Jazz Italian style: from its origins in New Orleans to fascist Italy and Sinatra
"Jazz Italian Style" explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Jazz Italian Style" explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in Northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering. - Anna Harwell Celenza is the Thomas E. Caestecker Professor of Music at Georgetown University, Washington DC, where she teaches courses in music history, radio journalism and the music industry. She is the author or editor of several scholarly books, and has published numerous articles on composers and musicians from Franz Liszt and Gustav Mahler to Duke Ellington, Billy Strayhorn, Louis Armstrong and Frank Sinatra. (Klappentext) |
| Beschreibung: | xi, 255 Seiten Illustrationen |
| ISBN: | 9781107169777 9781316768419 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044298060 | ||
| 003 | DE-604 | ||
| 005 | 20180517 | ||
| 007 | t | ||
| 008 | 170505s2017 a||| |||| 00||| eng d | ||
| 020 | |a 9781107169777 |9 978-1-107-16977-7 | ||
| 020 | |a 9781316768419 |c hbk. |9 978-1-316-76841-9 | ||
| 035 | |a (OCoLC)988570247 | ||
| 035 | |a (DE-599)BVBBV044298060 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a HIST |q DE-12 |2 fid | ||
| 084 | |a LS 78100 |0 (DE-625)110747: |2 rvk | ||
| 100 | 1 | |a Celenza, Anna Harwell |e Verfasser |0 (DE-588)1036404005 |4 aut | |
| 245 | 1 | 0 | |a Jazz Italian style |b from its origins in New Orleans to fascist Italy and Sinatra |c Anna Harwell Celenza (Georgetown University, Washington CD) |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2017 | |
| 300 | |a xi, 255 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a 1. Italians and the origins of jazz; 2. Jazz crosses the Atlantic; 3. Jazz and fascism; 4. Jazz Italian style; 5. A nation divided. | |
| 520 | |a "Jazz Italian Style" explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in Northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering. - Anna Harwell Celenza is the Thomas E. Caestecker Professor of Music at Georgetown University, Washington DC, where she teaches courses in music history, radio journalism and the music industry. She is the author or editor of several scholarly books, and has published numerous articles on composers and musicians from Franz Liszt and Gustav Mahler to Duke Ellington, Billy Strayhorn, Louis Armstrong and Frank Sinatra. (Klappentext) | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1921-1940 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Politik | |
| 650 | 0 | 7 | |a Jazz |0 (DE-588)4028532-7 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Italien | |
| 651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Jazz / Italy / 1921-1930 / History and criticism | |
| 653 | 0 | |a Jazz / Italy / 1931-1940 / History and criticism | |
| 653 | 0 | |a Jazz / Political aspects / Italy / History / 20th century | |
| 653 | 0 | |a Jazz / Louisiana / New Orleans / Italian influences | |
| 689 | 0 | 0 | |a Italien |0 (DE-588)4027833-5 |D g |
| 689 | 0 | 1 | |a Jazz |0 (DE-588)4028532-7 |D s |
| 689 | 0 | 2 | |a Geschichte 1921-1940 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-316-75522-8 |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029702009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029702009 | ||
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 09042 |g 45 |
| 942 | 1 | 1 | |c 781.65 |e 22/bsb |f 09043 |g 45 |
Datensatz im Suchindex
| _version_ | 1804177501281320960 |
|---|---|
| adam_text | Contents
List of Illustrations [page viii]
Acknowledgments [ix]
Prologue [1]
1 Italians and the Origins of Jazz [7]
2 Jazz Crosses the Atlantic [41]
3 Jazz and Fascism [69]
4 Jazz Italian Style [115]
5 A Nation Divided [159]
Epilogue [188]
Notes [193]
Bibliography [231]
Index [245]
|
| any_adam_object | 1 |
| author | Celenza, Anna Harwell |
| author_GND | (DE-588)1036404005 |
| author_facet | Celenza, Anna Harwell |
| author_role | aut |
| author_sort | Celenza, Anna Harwell |
| author_variant | a h c ah ahc |
| building | Verbundindex |
| bvnumber | BV044298060 |
| classification_rvk | LS 78100 |
| contents | 1. Italians and the origins of jazz; 2. Jazz crosses the Atlantic; 3. Jazz and fascism; 4. Jazz Italian style; 5. A nation divided. |
| ctrlnum | (OCoLC)988570247 (DE-599)BVBBV044298060 |
| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 Geschichte 1921-1940 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1921-1940 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03793nam a2200565 c 4500</leader><controlfield tag="001">BV044298060</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180517 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170505s2017 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781107169777</subfield><subfield code="9">978-1-107-16977-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316768419</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-316-76841-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)988570247</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044298060</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HIST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 78100</subfield><subfield code="0">(DE-625)110747:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Celenza, Anna Harwell</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1036404005</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Jazz Italian style</subfield><subfield code="b">from its origins in New Orleans to fascist Italy and Sinatra</subfield><subfield code="c">Anna Harwell Celenza (Georgetown University, Washington CD)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 255 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">1. Italians and the origins of jazz; 2. Jazz crosses the Atlantic; 3. Jazz and fascism; 4. Jazz Italian style; 5. A nation divided.