The Oxford handbook of adaptation studies:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | xv, 761 Seiten Illustrationen |
| ISBN: | 9780199331000 |
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| 245 | 1 | 0 | |a The Oxford handbook of adaptation studies |c edited by Thomas Leitch |
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| 650 | 4 | |a Literatur | |
| 650 | 4 | |a Literature |x Adaptations |x History and criticism | |
| 650 | 4 | |a Film adaptations |x History and criticism | |
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Datensatz im Suchindex
| _version_ | 1804177543705657344 |
|---|---|
| adam_text | Contents
Contributors ix
Introduction 1
Thomas Leitch
PART I FOUNDATIONS
OF ADAPTATION STUDY
1. Defining Adaptation 23
Timothy Corrigan
2. On the Origins of Adaptation, as Such: The Birth
of a Simple Abstraction 3 6
Glenn Jellenik
3. Nineteenth-Century Theatrical Adaptations of Novels:
The Paradox of Ephemerality 53
Renata Kobetts Miller
4. Bakhtin, Intertextuality, and Adaptation 71
Dennis Cutchins
5. Adaptation and Fidelity 87
David T. Johnson
6. Adaptation in Theory and Practice: Mending the Imaginary Fence 101
Mary H. Snyder
PART II ADAPTING THE CLASSICS
7. Midrashic Adaptation: The Ever-Growing Torah of Moses 119
Wendy Zierler
vi CONTENTS
8. The Recombinant Mystery of Frankenstein: Experiments
in Film Adaptation 137
Dennis R. Perry
9. Silent Ghosts on the Screen: Adapting Ibsen in the 1910s 154
Eirik Frisvold Hanssen
10. Intership: Anachronism between Loyalty and the Case 179
Mieke Bal
11. The Intratextuality of Film Adaptation: From Dying Animal
to Elegy 197
Jack Boozer
12. Classics Illustrated and the Evolving Art of Comic-Book
Literary Adaptation 214
William B. Jones, Jr.
PART III ADAPTING THE COMMONS
13. Revisionist Adaptation: Transtextuality, Cross-Cultural
Dialogism, and Performative Infidelities 239
Robert Stam
14. Adaptation in Bollywood 251
Lucia Kramer
15. Remakes, Sequels, Prequels 267
Constantine Verevis
16. Memes and Recombinant Appropriation: Remix,
Mashup, Parody 285
Eckart Voigts
PART IV ADAPTATION AND GENRE
17. Adaptation and Opera 305
Linda and Michael Hutcheon
CONTENTS VÜ
18. Popular Song and Adaptation 324
Mike Ingham
19. Radio Adaptation 340
Richard J. Hand
20. Telenovelas and/as Adaptations: Reflections on Local
Adaptations of Global Telenovelas 356
Stijn Joye, Daniel Biltereyst, and Fien Adriaens
21. Zombies Are Everywhere: The Many Adaptations of a Subgenre 370
Álvaro Hattnher
22. The History of Hong Kong Comics in Film
Adaptations: An Accidental Legacy 386
Wendy Siuyi Wong
23. Roads Not Taken in Hollywood’s Comic Book Movie
Industry: Popeye, Dick Tracy, and Hulk 407
Dan Hassler-Forest
24. Adaptation XXX 424
I. Q. Hunter
25. Videogame Adaptation 441
Kevin M. Flanagan
PART V ADAPTATION
AND INTERTEXTUALITY
26. Ekphrasis and Adaptation 459
Claus Clüver
27. Adaptation and Illustration: A Cross-Disciplinary Approach 477
Kate Newell
28. Aligning Adaptation Studies with Translation Studies 494
Laurence Raw
29. Adaptation and Intermediality
Lars Elleström
509
viii CONTENTS
30. Transmedia Storytelling as Narrative Practice 527
Marie-Laure Ryan
31. Adaptation and Interactivity 542
Kyle Meikle
PART VI ADAPTATION
ACROSS DISCIPLINES
32. Politics and Adaptation: The Case of Jan Hus 559
Petr Bubeníček
33. Adaptation and History 576
Defne Ersin Tutan
34. Making Adaptation Studies Adaptive 587
Brian Boyd
35. The Aura of Againness: Performing Adaptation 607
Nico Dicecco
PART VII PROFESSING ADAPTATION
36. Teaching Adaptation 625
Marty Gould
37. Adaptation and Revision 644
Keith Wilhite
38. How to Write Adaptation History 661
Peter Lev
39. Adaptation Theory and Adaptation Scholarship 679
Kamilla Elliott
40. Against Conclusions: Petit Theories and Adaptation Studies 698
Thomas Leitch
Index
711
This collection of forty new essays,
written by the loading scholars in adapta-
tion studios and distinguished contribu-
tors from outsido the fields is the most
comprehensive volume on adaptation
over published. Written to appeal alike
to specialists in adaptation, scholars
in allied fields, and general readers, it
hearkens back to the foundations of adap-
tation studies a century and more ago,
surveys its ferment of activity over the
past twenty years, and looks forward to
the future.
The Oxford Handbook of Adapta-
tion Studios considers the very different
problems in adapting the classics, from
the Bible to Frankenstein to Rhilip Roth,
and the commons, from online mashups
and remixes to adult movies. It surveys
a vast range of adaptations around the
world, from Latin American telenovelas
to Czech cinema, from Hong Kong comics
to Classics Illustrated, from Bollywood to
zombies, and explores the ways media as
different as radio, opera, popular song,
and videogames have handled adapta-
tion. Going still further, it examines the
relations between adaptation and such
intertextual practices as translation, illus-
tration, prequels, sequels, remakes, inter-
mediality, and transmediality.
The volume’s contributors consider
the similarities and differences between
adaptation and history, adaptation and
performance, adaptation and revision,
and textual and biological adaptation,
casting an appreciative but critical eye
on the theory and practice of adapta-
tion scholars--and, occasionally, each
other. The Oxford Handbook of Adapta-
tion Studios offers specific suggestions
for how to read, teach, creatl, and write
about adaptations in order to prepare
for a world in which adaptation, already
ubiquitous, is likely to become ever more
i mp ortant.
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| title | The Oxford handbook of adaptation studies |
| title_auth | The Oxford handbook of adaptation studies |
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