Verdi in Victorian London:
"Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, UK
Open Book Publishers
[2016]
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| Schlagworte: | |
| Online-Zugang: | Volltext Inhaltsverzeichnis |
| Zusammenfassung: | "Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception."--Publisher's website |
| Beschreibung: | viii, 348 Seiten Illustrationen, Porträts |
| ISBN: | 9781783742134 |
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| 505 | 8 | |a List of Illustrations -- Acknowledgments -- Introduction -- 1. Music Journalism in Early Victorian London -- 2. Ernani (1845) -- 3. Nabucco and I Lombardi (1846) -- 4. I due Foscari and I masnadieri (1847) -- 5. Attila (1848) -- 6. Uneventful Years: 1849–1852 -- 7. Rigoletto (1853) -- 8. Il trovatore (1855) -- 9. A Moral Case: The Outburst of La traviata (1856) -- 10. Luisa Miller (1858) -- 11. I vespri siciliani (1859) -- 12. The Years 1860 and 1861: Un ballo in maschera -- 13. Inno delle nazioni (1862) -- 14. Don Carlos and La forza del destino (1867) -- 15. The Late 1860s and Wagner’s L’Olandese dannato (1870) -- 16. Verdi’s Requiem and Wagner’s Lohengrin (1875) -- 17. Aida (1876) -- 18. Music Journalism in London: The Late 1870s and 1880s -- 19. Otello at the Royal Lyceum (1889) -- 20. Falstaff at Covent Garden (1894) -- Conclusions -- Appendix I: Verdi’s Premieres in London -- Appendix II: Verdi and Wagner in London -- Appendix III: The Periodicals -- Select Bibliography -- Index | |
| 520 | 3 | |a "Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. | |
| 520 | 3 | |a The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. | |
| 520 | 3 | |a Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception."--Publisher's website | |
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Datensatz im Suchindex
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Contents
List of Illustrations vii
Acknowledgments ix
Introduction 1
1. Music Journalism in Early Victorian London 15
2. Emani (1845) 31
3. Nabucco and I Lombardi (1846) 45
4. I due Foscuri and 1 masnadieri (1847) 57
5. Attila (1848) 77
6. Uneventful Years: 1849—1852 95
7. Rigoietto (1853) 113
8. Il trovatore (1855) 127
9. A Moral Case: The Outburst of La traviata (1856) 139
10. Luisa Miller (1858) 171
11. I vespri siciliani (1859) 181
12. The Years 1860 and 1861: Un ballo in maschera 191
13. Inno delle nazioni (1862) 209
14. Don Carlos and La forza del destino (1867) 217
15. The Late 1860s and Wagner's L'Olandese dannato (1870) 233
16. Verdi's Requiem and Wagner's Lohengrin (1875) 247
17. Aida (1876) 257
18. Music Journalism in London: The Late 1870s and 1880s 267
19. Otello at the Royal Lyceum (1889) 285
20. Falstaff at Covent Garden (1894) 297
Conclusions 309
Appendix I: Verdi's Premieres in London 321
Appendix II: Verdi and Wagner in London 325
Appendix III: The Periodicals 327
Select Bibliography 329
Index 335 |
| any_adam_object | 1 |
| author | Zicari, Massimo 1968- |
| author_GND | (DE-588)1038113539 |
| author_facet | Zicari, Massimo 1968- |
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| author_sort | Zicari, Massimo 1968- |
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| contents | List of Illustrations -- Acknowledgments -- Introduction -- 1. Music Journalism in Early Victorian London -- 2. Ernani (1845) -- 3. Nabucco and I Lombardi (1846) -- 4. I due Foscari and I masnadieri (1847) -- 5. Attila (1848) -- 6. Uneventful Years: 1849–1852 -- 7. Rigoletto (1853) -- 8. Il trovatore (1855) -- 9. A Moral Case: The Outburst of La traviata (1856) -- 10. Luisa Miller (1858) -- 11. I vespri siciliani (1859) -- 12. The Years 1860 and 1861: Un ballo in maschera -- 13. Inno delle nazioni (1862) -- 14. Don Carlos and La forza del destino (1867) -- 15. The Late 1860s and Wagner’s L’Olandese dannato (1870) -- 16. Verdi’s Requiem and Wagner’s Lohengrin (1875) -- 17. Aida (1876) -- 18. Music Journalism in London: The Late 1870s and 1880s -- 19. Otello at the Royal Lyceum (1889) -- 20. Falstaff at Covent Garden (1894) -- Conclusions -- Appendix I: Verdi’s Premieres in London -- Appendix II: Verdi and Wagner in London -- Appendix III: The Periodicals -- Select Bibliography -- Index |