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Jazz Italian Style" explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in Northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering. - Anna Harwell Celenza is the Thomas E. Caestecker Professor of Music at Georgetown University, Washington DC, where she teaches courses in music history, radio journalism and the music industry. She is the author or editor of several scholarly books, and has published numerous articles on composers and musicians from Franz Liszt and Gustav Mahler to Duke Ellington, Billy Strayhorn, Louis Armstrong and Frank Sinatra. (Klappentext)</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1921-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Politik</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Italien</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Jazz / Italy / 1921-1930 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Jazz / Italy / 1931-1940 / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Jazz / Political aspects / Italy / History / 20th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Jazz / Louisiana / New Orleans / Italian influences</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Jazz</subfield><subfield code="0">(DE-588)4028532-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1921-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-316-75522-8</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029702009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029702009</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">45</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">45</subfield></datafield></record></collection> |
| geographic | Italien Italien (DE-588)4027833-5 gnd |
| geographic_facet | Italien |
| id | DE-604.BV044298060 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:49:05Z |
| institution | BVB |
| isbn | 9781107169777 9781316768419 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029702009 |
| oclc_num | 988570247 |
| open_access_boolean | |
| owner | DE-703 DE-12 |
| owner_facet | DE-703 DE-12 |
| physical | xi, 255 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Celenza, Anna Harwell Verfasser (DE-588)1036404005 aut Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra Anna Harwell Celenza (Georgetown University, Washington CD) Cambridge Cambridge University Press 2017 xi, 255 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier 1. Italians and the origins of jazz; 2. Jazz crosses the Atlantic; 3. Jazz and fascism; 4. Jazz Italian style; 5. A nation divided. "Jazz Italian Style" explores a complex era in music history, when politics and popular culture collided with national identity and technology. When jazz arrived in Italy at the conclusion of World War I, it quickly became part of the local music culture. In Italy, thanks to the gramophone and radio, many Italian listeners paid little attention to a performer's national and ethnic identity. Nick LaRocca (Italian-American), Gorni Kramer (Italian), the Trio Lescano (Jewish-Dutch), and Louis Armstrong (African-American), to name a few, all found equal footing in the Italian soundscape. The book reveals how Italians made jazz their own, and how, by the mid-1930s, a genre of jazz distinguishable from American varieties and supported by Mussolini began to flourish in Northern Italy and in its turn influenced Italian-American musicians. Most importantly, the book recovers a lost repertoire and an array of musicians whose stories and performances are compelling and well worth remembering. - Anna Harwell Celenza is the Thomas E. Caestecker Professor of Music at Georgetown University, Washington DC, where she teaches courses in music history, radio journalism and the music industry. She is the author or editor of several scholarly books, and has published numerous articles on composers and musicians from Franz Liszt and Gustav Mahler to Duke Ellington, Billy Strayhorn, Louis Armstrong and Frank Sinatra. (Klappentext) Geschichte 1900-2000 Geschichte 1921-1940 gnd rswk-swf Geschichte Politik Jazz (DE-588)4028532-7 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Jazz / Italy / 1921-1930 / History and criticism Jazz / Italy / 1931-1940 / History and criticism Jazz / Political aspects / Italy / History / 20th century Jazz / Louisiana / New Orleans / Italian influences Italien (DE-588)4027833-5 g Jazz (DE-588)4028532-7 s Geschichte 1921-1940 z DE-604 Erscheint auch als Online-Ausgabe 978-1-316-75522-8 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029702009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Celenza, Anna Harwell Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra 1. Italians and the origins of jazz; 2. Jazz crosses the Atlantic; 3. Jazz and fascism; 4. Jazz Italian style; 5. A nation divided. Geschichte Politik Jazz (DE-588)4028532-7 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4027833-5 |
| title | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra |
| title_auth | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra |
| title_exact_search | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra |
| title_full | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra Anna Harwell Celenza (Georgetown University, Washington CD) |
| title_fullStr | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra Anna Harwell Celenza (Georgetown University, Washington CD) |
| title_full_unstemmed | Jazz Italian style from its origins in New Orleans to fascist Italy and Sinatra Anna Harwell Celenza (Georgetown University, Washington CD) |
| title_short | Jazz Italian style |
| title_sort | jazz italian style from its origins in new orleans to fascist italy and sinatra |
| title_sub | from its origins in New Orleans to fascist Italy and Sinatra |
| topic | Geschichte Politik Jazz (DE-588)4028532-7 gnd |
| topic_facet | Geschichte Politik Jazz Italien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029702009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT celenzaannaharwell jazzitalianstylefromitsoriginsinneworleanstofascistitalyandsinatra |