The modern supernatural and the beginnings of cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave Macmillan
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "This book builds on my dissertation, "Early cinema and the supernatural", defended at Carleton University in 2011." - Seite vii |
| Beschreibung: | xii, 209 Seiten Illustrationen |
| ISBN: | 9781137583703 9781349844562 |
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Datensatz im Suchindex
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| adam_text |
Contents 1 Introduction 1 2 The Haunting of Film Theory 21 3 Light and Lies: Screen Practice and (Super-) Natural Magic 45 4 The Strange Case of George Albert Smith: Mesmerism, Psychical Research and Cinema 67 5 Aesthetics of Co-registration: Spirit Photography, X-rays and Cinema 97 6 Méliès’s Skeleton: Gender, Cinema’s Danse Macabre and the Erotics of Bone 135 7 “Living Pictures at Will”: Projecting Haunted Minds 173 8 Conclusion: Lost Worlds, Ghost Worlds 191 Index 201 ix
This study sees the 19th century supernatural as a significant context for cinema’s first years. The book takes up the familiar notion of cinema as a “ghostly”, “spectral" or "haunted" medium and asks what made such association possible. Examining the history of the projected image and supernatural displays, psychical research and telepathy, spirit photography and X-rays, the skeletons of the danse macabre and the ghostly spaces of the mind, it uncovers many lost and fascinating connections. Leeder locates film’s spectral affinities within a history stretching back to the beginning of screen practice and forward to the digital era. The book examines supernatural themes by pioneering filmmakers like Georges Méliès and George Albert Smith, while also engaging with recent representations of cinema’s ghostly past in Guy Maddin's online project Seances (2016). It is ideal for those interested in the history of cinema, the study of the supernatural and the pre-history of the horror film. Murray Leeder teaches Film Studies at the University of Calgary, Canada. |
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| spelling | Leeder, Murray Verfasser aut Early cinema and the supernatural The modern supernatural and the beginnings of cinema Murray Leeder London Palgrave Macmillan [2017] © 2017 xii, 209 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "This book builds on my dissertation, "Early cinema and the supernatural", defended at Carleton University in 2011." - Seite vii Dissertation Carleton University 2011 Geschichte 1800-1900 Geschichte 1896-1910 gnd rswk-swf Film Geschichte Film (DE-588)4017102-4 gnd rswk-swf Das Übernatürliche (DE-588)4148855-6 gnd rswk-swf Supernatural in motion pictures Motion pictures / History Supernatural / History / 19th century Motion pictures Supernatural 1800-1899 History (DE-588)4113937-9 Hochschulschrift gnd-content Film (DE-588)4017102-4 s Das Übernatürliche (DE-588)4148855-6 s Geschichte 1896-1910 z DE-604 Erscheint auch als Online-Ausgabe Leeder, Murray Modern supernatural and the beginnings of cinema London : This Palgrave Macmillan imprint is published by Springer Nature, [2017] 978-1-137-58371-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029686357&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | The modern supernatural and the beginnings of cinema |
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| title_auth | The modern supernatural and the beginnings of cinema |
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| title_full | The modern supernatural and the beginnings of cinema Murray Leeder |
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