Detective fiction and the rise of forensic science:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2003
|
| Ausgabe: | First paperback edition |
| Schriftenreihe: | Cambridge studies in nineteenth century literature and culture
26 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 341 Seiten Illustrationen |
| ISBN: | 9780521527620 0521527627 |
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Datensatz im Suchindex
| _version_ | 1804177565809639424 |
|---|---|
| adam_text | Contents
List of illustrations page xiii
Acknowledgements xvii
1 The devices of truth i
PART I TELL-TALE HEARTS
2 The lie detector and the thinking machine 21
3 The unequal voice in “The Murders in the Rue Morgue” 40
4 The letter of the law in The Woman in White 57
5 The criminal type in “A Case of Identity” 75
6 The voice of America in Red Harvest 91
PART II ARRESTING IMAGES
7 The mug shot and the magnifying glass 111
8 Photographic memories in Bleak House 131
9 Double exposures in The House of the Seven Gables 150
10 Negative images in “A Scandal in Bohemia” 167
11 Empty cameras in The Big Sleep and Farewell My Lovely 181
PART III IDENTIFYING MARKS
12 The fingerprint and the map of crime 201
13 Foreign bodies in A Study in Scarlet and The Sign of Four 220
xi
xii Contents
14 Accusing hands in Pudd’nhead Wilson 240
15 International plots in The Maltese Falcon and Murder on the
Orient Express 257
[6 Missing persons and secret agents 276
Notes 291
Selected works for further reading 323
Index 333
This is the first book about the relationship between the development of forensic science
in the nineteenth century and the invention of the new literary genre of detective fiction
in Britain and America. Ronald R. Thomas examines the criminal body as a site of
interpretation and enforcement in a wide range of fictional examples, from Poe, Dickens
and Hawthorne through Twain and Conan Doyle to Hammett, Chandler and Christie. He
is especially concerned with the authority the literary detective manages to secure
through the ’ devices - fingerprinting, photography, lie detectors- with which he
discovers the truth and establishes his expertise, and the way in which those devices relate
to broader questions of cultural authority at decisive moments in the history of the genre.
This is an interdisciplinary project, framing readings of literary texts with an analysis of
contemporaneous developments in criminology, the rules of evidence, and modern
scientific accounts of identity.
|
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| title | Detective fiction and the rise of forensic science |
| title_auth | Detective fiction and the rise of forensic science |
| title_exact_search | Detective fiction and the rise of forensic science |
| title_full | Detective fiction and the rise of forensic science Ronald R. Thomas |
| title_fullStr | Detective fiction and the rise of forensic science Ronald R. Thomas |
| title_full_unstemmed | Detective fiction and the rise of forensic science Ronald R. Thomas |
| title_short | Detective fiction and the rise of forensic science |
| title_sort | detective fiction and the rise of forensic science |
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