Music in 1853: the biography of a year
Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet exte...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Suffolk
Boydell & Brewer
2012
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Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich.<BR><BR> <I>Music in 1853</I> shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms.<BR><BR> HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published <I>Beethoven's Century: Essays on Composers and Themes</I> with Boydell/URP. |
Beschreibung: | Title from publisher's bibliographic system (viewed on 11 May 2017) |
Beschreibung: | 1 online resource (xvi, 208 pages) digital, PDF file(s) |
ISBN: | 9781782040149 |
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505 | 8 | |a Brahms leaves home, April-May -- Berlioz and Spohr in London, May-July -- Brahms and Liszt in Weimar, June -- Wagner and Liszt in Zurich, May-July -- Berlioz in Baden-Baden and Frankfurt, July-August -- Joachim and Brahms in Gottingen and Bonn, July-September -- Liszt in Frankfurt, Weimar, and Carlsbad, July-September -- Wagner in St Moritz and La Spezia, July-September -- Liszt in Karlsruhe, September-October -- Schumann and Brahms in Dusseldorf, September-October -- Liszt, Wagner and Berlioz in Paris, October -- Berlioz, Joachim and Brahms in Hanover, October-November -- Brahms, Berlioz and Liszt in Leipzig, November-December -- The Schumanns in Holland and Hanover, November-February | |
520 | |a Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich.<BR><BR> <I>Music in 1853</I> shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms.<BR><BR> HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published <I>Beethoven's Century: Essays on Composers and Themes</I> with Boydell/URP. | ||
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Macdonald, Hugh 1940- |
author_facet | Macdonald, Hugh 1940- |
author_role | aut |
author_sort | Macdonald, Hugh 1940- |
author_variant | h m hm |
building | Verbundindex |
bvnumber | BV044337331 |
classification_rvk | LP 19505 |
collection | ZDB-20-CBO |
contents | Brahms leaves home, April-May -- Berlioz and Spohr in London, May-July -- Brahms and Liszt in Weimar, June -- Wagner and Liszt in Zurich, May-July -- Berlioz in Baden-Baden and Frankfurt, July-August -- Joachim and Brahms in Gottingen and Bonn, July-September -- Liszt in Frankfurt, Weimar, and Carlsbad, July-September -- Wagner in St Moritz and La Spezia, July-September -- Liszt in Karlsruhe, September-October -- Schumann and Brahms in Dusseldorf, September-October -- Liszt, Wagner and Berlioz in Paris, October -- Berlioz, Joachim and Brahms in Hanover, October-November -- Brahms, Berlioz and Liszt in Leipzig, November-December -- The Schumanns in Holland and Hanover, November-February |
ctrlnum | (ZDB-20-CBO)CR9781782040149 (OCoLC)992547312 (DE-599)BVBBV044337331 |
dewey-full | 780.9034 |
dewey-hundreds | 700 - The arts |
dewey-ones | 780 - Music |
dewey-raw | 780.9034 |
dewey-search | 780.9034 |
dewey-sort | 3780.9034 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1800-1900 Geschichte 1853 gnd |
era_facet | Geschichte 1800-1900 Geschichte 1853 |
format | Electronic eBook |
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genre_facet | Biografie |
geographic | Europa |
geographic_facet | Europa |
id | DE-604.BV044337331 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:50:08Z |
institution | BVB |
isbn | 9781782040149 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029740465 |
oclc_num | 992547312 |
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owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 online resource (xvi, 208 pages) digital, PDF file(s) |
