Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and in...

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Bibliographische Detailangaben

1. Verfasser:	Nischik, Reingard M. (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Rochester, N.Y. Camden House 2007
Schlagworte:	Geschichte 1900-2000 Short stories, Canadian / History and criticism Canadian fiction / 20th century / History and criticism Englisch Kurzgeschichte Kanada Aufsatzsammlung
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Clark Blaise, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism has been devoted to the Canadian short story. This book redresses that imbalance by providing the first collection of critical interpretations of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain completes it. Geared both to specialists in and students of Canadian literature, the volume is of particular benefit to the latter because it provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story.<BR><BR> Contributors: Reingard M. Nischik, Martina Seifert, Heinz Antor, Julia Breitbach, Konrad Gross, Paul Goetsch, Dieter Meindl, Nina Kück, Stefan Ferguson, Rudolf Bader, FabienneC. Quennet, Martin Kuester, Jutta Zimmermann, Silvia Mergenthal, Caroline Rosenthal, Wolfgang Klooss, Lothar Hönnighausen, Heinz Ickstadt, Gordon Bölling, Christina Strobel, Waldemar Zacharasiewicz, Maria and Martin Löschnigg, Nadja Gernalzick, Eva Gruber, Brigitte Glaser, Georgiana Banita.<BR><BR> Reingard M. Nischik is Professor of American Literature at the University of Konstanz, Germany
Beschreibung:	Title from publisher's bibliographic system (viewed on 10 May 2017) The Canadian short story : status, criticism, historical survey / Reingard M. Nischik -- Canadian animal stories : Charles G.D. Roberts, "Do seek their meat from God" (1892) / Martina Seifert -- Tory humanism, ironic humor, and satire : Stephen Leacock, "The marine excursion of the Knights of Pythias" (1912) / Heinz Antor -- The beginnings of Canadian modernism : Raymond Knister, "The first day of spring" (written 1924/25) / Julia Breitbach -- From old world aestheticist immoralist to prairie moral realist : Frederick Philip Grove, "Snow" (1926/1932) / Konrad Gross -- Psychological realism, immigration, and city fiction : Morley Callaghan, "Last spring they came over" (1927) / Paul Goetsch -- Modernism, prairie fiction, and gender : Sinclair Ross, "The lamp at noon" (1938) / Dieter Meindl -- "An artful artlessness" : Ethel Wilson, "We have to sit opposite" (1945) / Nina Kück -- - Social realism and compassion for the underdog : Hugh Garner, "One-two-three little Indians" (1950) / Stefan Ferguson -- The perils of human relationships : Joyce Marshall, "The old woman" (1952) / Rudolf Bader -- The social critic at work : Mordecai Richler, "Benny, the war in Europe, and Myerson's daughter Bella" (1956) / Fabienne C. Quennet -- Myth and the postmodernist turn in Canadian short fiction : Sheila Watson, "Antigone" (1959) / Martin Kuester -- The modernist aesthetic : Hugh Hood, "Flying a red kite" (1962) / Jutta Zimmermann -- Doing well in the international thing? : Mavis Gallant, "The ice wagon going down the street" (1963) / Silvia Mergenthal -- (Un-)doing gender : Alice Munro, "Boys and girls" (1964) / Reingard M. Nischik -- Collective memory and personal identity in the prairie town of Manawaka : Margaret Laurence, "The loons" (1966) / Caroline Rosenthal -- "Out of place" : Clark Blaise, "A class of new Canadians" (1970) / Wolfgang Klooß -- - Realism and parodic postmodernism : Audrey Thomas, "Aquarius" (1971) / Lothar Hönnighausen -- "The problem is to make the story" : Rudy Wiebe, "Where is the voice coming from?" (1971) / Heinz Ickstadt -- The Canadian writer as expatriate : Norman Levine, "We all begin in a little magazine" (1972) / Gordon Bölling -- Canadian artist stories : John Metcalf, "The strange aberration of Mr. Ken Smythe" (1973) / Reingard M. Nischik -- "A literature of a whole world and of a real world" : Jane Rule, "Lilian" (1977) / Christina Strobel -- Failure as liberation : Jack Hodgins, "The concert stages of Europe" (1978) / Waldemar Zacharasiewicz -- Figures in a landscape : William Dempsey Valgardson, "A matter of balance" (1982) / Maria and Martin Löschnigg -- "The translation of the world into words" and the female tradition : Margaret Atwood, "Significant moments in the life of my mother" (1983) / Reingard M. Nischik -- - "Southern preacher" : Leon Rooke, "The woman who talked to horses" (1984) / Nadja Gernalzick -- Nativeness as third space : Thomas King, "Borders" (1991) / Eva Gruber -- Digressing to inner worlds : Carol Shields, "Our men and women" (1999) / Brigitte Glaser -- A sentimental journey : Janice Kulyk Keefer, "Dreams: storms: dogs" (1999) / Georgiana Banita
Beschreibung:	1 online resource (x, 426 pages) digital, PDF file(s)