Photography in Canada 1960 - 2000:
This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the...
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Format: | Buch |
Sprache: | English |
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Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Condé and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon |
Beschreibung: | Itinerary National Gallery of Canada, 31 March - 4 September 2017 |
Beschreibung: | 175 Seiten |
ISBN: | 0888849486 9780888849489 |
Internformat
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520 | 3 | |a This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Condé and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon | |
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Datensatz im Suchindex
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adam_text | Titel: Photography in Canada 1960 - 2000
Autor: Kunard, Andrea
Jahr: 2017
Contents
7 Foreword
9 Acknowledgements
11 Photography in Canada, 1960 to 2000:
a Selection from the Canadian Museum
of Contemporary Photography and
National Gallery of Canada Collections
29 Catalogue
171 Notes
|
any_adam_object | 1 |
author | Kunard, Andrea |
author_facet | Kunard, Andrea |
author_role | aut |
author_sort | Kunard, Andrea |
author_variant | a k ak |
building | Verbundindex |
bvnumber | BV044284216 |
callnumber-first | T - Technology |
callnumber-label | TR |
callnumber-raw | TR |
callnumber-search | TR |
callnumber-sort | TR |
callnumber-subject | TR - Photography |
classification_rvk | AP 99082 |
ctrlnum | (OCoLC)992501554 (DE-599)BSZ485390019 |
dewey-full | 770 |
dewey-hundreds | 700 - The arts |
dewey-ones | 770 - Photography, computer art, cinematography |
dewey-raw | 770 |
dewey-search | 770 |
dewey-sort | 3770 |
dewey-tens | 770 - Photography, computer art, cinematography |
discipline | Kunstgeschichte Allgemeines |
era | Geschichte 1960-2000 gnd |
era_facet | Geschichte 1960-2000 |
format | Book |
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spelling | Photography in Canada 1960 - 2000 Canadian Photography Institute ; Andrea Kunard Ottawa Canadian Photography Institute 2017 175 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Itinerary National Gallery of Canada, 31 March - 4 September 2017 This fifth and final volume in the series dedicated to the National Gallery of Canada's immense photography collection documents the emergence of the medium as a recognized artistic discipline in Canada. The creation and growth of this unique collection reflects the enormous development in the practice, collection and display of photography over the latter half of the 20th century. Prior to this time, government institutions, commercial establishments and the legal, medical and journalism professions prized it for its documentary value. As a result, photographs rarely entered the collections of major institutions. This changed in the 1960s when art became more vigorous and dynamic. Photography especially articulated probing, contentious ideas of art, the artist, identity, sexuality and community. Art institutions, themselves undergoing radical transformation, acted as an interface between artist and public, and attempted to articulate movements and trends in art and photography. With dozens of full-page plates each accompanied by an individual abstract, the publication offers a scholarly essay providing artistic, cultural and historical context. Artists featured include those at the forefront of the changes in the 1960s and 1970s, as well as more contemporary figures who continue to push at the limits of the definition of the medium. They include Roy Arden, Raymonde April, Ed Burtnysky, Carol Condé and Karl Beveridge, Evergon, General Idea, Rodney Graham, Angela Grauerholz, Geoffrey James, Suzy Lake, Ken Lum, Gabor Szilasi, N.E. Thing Co, Ian Wallace and Jin-me Yoon Geschichte 1960-2000 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog National Gallery of Canada 31.03.2017-04.09.2017 Ottawa gnd-content Kanada (DE-588)4029456-0 g Fotografie (DE-588)4045895-7 s Geschichte 1960-2000 z DE-604 Kunard, Andrea aut Canadian Photography Institute (DE-588)1114927864 isb National Gallery of Canada (DE-588)1003320-8 his HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029688511&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Kunard, Andrea Photography in Canada 1960 - 2000 Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)4045895-7 (DE-588)4029456-0 (DE-588)4135467-9 |
title | Photography in Canada 1960 - 2000 |
title_auth | Photography in Canada 1960 - 2000 |
title_exact_search | Photography in Canada 1960 - 2000 |
title_full | Photography in Canada 1960 - 2000 Canadian Photography Institute ; Andrea Kunard |
title_fullStr | Photography in Canada 1960 - 2000 Canadian Photography Institute ; Andrea Kunard |
title_full_unstemmed | Photography in Canada 1960 - 2000 Canadian Photography Institute ; Andrea Kunard |
title_short | Photography in Canada 1960 - 2000 |
title_sort | photography in canada 1960 2000 |
topic | Fotografie (DE-588)4045895-7 gnd |
topic_facet | Fotografie Kanada Ausstellungskatalog National Gallery of Canada 31.03.2017-04.09.2017 Ottawa |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029688511&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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