Mohan 400,409-12,413
Shaheen, Israfeel 395,423,424,425,426,
427, 428
Shanzun, Ouyang 152
Shchepkin, Mikhail 28,68
Shimomura, Masao 199
Shirley, David 6,274,279
Simon, Neil 361
Simonov Theatre 107,110
Slavutski, Aleksander 106
Smeliansky, Anatoly 3,4,5,15,190,232
Socialist Realism 2,8,15,43,80,97,167,
199
Sokolov, Vladimir 81
Soloviova, Inna 105
Soloviova, Vera 95,103
Song, Tingxi 172,185,190
Sontakke, K.M. 404
Sophocles 135,233
South Africa 20,271,273,277,281-2,
309-15
Soviet Union 42,97,99,145,146,154,166,
167,183,191,202,217,225
Soyinka, Wole 279,280
Sruoga, Balys 30,88,89,90,91,93,95,101
Stalin, Joseph 2,8,79,80,97,99,100,103
Stanislavsky Electrotheater 135
Stanislavsky Studies 8,56,168
Stanislavsky, Konstantin; Active Analysis
9-10,133,226,227,300,368-9,381;
Affective Memory 8, 9,70,82, 209,262,
302; Characterization 28,66,114,207,
273,287,314,396, 399,407,420,425,
426,427,438; Concentration 28,175,
176,177,178,243,249,257,261,279,
283,285,300,306,339, 373,379,396,
403,413,421,433; embodiment 41,64,
82,209,227,384,385; Emotion Memory
28,29, 70,113,180,188, 200,257, 262,
273,279,285,311,312,314,339,340,
353,356,382,395,403,421,428,433;
ethics 28,29,31,63,90,98,137,146,
294,319,321-3; everyday life 114,115,
134,191, 245,273,311, 322, 380,423;
experiencing 38-9,41,51,64,66,69,
82-3,149,151,153,171,178,186,190,
208,210,281,356,373,374, 378,382,
384; Given Circumstances 19,69,70,98,
132,133,153,154,159,169,188,189,
227,228,257,263,273,312,314, 328,
339,342,403,404,421,423,425,427;
imagination 10,29,98,113,130,175,
176,177,178,257,261,283,300, 301,
306,337,355,385,403,410,413,421,
422,433; magic if 245,354,355,395,
421,425,427,433; Method of Physical
Action 9,40,51,155, 226,227,243, 252,
262; psychophysicality 8,96,118,129,
155,208,228,241,251,254,255,257,
284,301, 344; subtext 56, 70,132,159,
245,257,261,313,315,327,337,350;
tempo-rhythm 65,228,300,301,306,
403,421,432. See also An Actor
Prepares, An Actors Work (on Himself ]
Building a Charactery My Life
in Art
Stoppard, Tom 361
Strasberg, Lee (see also The Method) 4,8,
121,209,216,242,262,280,320,329,
342,347,350-6,358, 369
Strehler, Giorgio 59,107
Strindberg, August 230,233
Suda, John 117
Sulerzhitsky, Leopold 71,88,89,90,102,
414
Sultana, Tania 433,434
Suzuki, Tadashi 36,201
Syron, Brian 362,364
Tairov, Alexander, Chamber Theatre 71,76,
88
Taviani, Ferdinando 30,56,57
Taylor, Rangimoana 374-7,385,386
Tcherkasski, Sergei 5,203,344
Index
461
Teatrin (Light or Diminutive Theatre) 106,
109,112,120
Terayama, Shuji 201
Terzopoulos, Theodoras 135,136
Theatre Arts Books 45,46,47
Théâtre des Champs-Élysées 73,75,77
Third Studio 95,98
Thomson, Katherine 363
Thyam, Ratan 412
Tian, Han 158
Timms, Heather 383
Tolentino, Eduardo (Тара) 230,234
Tolmacheva, Galina 261
Tolstoy, Alexei 73,74
Tolstoy, Lev (Leo) 79,127
Toporkov, Vasily Osopovich 40,57,115,226
transmission 2,4-7,13,16-21,22,27-32,
40,101,105,124,132,144,166,167,168,
170,172,173,189,210,211,216,221,
273,274, 278, 279,280,283,284, 285,
287,291,295,298,300,303,320,321,
326,393,400
Treniov, Konstantin 79
Tribulo, Juan Antonio 211
Tunisia 20,32,271-2,274,290-308; School
of Arab Theatre (Ecole du Théâtre
Arabe) 295, 296,299, 304; Théâtre de la
Terre 301; Théâtre El Hamra 302;
Théâtre Phou 301; Troupe de la Ville de
Tunis 295, 297, 304, 305
Turgenev, Ivan 73,74
Tutuola, Amos 283
universality 12,13,15,21,68, 72,207,216,
239,245,250,254,281,294,357,359,
364,370
Vaillant, Roger 247
Vaitkus, Jonas 100,103
Vakhtangov, Yevgeny (Vakhtangov Theatre)
3,71, 91, 96,102,107,130,132,133,154,
171,241,250,258,335,356
Vancevičius, Henrikas 97,100
Varnaitė, Regina 97
Vassiliev, Anatoli 132,133,136,137
Vilar, Jean 64, 81,274,296-8,340
Vitez, Antoine 81
Vlasova, Vera 105
Warfield, David 4
