Transnational film remakes:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 238 Seiten Illustrationen |
| ISBN: | 9781474407243 9781474407236 |
Internformat
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Datensatz im Suchindex
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| adam_text |
CONTENTS
List of Illustrations vii
Traditions in World Cinema viii
Introduction: Transnational Film Remakes 1
lain Robert Smith and Constantine Verevis
PART I GENRES AND TRADITIONS
1. Disrupting the Remake: The Girl with the Dragon Tattoo 21
Lucy Mazdon
2. Fritz Lang Remakes Jean Renoir for Hollywood: Film Noir in
Three National Voices 36
R. Barton Palmer
3. The Cultural Politics of Remaking Spanish Horror Films in the
Twenty-first Century: Quarantine and Come Out and Play 54
Andy Willis
4. Tor the Dead Travel Fast’: The Transnational Afterlives of
Dracula 66
lain Robert Smith
CONTENTS
PART II GENDER AND PERFORMANCE
5. The Chinese Cinematic Remake as Transnational Appeal: Zhang
Yimou’s A Woman, a Gun and a Noodle Shop 87
Kenneth Chan
6. Transformation and Glamour in the Cross-Cultural Makeover:
Return to Eden, Khoon Bhari Maang and the Avenging Woman
in Popular Hindi Cinema 103
Michael Lawrence
7. Translating Cool: Cinematic Exchange between Hong Kong,
Hollywood and Bollywood 118
Rashna Wadia Richards
8. Trading Places: Das doppelte Lottchen and The Parent Trap 130
Constantine Verevis
PART III AUTEURS AND CRITICS
9. A Tale of Two Balloons: Intercultural Cinema and Transnational
Nostalgia in Le voyage du ballon rouge 147
David Scott Diffrient and Carl R. Burgchardt
10. ‘Crazed Heat5: Nakahira Ko and the Transnational Self-remake 164
David Desser
11. Remaking Funny Games: Michael Haneke’s Cross-cultural
Experiment 177
Kathleen Loock
12. Reinterpreting Revenge: Authorship, Excess and the Critical
Reception of Spike Lee’s Oldboy 195
Daniel Martin
13. The Transnational Film Remake in the American Press 210
Daniel Herbert
Notes on the Contributors 224
Index 228
vi
What happens when a film is remade in another national context? How do notions of translation,
adaptation and localisation help us understand the cultural dynamics of these shifts, and in what
ways does a transnational perspective offer us a deeper understanding of film remaking? Bringing
together a range of international scholars, Transnaţional film Remokes is the first edited collection
to specifically focus on the phenomenon of cross-cultural remakes.
Using a variety of case studies, from Hong Kong remakes of Japanese cinema to Bollywood
remakes of Australian television, this volume provides an analysis of cinematic remaking that
moves beyond Hollywood to address the truly global nature of this phenomenon, looking at
iconic contemporary titles such as The Of with the Dragon Tattoo and Oldboy, as well as classics
like Lo Bite Humaine and Lo Chienne, this book interrogates the fluid and dynamic ways in which
texts are adapted and reworked across national borders to provide a distinctive new model for
understanding these global cultural borrowings. |
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| title | Transnational film remakes |
| title_auth | Transnational film remakes |
| title_exact_search | Transnational film remakes |
| title_full | Transnational film remakes edited by Iain Robert Smith and Constantine Verevis |
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| title_full_unstemmed | Transnational film remakes edited by Iain Robert Smith and Constantine Verevis |
| title_short | Transnational film remakes |
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| topic_facet | Remake Transnationalisierung Aufsatzsammlung |
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