| ctrlnum | (OCoLC)959700573 (DE-599)BVBBV044289395 |
| era | Geschichte 1800-1900 Geschichte 1844-1901 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1844-1901 |
| format | Book |
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| geographic | Italien London (DE-588)4074335-4 gnd |
| geographic_facet | Italien London |
| id | DE-604.BV044289395 |
| illustrated | Illustrated |
| indexdate | 2024-10-19T04:08:01Z |
| institution | BVB |
| isbn | 9781783742134 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029693531 |
| oclc_num | 959700573 |
| open_access_boolean | 1 |
| owner | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| owner_facet | DE-12 DE-210 DE-521 DE-1102 DE-1046 DE-1028 DE-1050 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-1049 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-Re13 DE-BY-UBR DE-Y3 DE-255 DE-Y7 DE-Y2 DE-70 DE-2174 DE-127 DE-22 DE-BY-UBG DE-155 DE-BY-UBR DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
| physical | viii, 348 Seiten Illustrationen, Porträts |
| psigel | ZDB-94-OAB |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Open Book Publishers |
| record_format | marc |
| spellingShingle | Zicari, Massimo 1968- Verdi in Victorian London List of Illustrations -- Acknowledgments -- Introduction -- 1. Music Journalism in Early Victorian London -- 2. Ernani (1845) -- 3. Nabucco and I Lombardi (1846) -- 4. I due Foscari and I masnadieri (1847) -- 5. Attila (1848) -- 6. Uneventful Years: 1849–1852 -- 7. Rigoletto (1853) -- 8. Il trovatore (1855) -- 9. A Moral Case: The Outburst of La traviata (1856) -- 10. Luisa Miller (1858) -- 11. I vespri siciliani (1859) -- 12. The Years 1860 and 1861: Un ballo in maschera -- 13. Inno delle nazioni (1862) -- 14. Don Carlos and La forza del destino (1867) -- 15. The Late 1860s and Wagner’s L’Olandese dannato (1870) -- 16. Verdi’s Requiem and Wagner’s Lohengrin (1875) -- 17. Aida (1876) -- 18. Music Journalism in London: The Late 1870s and 1880s -- 19. Otello at the Royal Lyceum (1889) -- 20. Falstaff at Covent Garden (1894) -- Conclusions -- Appendix I: Verdi’s Premieres in London -- Appendix II: Verdi and Wagner in London -- Appendix III: The Periodicals -- Select Bibliography -- Index Verdi, Giuseppe 1813-1901 (DE-588)118626523 gnd Oper (DE-588)4043582-9 gnd Musikkritik (DE-588)4139777-0 gnd Rezeption (DE-588)4049716-1 gnd Presse (DE-588)4047150-0 gnd |
| subject_GND | (DE-588)118626523 (DE-588)4043582-9 (DE-588)4139777-0 (DE-588)4049716-1 (DE-588)4047150-0 (DE-588)4074335-4 |
| title | Verdi in Victorian London |
| title_auth | Verdi in Victorian London |
| title_exact_search | Verdi in Victorian London |
| title_full | Verdi in Victorian London Massimo Zicari |
| title_fullStr | Verdi in Victorian London Massimo Zicari |
| title_full_unstemmed | Verdi in Victorian London Massimo Zicari |
| title_short | Verdi in Victorian London |
| title_sort | verdi in victorian london |
| topic | Verdi, Giuseppe 1813-1901 (DE-588)118626523 gnd Oper (DE-588)4043582-9 gnd Musikkritik (DE-588)4139777-0 gnd Rezeption (DE-588)4049716-1 gnd Presse (DE-588)4047150-0 gnd |
| topic_facet | Verdi, Giuseppe 1813-1901 Oper Musikkritik Rezeption Presse Italien London |
| url | https://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=23414 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029693531&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT zicarimassimo verdiinvictorianlondon |