Warrington, Lisa 377
Wasserstein, Wendy 363
Webber Douglas Academy of Dramatic
Art 107
Webby, George 372
Wesker, Arnold 243
Whaley, George 340,341,342
Wherrett, Richard 325,326
White Army 72
Whyman, Rose 6,118,370
Wilde, Oscar 144,233
Williams, Tennessee 207,230,361
Williamson, David 363
Williamson, TC. 339,361
Wilshire, John 336
Worms, Gustave 69
Xia, Chun 159,163
Xu, Qiping 172,177,185
Xue, Mu 172,185
Yamada, Hajime 199
Yashin, Sergei 106
Young, Norbert 286
Yu, Shizhi 153,157,160,163
Yusupov, Prince Felix 78
Zakhava, Boris 170,264
Zelćius, Leonardas 87,97,103
Zelwerowicz, Alexander 14,22
Zhang, Min 183
Zhao, Ming 183
Zhao, Qiyang 152,154,156
Zhou, Bing 172,176,191
Zia, Titas 422
Ziembiński, Zbigniew 20,216-20,221,222,
233
Zmerli, Hassan 294,295
Вг */(
Staaîshîtvv
Münchs
іа
Stanislavsky in the World
The System and its Transformations
Across Continents
Edited by
Jonathan Pitches and Stefan Aquilina
Bloomsbury Methuen Drama
An imprint of Bloomsbury Publishing Pic
BLOOMSBURY
LONDON • OXFORD • NEW YORK • Nl-W DELHI • SYDNEY
Contents
Acknowledgements
Translation Credits and Notes on Transliteration
List of Figures
Introduction
Context 1 Well-trodden Paths: US, UK, Russian and Soviet
Perspectives on Stanislavsky s Transmission
Stefan Aquilina
Context 2 A System for all Nations? Stanislavskys Transmission in
the World
Jonathan Pitches
Part 1 Europe
Introduction
Stefan Aquilina
1 Three Periods of Stanislavsky in Italy
Franco Ruffini
2 Stanislavsky and French Theatre: Selected Affinities
Marie-Christine Autant-Mathieu
3 Between Nationalism and Ideology: Stanislavsky in Lithuania
Ina Pukelyte
4 An Amateur Processing of the System: Stanislavsky in Malta
Stefan Aquilina
5 Moments of Transition: Stanislavsky in Greece
Maria Gaitanidi
viii
ix
xi
VI Contents
Part 2 China and Japan
Introduction
Jonathan Pitches
6 Towards a Chinese School of Performance and Directing:
Jiao Juyin Siyuan Liu
I Stanislavsky with Chinese Characteristics: How the System
was Introduced into China
Jonathan Pitches and Ruru Li
8 A Producers Perspective: Stanislavsky in Contemporary Japan
Kaori Nakayama
Part 3 Latin America
Introduction
Stefan Aquilina
9 Stanislavsky in Brazil: Territories and Frontiers
Arlete Cavaliere
10 Stanislavskys Legacy in Cuba
^ Yana Elsa Brugal
«
II A Teacher s Perspective: Stanislavsky at the Escuela de
Teatro de Buenos Aires in Argentina
Raul Serrano
Part 4 Africa
Introduction
iStefan Aquilina
12 Stanislavsky in Nigeria: Convergences and Counterpoints in
Actor Training and Practice
Kene Igweonu
13 Stanislavsky in Tunisian Theatre: a Heritage in Progress
Moez Mrabet
Contents
14 A Directors Perspective: Stanislavsky in South Africa
David Peimer
vii
Part 5 Australasia
Introduction 319
Jonathan Pitches
15 Theatrical Bowerbirds: Received Stanislavsky and the
Tyranny of Distance in Australian Actor Training 325
Ian Maxwell
16 Acting Idealism and Emotions: Hayes Gordon,
The Ensemble Theatre and Acting Studios in Australia 347
Peta Tait
17 Stanislavsky in Aotearoa: The System Experienced
through the Maori World 367
Hilary Halba
Part 6 India and Bangladesh
Introduction 393
Jonathan Pitches
18 Between Stanislavsky and Bharata: Actor Training at the
National School of Drama in New Delhi 399
JooYeoul Ryu with Stefan Aquilina
19 Stanislavsky in the Modern Theatre of Bangladesh:
A Mapping of Postcolonial Appropriation and Assimilation 417
Syed Jamil Ahmed
Notes on Contributors
Index
|
| any_adam_object | 1 |
| author2 | Pitches, Jonathan 1968- Aquilina, Stefan |
| author2_role | edt edt |
| author2_variant | j p jp s a sa |
| author_GND | (DE-588)1049223349 (DE-588)113701444X |
| author_facet | Pitches, Jonathan 1968- Aquilina, Stefan |
| building | Verbundindex |