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spelling | Macdonald, Hugh 1940- Verfasser aut Music in 1853 the biography of a year Hugh MacDonald Suffolk Boydell & Brewer 2012 1 online resource (xvi, 208 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 11 May 2017) Brahms leaves home, April-May -- Berlioz and Spohr in London, May-July -- Brahms and Liszt in Weimar, June -- Wagner and Liszt in Zurich, May-July -- Berlioz in Baden-Baden and Frankfurt, July-August -- Joachim and Brahms in Gottingen and Bonn, July-September -- Liszt in Frankfurt, Weimar, and Carlsbad, July-September -- Wagner in St Moritz and La Spezia, July-September -- Liszt in Karlsruhe, September-October -- Schumann and Brahms in Dusseldorf, September-October -- Liszt, Wagner and Berlioz in Paris, October -- Berlioz, Joachim and Brahms in Hanover, October-November -- Brahms, Berlioz and Liszt in Leipzig, November-December -- The Schumanns in Holland and Hanover, November-February Why 1853? For many leading composers this year brought far-reaching changes to their lives: Brahms emerged from obscurity to celebrity, Schumann ceased to be an active composer, and both Berlioz and Wagner became active again after long silences. By limiting the perspective to a single year yet extending it to a group of musicians, their constant interconnections become the central motif: Brahms meets Berlioz and Liszt as well as Schumann; Liszt is a constant link in every chain; Joachim is close to all of them; Wagner is on everyone's mind. No one composer is at the centre of the story, but a network of musicians spreads across the map of Europe from London and Paris to Leipzig and Zurich.<BR><BR> <I>Music in 1853</I> shows how musicians were now more closely connected than ever before, through the constant exchange of letters and the rapidly expanding railway network. The book links geography and day-to-day events to show how international the European musical scene had become. A larger picture emerges of a shift in musical scenery, from the world of the innocent Romanticism of Berlioz and Schumann to the more potent musical politics of Wagner and of his antidote (as many saw him) Brahms.<BR><BR> HUGH MACDONALD is Avis H. Blewett Professor Emeritus of Music at Washington University, St Louis. He has authored books on Skryabin and Berlioz and has previously published <I>Beethoven's Century: Essays on Composers and Themes</I> with Boydell/URP. Geschichte 1800-1900 Geschichte 1853 gnd rswk-swf Musik Composers / Europe / Biography Music / Europe / 19th century / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Europa (DE-588)4006804-3 Biografie gnd-content Musik (DE-588)4040802-4 s Geschichte 1853 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, hardback 978-1-843-83718-3 https://www.cambridge.org/core/product/identifier/9781782040149/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Macdonald, Hugh 1940- Music in 1853 the biography of a year Brahms leaves home, April-May -- Berlioz and Spohr in London, May-July -- Brahms and Liszt in Weimar, June -- Wagner and Liszt in Zurich, May-July -- Berlioz in Baden-Baden and Frankfurt, July-August -- Joachim and Brahms in Gottingen and Bonn, July-September -- Liszt in Frankfurt, Weimar, and Carlsbad, July-September -- Wagner in St Moritz and La Spezia, July-September -- Liszt in Karlsruhe, September-October -- Schumann and Brahms in Dusseldorf, September-October -- Liszt, Wagner and Berlioz in Paris, October -- Berlioz, Joachim and Brahms in Hanover, October-November -- Brahms, Berlioz and Liszt in Leipzig, November-December -- The Schumanns in Holland and Hanover, November-February Musik Composers / Europe / Biography Music / Europe / 19th century / History and criticism Musik (DE-588)4040802-4 gnd |
subject_GND | (DE-588)4040802-4 (DE-588)4006804-3 |
title | Music in 1853 the biography of a year |
title_auth | Music in 1853 the biography of a year |
title_exact_search | Music in 1853 the biography of a year |
title_full | Music in 1853 the biography of a year Hugh MacDonald |
title_fullStr | Music in 1853 the biography of a year Hugh MacDonald |
title_full_unstemmed | Music in 1853 the biography of a year Hugh MacDonald |
title_short | Music in 1853 |
title_sort | music in 1853 the biography of a year |
title_sub | the biography of a year |
topic | Musik Composers / Europe / Biography Music / Europe / 19th century / History and criticism Musik (DE-588)4040802-4 gnd |
topic_facet | Musik Composers / Europe / Biography Music / Europe / 19th century / History and criticism Europa Biografie |
url | https://www.cambridge.org/core/product/identifier/9781782040149/type/BOOK |
work_keys_str_mv | AT macdonaldhugh musicin1853thebiographyofayear |