Literary autobiography and Arab national struggles:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
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| Schriftenreihe: | Edinburgh studies in modern Arabic literature
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 205 Seiten |
| ISBN: | 9781474420228 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
A
Series Editor’s Foreword vi
Acknowledgments ix
A Note on Transliteration and Translation xii
List of Abbreviations xiii
Introduction - Literary Solitude: Autobiography, Modernity, and
Independence 1
1 From Solitude to Stealth: Taha Hussein and Sonallah Ibrahim 18
2 Revolutionary Memoirs: Assia Djebar and Latifa al-Zayyat 40
3 Palestine Song: Mahmoud Darwish and Mourid Barghouti 61
4 Revolutionary Solitude: Edward Said and Najla Said 86
5 Dreaming of Solitude: Haifa Zangana and Alia Mamdouh 110
6 Tahrir Memoirs: Radwa Ashour and Mona Prince 130
Epilogue - Arab Literature, World Literature 149
Notes 154
Bibliography 174
Index 199
Examines the effects of colonialism and independence on modern
Arab autobiography written in Arabic, English and French
In memoirs, Arab writers have invoked solitude in moments of deep public involvement.
Focusing on Taha Hussein, Sonallah Ibrahim, Assia Djebar, Latifa al-Zayyat, Mahmoud Darwish,
Mourid Barghouti, Edward Said, Najla Said, Haifa Zangana, Alia Mamdouh, Radwa Ashourand
Mona Prince, this book reads a range of autobiographical forms, sources and affinities with
other literatures.
Taking a comparative approach, Tahia Abdel Nasser shows the local sources of contemporary
Arab autobiography, adaptations of a global genre, and cultural exchange. She also examines
different aspects of the contemporary autobiography as it has evolved in the Arab world
during the past half-century, focusing on the particularity of the genre written in different
languages but pertaining to one overarching Arab culture. Drawing on memoirs, testimonies,
autobiographical novels, poetic autobiography, journals and diaries, she examines solitude and
national struggles in contemporary Arab autobiography.
Key Features
• Traces the effects of anticolonial and anti-imperialist movements on Arab autobiographical
production in Arabic, English and French in the twentieth and twenty-first centuries
• Provides a new assessment of autobiographical works in Arab literature and a contribution
to discussions of postcolonialism and world literature
• Considers the genre s affinities with other literatures in the global South
• Examines the effects of national movements on contemporary reworkings of the genre in
which Arab writers re-envision subjectivity in national cultures and transnational networks
Tahia Abdel Nasser is assistant professor and director of graduate studies in the Department
of English and Comparative Literature at the American University in Cairo. She is editor of
Tahia Gamal Abdel Nasser s Nasser: My Husband (2013).
EDINBURGH _
University Press I
edinburghuniversitypress.com
ISBN 978-1-A744-?0??-8
I
9 781474 420228
Cover design: www.richardbudddesign.co.uk
Cover image: War Child, Beirut, Lebanon, 2009 © Rola Khayyat
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