| bvnumber | BV044340281 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2062 |
| callnumber-raw | PN2062 |
| callnumber-search | PN2062 |
| callnumber-sort | PN 42062 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (OCoLC)994295428 (DE-599)BVBBV044340281 |
| dewey-full | 792.02/8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/8 |
| dewey-search | 792.02/8 |
| dewey-sort | 3792.02 18 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03799nam a2200589 c 4500</leader><controlfield tag="001">BV044340281</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170801 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170607s2017 xxkac|| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">017000052</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472587879</subfield><subfield code="9">978-1-4725-8787-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472587886</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-4725-8788-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)994295428</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044340281</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2062</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.02/8</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Stanislavsky in the world</subfield><subfield code="b">the system and its transformations across continents</subfield><subfield code="c">edited by Jonathan Pitches and Stefan Aquilina</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; Oxford ; New York ; New Delhi ; Sydney</subfield><subfield code="b">Bloomsbury Methuen Drama</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 461 Seiten</subfield><subfield code="b">Illustrationen, Karten, Portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Drama & performance studies</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before"...</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Stanislavsky, Konstantin</subfield><subfield code="d">1863-1938</subfield><subfield code="x">Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Stanislavskij, Konstantin Sergeevič</subfield><subfield code="d">1863-1938</subfield><subfield code="0">(DE-588)118616765</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DRAMA / General / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Method acting</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DRAMA / General</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Stanislawski-System</subfield><subfield code="0">(DE-588)4346004-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Interkulturalität</subfield><subfield code="0">(DE-588)4519498-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Stanislavskij, Konstantin Sergeevič</subfield><subfield code="d">1863-1938</subfield><subfield code="0">(DE-588)118616765</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Stanislawski-System</subfield><subfield code="0">(DE-588)4346004-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Interkulturalität</subfield><subfield code="0">(DE-588)4519498-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pitches, Jonathan</subfield><subfield code="d">1968-</subfield><subfield code="0">(DE-588)1049223349</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Aquilina, Stefan</subfield><subfield code="0">(DE-588)113701444X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">9781472587893</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">9781472587909</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029743333</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV044340281 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:50:13Z |
| institution | BVB |
| isbn | 9781472587879 9781472587886 |
| language | English |
