Clowning as social performance in Colombia: ridicule and resistance
"Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns in the urban landscape of Bogota. In doing so it brings a fresh and updated perspective on what...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; New Delhi ; Sydney
Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc
2017
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| Schlagworte: | |
| Zusammenfassung: | "Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns in the urban landscape of Bogota. In doing so it brings a fresh and updated perspective on what clowning is as well as what it does in the 21st century. Featuring descriptions of more than 24 distinct clown performers, Barnaby King provides an engaging and lively account of the performative moment in which clowning transpires, analyzing the techniques and processes at work in producing what is commonly named as "clowning". In contrast with their North American and European counterparts, clowns in Latin America are seen every day in public settings, are popular cultural figures and sometimes claim to exercise real political influence. Drawing on five years of co-performative ethnography, the book argues that clown artists have thrived by adapting their craft to changing social and economic conditions, in some cases by allying themselves with authority and power, and in others by generating spaces for creativity and resistance in adverse circumstances. By applying performance theory to clowning in a specific cultural context this is the first work to propose an appropriate scholarly response to the diversity and ingenuity of clowning beyond Europe and North America." |
| Beschreibung: | Literaturverzeichnis Seite 261-271 |
| Beschreibung: | XII, 277 Seiten Illustrationen 23 cm |
| ISBN: | 9781474249270 1474249272 |
Internformat
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| 245 | 1 | 0 | |a Clowning as social performance in Colombia |b ridicule and resistance |c Barnaby King |
| 264 | 1 | |a London ; Oxford ; New York ; New Delhi ; Sydney |b Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc |c 2017 | |
| 300 | |a XII, 277 Seiten |b Illustrationen |c 23 cm | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Literaturverzeichnis Seite 261-271 | ||
| 505 | 8 | |a Introduction: The politics of the ridiculous -- Happy families: clowns in the circus -- Mangos and salsa: clowning the marketplace -- Acts of faith: clown theatre and the new wave -- Neo-clowns: culture, citizenship and public space -- Dialogues and divides: humanitarian clowning -- Unruly play: clowns in hospital -- Conclusion: a new map of clowning | |
| 520 | 3 | |a "Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns in the urban landscape of Bogota. In doing so it brings a fresh and updated perspective on what clowning is as well as what it does in the 21st century. Featuring descriptions of more than 24 distinct clown performers, Barnaby King provides an engaging and lively account of the performative moment in which clowning transpires, analyzing the techniques and processes at work in producing what is commonly named as "clowning". In contrast with their North American and European counterparts, clowns in Latin America are seen every day in public settings, are popular cultural figures and sometimes claim to exercise real political influence. Drawing on five years of co-performative ethnography, the book argues that clown artists have thrived by adapting their craft to changing social and economic conditions, in some cases by allying themselves with authority and power, and in others by generating spaces for creativity and resistance in adverse circumstances. By applying performance theory to clowning in a specific cultural context this is the first work to propose an appropriate scholarly response to the diversity and ingenuity of clowning beyond Europe and North America." | |
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| 653 | 0 | |a Clowns / Colombia / History / 21st century | |
| 653 | 0 | |a Clowning / Colombia / History / 21st century | |
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Datensatz im Suchindex
| _version_ | 1806961603023732736 |
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| adam_text | |
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| author | King, Barnaby |
| author_facet | King, Barnaby |
| author_role | aut |
| author_sort | King, Barnaby |
| author_variant | b k bk |
| building | Verbundindex |
| bvnumber | BV044325854 |
