Ashcan art, whiteness, and the unspectacular man:
Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. As...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States |
| Beschreibung: | xvi, 264 Seiten, 32 ungezählte Seiten Bildtafeln Illustrationen, Porträts |
| ISBN: | 9781501325755 |
Internformat
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| 520 | 3 | |a Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States | |
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| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029740966&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804177568972144640 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS VIII
ACKNOWLEDGMENTS XIV
INTRODUCTION 1
1 WHAT ARE YOU LOOKING AT? BODIES, DESIRE, AND PORTRAITS 29
2 WORKING HARD OR HARDLY WORKING? LABOR, RACE, AND MANHOOD 85
3 SEX SELLS: DESIRE, MONEY, AND MALE BODIES 125
4 MEN SEEKING MEN 189
EPILOGUE 237
SELECTED BIBLIOGRAPHY 242
INDEX 260
|
| any_adam_object | 1 |
| author | Boylan, Alexis L. 1972- |
| author_GND | (DE-588)1014137802 |
| author_facet | Boylan, Alexis L. 1972- |
| author_role | aut |
| author_sort | Boylan, Alexis L. 1972- |
| author_variant | a l b al alb |
| building | Verbundindex |
| bvnumber | BV044337854 |
| classification_rvk | LO 96691 |
| contents | What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men |
| ctrlnum | (OCoLC)992530025 (DE-599)BVBBV044337854 |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1900-1910 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1900-1910 |
| format | Book |
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| geographic | USA |
| geographic_facet | USA |
| id | DE-604.BV044337854 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:50:09Z |
| institution | BVB |
| isbn | 9781501325755 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029740966 |
| oclc_num | 992530025 |
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| owner | DE-12 DE-255 DE-473 DE-BY-UBG DE-11 |
| owner_facet | DE-12 DE-255 DE-473 DE-BY-UBG DE-11 |
| physical | xvi, 264 Seiten, 32 ungezählte Seiten Bildtafeln Illustrationen, Porträts |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc. |
| record_format | marc |
| spelling | Boylan, Alexis L. 1972- Verfasser (DE-588)1014137802 aut Ashcan art, whiteness, and the unspectacular man Alexis L. Boylan New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc. 2017 xvi, 264 Seiten, 32 ungezählte Seiten Bildtafeln Illustrationen, Porträts txt rdacontent n rdamedia nc rdacarrier What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States Ashcan school (DE-588)4441270-8 gnd rswk-swf Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1900-1910 gnd rswk-swf Geschichte Kunst (DE-588)4114333-4 gnd rswk-swf Männlichkeit Motiv (DE-588)4372433-4 gnd rswk-swf Darstellung (DE-588)4200624-7 gnd rswk-swf Mann (DE-588)4037363-0 gnd rswk-swf Weiße (DE-588)4132038-4 gnd rswk-swf USA Masculinity in art Ashcan school of art Painting, American / 19th century / Themes, motives Painting, American / 20th century / Themes, motives Art and society / United States / History / 19th century Art and society / United States / History / 20th century Art and society Painting, American / Themes, motives United States 1800-1999 History Ashcan school (DE-588)4441270-8 b Männlichkeit Motiv (DE-588)4372433-4 s Mann (DE-588)4037363-0 s Weiße (DE-588)4132038-4 s Kunst (DE-588)4114333-4 s Darstellung (DE-588)4200624-7 s Geschichte 1900-1910 z DE-604 Erscheint auch als Online-Ausgabe, ePub 978-1-5013-2576-2 Erscheint auch als Online-Ausgabe, ePDF 978-1-5013-2577-9 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029740966&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Boylan, Alexis L. 1972- Ashcan art, whiteness, and the unspectacular man What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men Ashcan school (DE-588)4441270-8 gnd Geschichte Kunst (DE-588)4114333-4 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Darstellung (DE-588)4200624-7 gnd Mann (DE-588)4037363-0 gnd Weiße (DE-588)4132038-4 gnd |
| subject_GND | (DE-588)4441270-8 (DE-588)4114333-4 (DE-588)4372433-4 (DE-588)4200624-7 (DE-588)4037363-0 (DE-588)4132038-4 |
| title | Ashcan art, whiteness, and the unspectacular man |
| title_auth | Ashcan art, whiteness, and the unspectacular man |
| title_exact_search | Ashcan art, whiteness, and the unspectacular man |
| title_full | Ashcan art, whiteness, and the unspectacular man Alexis L. Boylan |
| title_fullStr | Ashcan art, whiteness, and the unspectacular man Alexis L. Boylan |
| title_full_unstemmed | Ashcan art, whiteness, and the unspectacular man Alexis L. Boylan |
| title_short | Ashcan art, whiteness, and the unspectacular man |
| title_sort | ashcan art whiteness and the unspectacular man |
| topic | Ashcan school (DE-588)4441270-8 gnd Geschichte Kunst (DE-588)4114333-4 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Darstellung (DE-588)4200624-7 gnd Mann (DE-588)4037363-0 gnd Weiße (DE-588)4132038-4 gnd |
| topic_facet | Ashcan school Geschichte Kunst Männlichkeit Motiv Darstellung Mann Weiße USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029740966&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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