| lccn | 017000052 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029743333 |
| oclc_num | 994295428 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | xiii, 461 Seiten Illustrationen, Karten, Portraits |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Methuen Drama |
| record_format | marc |
| series2 | Drama & performance studies |
| spelling | Stanislavsky in the world the system and its transformations across continents edited by Jonathan Pitches and Stefan Aquilina London ; Oxford ; New York ; New Delhi ; Sydney Bloomsbury Methuen Drama 2017 xiii, 461 Seiten Illustrationen, Karten, Portraits txt rdacontent n rdamedia nc rdacarrier Drama & performance studies "Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before"... Stanislavsky, Konstantin 1863-1938 Criticism and interpretation Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd rswk-swf DRAMA / General / bisacsh Geschichte Method acting History DRAMA / General Stanislawski-System (DE-588)4346004-5 gnd rswk-swf Interkulturalität (DE-588)4519498-1 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 p Theater (DE-588)4059702-7 s Stanislawski-System (DE-588)4346004-5 s Interkulturalität (DE-588)4519498-1 s DE-604 Pitches, Jonathan 1968- (DE-588)1049223349 edt Aquilina, Stefan (DE-588)113701444X edt Erscheint auch als Online-Ausgabe, EPUB 9781472587893 Erscheint auch als Online-Ausgabe, PDF 9781472587909 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stanislavsky in the world the system and its transformations across continents Stanislavsky, Konstantin 1863-1938 Criticism and interpretation Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd DRAMA / General / bisacsh Geschichte Method acting History DRAMA / General Stanislawski-System (DE-588)4346004-5 gnd Interkulturalität (DE-588)4519498-1 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)118616765 (DE-588)4346004-5 (DE-588)4519498-1 (DE-588)4059702-7 (DE-588)4143413-4 |
| title | Stanislavsky in the world the system and its transformations across continents |
| title_auth | Stanislavsky in the world the system and its transformations across continents |
| title_exact_search | Stanislavsky in the world the system and its transformations across continents |
| title_full | Stanislavsky in the world the system and its transformations across continents edited by Jonathan Pitches and Stefan Aquilina |
| title_fullStr | Stanislavsky in the world the system and its transformations across continents edited by Jonathan Pitches and Stefan Aquilina |
| title_full_unstemmed | Stanislavsky in the world the system and its transformations across continents edited by Jonathan Pitches and Stefan Aquilina |
| title_short | Stanislavsky in the world |
| title_sort | stanislavsky in the world the system and its transformations across continents |
| title_sub | the system and its transformations across continents |
| topic | Stanislavsky, Konstantin 1863-1938 Criticism and interpretation Stanislavskij, Konstantin Sergeevič 1863-1938 (DE-588)118616765 gnd DRAMA / General / bisacsh Geschichte Method acting History DRAMA / General Stanislawski-System (DE-588)4346004-5 gnd Interkulturalität (DE-588)4519498-1 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Stanislavsky, Konstantin 1863-1938 Criticism and interpretation Stanislavskij, Konstantin Sergeevič 1863-1938 DRAMA / General / bisacsh Geschichte Method acting History DRAMA / General Stanislawski-System Interkulturalität Theater Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029743333&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pitchesjonathan stanislavskyintheworldthesystemanditstransformationsacrosscontinents AT aquilinastefan stanislavskyintheworldthesystemanditstransformationsacrosscontinents |