Depicting Dante in Anglo-Italian literary and visual arts: allegory, authority and authenticity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xv, 216 Seiten Illustrationen 21 cm |
| ISBN: | 9781443899352 1443899356 |
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Datensatz im Suchindex
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| adam_text | Table of Contents
List of Illustrations....................................xi
Acknowledgements.......................................xiii
Preface.................................................xiv
Introduction..............................................1
Dante Alighieri: A Literary Authority and His Cultural Capital
Chapter 1................................................10
Analysing Dante
1.1A Short History of Dante Studies
1.1.1 General strands of Dante criticism in Italy
1.1.2 “Dante Is Hard, and Few Can Understand Him”:
Dante’s Reception in Britain from Romanticism
to Modernism (1785 -1929)
1.2 Current State of Research: Historical-Authoritative,
Ideological-Political and Visual-Intermedial Dante
Scholarship
1.3 Coming to Terms with Dante: The Quest for New
Methodologies
Chapter II...............................................28
Aestheticising Dante: Theoretical Concepts and Methodology
II. 1 Visual Rhetoric and Cultural Iconography
II. 1.1 Roaming the Streets of Culture: Aby Warburg’s
Pathos Formulae and the Concept of Historiograms
II. 1.2 Iconology, Structuralism and the Visual Turn
II.2 connecting the Visible with the Legible
11.2.1 Images, Icons, Iconotexts
11.2.2 Historical Intertexts and the Origins
Of Intermediality
11.2.3 Primacy of Poetry: The Debate
in the 18™/19™ Century
11.2.4 Structural Intertexts and the Limits
of Intermediality
11.2.5 Assessing Intermediality
Vlll
Table of Contents
Chapter III...............................................57
Dante’s Mental and Visual Images in the Manuscript Tradition
and Beyond (1321-1517)
III. 1 In Search of Dante
III. 1.1 Life and Work - Between Authentic
Autoreferentiality and Narrative Self-Consciousness
ІП. 1.2 Tirades and Treatises: Dante’s Political Thought
Expressed in DeMonarchia, II Convivio And Purgatorio
VI
III. 1.3 The Mystification of a Myth: Early Biographies
and Dante’s Historiograms In the 14th and in the 15th
Centuries
III. 1.4 Between Authority and Hagiography:
The Historiograms of Dante in the Early 15th Century
III. 2 Early Visual Images: From Pilgrim to Poet to Prophet
111.2.1 Dante’s Visual Image in Boccaccio’s Trattatello
In La ude Di Dante
111.2.2 An Allegorical Everyman: Dante Personaggio
on His Pilgrimage
111.2.3 “And Then I Fell as a Dead Body Falls”: Marvelling,
Sleeping and Fainting as Superlatives of Human
Expression in the Early Manuscript Tradition
111.2.4 Framing the Florentine: Dante Poet a
and the Allegory of Truth, Wisdom and Knowledge
111.2.5 Plaudits for the Poet: Sandro Botticelli’s Seminal
Versions of Dante
111.2.6 Satirising the Intellectual Icon: Leonardo
da Vinci’s Head of Dante
Chapter IV...............................................114
Rediscovering Dante in Britain
IV. 1 “Touching the Stone of Dante” ֊ Taste, Travel
and Tradition (1719-1850)
IV. 1.1 The Dantean Discourse in the 1 8th Century:
French Empiricism, German Aestheticism,
and British Pragmatism
IV. 1.2 Taste And Aesthetcs as Social and Educational
Driving Forces in Britain: The Courtier and the Grand
Tour
Depicting Dante in Anglo-Italian Literary and Visual Arts
IX
IV 2 “The: Anthropological Adhesion”: Visualisations of
Dante, Ugolino, and Paolo and Francesca in 18th- and 19th-
Century Britain
IV.2.1 Sir Jonathan Richardson’s Two Discourses and the
“Communication of Ideas”: The Story of Count Ugolino
as Historical Intertext and Contemporary Iconotext
IV.2.2 The Intermedial Process of Externalising
Transgression: Joshua Reynold’s Ugolino and John
Flaxman’s Paolo and Francesca
IV. 3 Rejuvenating Dante: The Historiogram of the Young
and Passionate Florentine
IV.3.1 “Youthful Manners And Sentiment”: Schlegel,
DE STAEL, HAZLITT AND DANTE’S VlTA NUOVA
IV.3.2 “A Handsome Young Apollo”: The Discovery
OF THE BARGELLO PORTRAIT
IV. 3.3 The Allegory of Love and Friendship·. Rossetti’s
Dantean Self-fashioning and Transmedial
Intermediality
Chapter V...............................................150
Audire Vocem Auctoritatis Dantis
V. 1 Dante as the Voice of Authority in Modernist Poetry
V. 1.1 “All Ages Are Contemporaneous”: Modernist Artistic
Creation and the Literary Past
V. 1.2 “The Comfort and the Amazement of My Age”:
T.S. Eliot’s Three Dantean Lessons
V. 1.3 “His Was the True Dantesque Voice”: The Allegory
of Eternal Truth And Poetic Vigour in T.S. Eliot’s
Little Gidding
Chapter VI..............................................168
Postmodernising Dante
Vi.1 Tom Phillips’ Dante’s Inferno
VI. 1.1 “A Postmodern Art Olympics”: Dialogicity,
Transformational Intermediality and Transtextual
Motivation In Phillips’ Dante’s Inferno
VI. 1.2 “Our Shade Takes Form”: Phillips’ Talking Footnotes
as Innovative Iconotexts in the Ugolino Canto
VI. 1.3 “Oh Ezra, Remember”: Selectivity, Structurality
and Stylistic Self-Reference
VI. 1.4 “A Bridge in Time and Reference”: Phillips’ Rich
Tapestry of Western Art, Thought and Ideas
x Table of Contents
Conclusion.................................................189
Bibliography...............................................193
Index......................................................214
|
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| spelling | Lehner, Christoph Verfasser aut Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity by Christoph Lehner Newcastle upon Tyne Cambridge Scholars Publishing 2017 xv, 216 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier Dissertation Universität Regensburg 2016 Dante Alighieri 1265-1321 (DE-588)118523708 gnd rswk-swf Geschichte gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Dante Alighieri 1265-1321 (DE-588)118523708 p Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Großbritannien (DE-588)4022153-2 g Kunst (DE-588)4114333-4 s Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029714837&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lehner, Christoph Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity Dante Alighieri 1265-1321 (DE-588)118523708 gnd Englisch (DE-588)4014777-0 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity |
| title_auth | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity |
| title_exact_search | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity |
| title_full | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity by Christoph Lehner |
| title_fullStr | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity by Christoph Lehner |
| title_full_unstemmed | Depicting Dante in Anglo-Italian literary and visual arts allegory, authority and authenticity by Christoph Lehner |
| title_short | Depicting Dante in Anglo-Italian literary and visual arts |
| title_sort | depicting dante in anglo italian literary and visual arts allegory authority and authenticity |
| title_sub | allegory, authority and authenticity |
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