| contents | Introduction: The politics of the ridiculous -- Happy families: clowns in the circus -- Mangos and salsa: clowning the marketplace -- Acts of faith: clown theatre and the new wave -- Neo-clowns: culture, citizenship and public space -- Dialogues and divides: humanitarian clowning -- Unruly play: clowns in hospital -- Conclusion: a new map of clowning |
| ctrlnum | (OCoLC)983820344 (DE-599)BVBBV044325854 |
| era | Geschichte 2000-2016 gnd |
| era_facet | Geschichte 2000-2016 |
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| spelling | King, Barnaby aut Clowning as social performance in Colombia ridicule and resistance Barnaby King London ; Oxford ; New York ; New Delhi ; Sydney Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc 2017 XII, 277 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 261-271 Introduction: The politics of the ridiculous -- Happy families: clowns in the circus -- Mangos and salsa: clowning the marketplace -- Acts of faith: clown theatre and the new wave -- Neo-clowns: culture, citizenship and public space -- Dialogues and divides: humanitarian clowning -- Unruly play: clowns in hospital -- Conclusion: a new map of clowning "Contemporary Clowning as Social Performance in Colombia brings to light the emergence of new kinds of clowning in everyday life in Colombia, focusing particularly on the pervasive presence of clowns in the urban landscape of Bogota. In doing so it brings a fresh and updated perspective on what clowning is as well as what it does in the 21st century. Featuring descriptions of more than 24 distinct clown performers, Barnaby King provides an engaging and lively account of the performative moment in which clowning transpires, analyzing the techniques and processes at work in producing what is commonly named as "clowning". In contrast with their North American and European counterparts, clowns in Latin America are seen every day in public settings, are popular cultural figures and sometimes claim to exercise real political influence. Drawing on five years of co-performative ethnography, the book argues that clown artists have thrived by adapting their craft to changing social and economic conditions, in some cases by allying themselves with authority and power, and in others by generating spaces for creativity and resistance in adverse circumstances. By applying performance theory to clowning in a specific cultural context this is the first work to propose an appropriate scholarly response to the diversity and ingenuity of clowning beyond Europe and North America." Geschichte 2000-2016 gnd rswk-swf Geschichte Auftritt (DE-588)4209881-6 gnd rswk-swf Clown (DE-588)4010309-2 gnd rswk-swf Öffentlicher Raum (DE-588)4172385-5 gnd rswk-swf Kolumbien (DE-588)4031812-6 gnd rswk-swf Clowns / Colombia / History / 21st century Clowning / Colombia / History / 21st century Clowning Clowns Colombia 2000-2099 History Kolumbien (DE-588)4031812-6 g Öffentlicher Raum (DE-588)4172385-5 s Auftritt (DE-588)4209881-6 s Clown (DE-588)4010309-2 s Geschichte 2000-2016 z DE-604 |
| spellingShingle | King, Barnaby Clowning as social performance in Colombia ridicule and resistance Introduction: The politics of the ridiculous -- Happy families: clowns in the circus -- Mangos and salsa: clowning the marketplace -- Acts of faith: clown theatre and the new wave -- Neo-clowns: culture, citizenship and public space -- Dialogues and divides: humanitarian clowning -- Unruly play: clowns in hospital -- Conclusion: a new map of clowning Geschichte Auftritt (DE-588)4209881-6 gnd Clown (DE-588)4010309-2 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| subject_GND | (DE-588)4209881-6 (DE-588)4010309-2 (DE-588)4172385-5 (DE-588)4031812-6 |
| title | Clowning as social performance in Colombia ridicule and resistance |
| title_auth | Clowning as social performance in Colombia ridicule and resistance |
| title_exact_search | Clowning as social performance in Colombia ridicule and resistance |
| title_full | Clowning as social performance in Colombia ridicule and resistance Barnaby King |
| title_fullStr | Clowning as social performance in Colombia ridicule and resistance Barnaby King |
| title_full_unstemmed | Clowning as social performance in Colombia ridicule and resistance Barnaby King |
| title_short | Clowning as social performance in Colombia |
| title_sort | clowning as social performance in colombia ridicule and resistance |
| title_sub | ridicule and resistance |
| topic | Geschichte Auftritt (DE-588)4209881-6 gnd Clown (DE-588)4010309-2 gnd Öffentlicher Raum (DE-588)4172385-5 gnd |
| topic_facet | Geschichte Auftritt Clown Öffentlicher Raum Kolumbien |
| work_keys_str_mv | AT kingbarnaby clowningassocialperformanceincolombiaridiculeandresistance |