Queering the Terminator: sexuality and cyborg cinema
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis Seite 189-201 |
| Beschreibung: | ix, 201 Seiten Illustrationen |
| ISBN: | 9781501322341 |
Internformat
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Datensatz im Suchindex
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| adam_text |
QUEERING THE TERMINATOR
/ GREVEN, DAVIDYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT DESIRE, BUT
WERE AFRAID TO ASK A TERMINATOR
"JOHN CONNOR, IT IS TIME": QUEER SPECTATORSHIP AND THE PRIMAL SCENE
"IT'S JUST HIM AND ME": THE TERMINATOR
CYBORG MASOCHISM AND HOMO-FASCISM: TERMINATOR 2: JUDGMENT DAY
FALLING BEHIND: TERMINATOR 3: RISE OF THE MACHINES
FACING THE FATHER: TERMINATOR SALVATION
MAGNETIC CONNECTIONS: TERMINATOR GENISYS
EPILOGUE: NOTES ON TERMINATOR: THE SARAH CONNOR CHRONICLES
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
The Terminator film series is an unlikely site of queer affiliation. The entire premise
revolves around both heterosexual intercourse and the woman’s pregnancy and
giving birth. The Terminator embodies hypermasculine violence. Yet, as this book
argues, there is considerable queer interest in the Terminator mythos.
The films provide a framework for interpreting shifting gender codes and the
emergence of queer sexuality over the period of three decades. Significantly,
the series emerges in the Reagan 80s, which marked a decisive break with the
sexual fluidity of the 70s. As a franchise and on the individual basis of each filro,
the Terminator series combines both radical and reactionary elements. Each film
reflects the struggles over gender and sexuality specific to its release. At the same
time, the series foregrounds the intersection of technology and gender that has
become a definitive aspect of contemporary experience. A story organized around
a conservative view of female sexuality and the family, the Terminator myth is
nevertheless a richly suggestive narrative for queer theory and gender studies.
David Greven is Professor of English at the University of South Carolina, USA, and the
author of many books, including Psycho-Sexual: Male Desire in Hitchcock, De Pafma,
Ścorsese, and Friedkirf and Manhood in Hollywood from Bush to Bush. |
| any_adam_object | 1 |
| author | Greven, David |
| author_GND | (DE-588)173824226 |
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| building | Verbundindex |
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| callnumber-first | P - Language and Literature |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/75 |
| dewey-sort | 3791.43 275 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Soziologie |
| format | Book |
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| spellingShingle | Greven, David Queering the Terminator sexuality and cyborg cinema The Terminator (DE-588)4422613-5 gnd Terminator two - Judgement day (DE-588)4300223-7 gnd Terminator films History and criticism Homosexuality in motion pictures Sex role in motion pictures Sexuelle Orientierung (DE-588)7568353-2 gnd |
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| title | Queering the Terminator sexuality and cyborg cinema |
| title_auth | Queering the Terminator sexuality and cyborg cinema |
| title_exact_search | Queering the Terminator sexuality and cyborg cinema |
| title_full | Queering the Terminator sexuality and cyborg cinema David Greven |
| title_fullStr | Queering the Terminator sexuality and cyborg cinema David Greven |
| title_full_unstemmed | Queering the Terminator sexuality and cyborg cinema David Greven |
| title_short | Queering the Terminator |
| title_sort | queering the terminator sexuality and cyborg cinema |
| title_sub | sexuality and cyborg cinema |
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