Gillian Ayres:
This beautifully produced volume is the definitive monograph on Gillian Ayres (born 1930), whom journalist Andrew Marr describes as "probably the finest abstract painter alive in Britain." Working since the 1950s, Ayres has been celebrated for more than six decades for her use of vibrant c...
Gespeichert in:
Format: | Buch |
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Sprache: | English |
Veröffentlicht: |
© 2017
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Schlagworte: | |
Zusammenfassung: | This beautifully produced volume is the definitive monograph on Gillian Ayres (born 1930), whom journalist Andrew Marr describes as "probably the finest abstract painter alive in Britain." Working since the 1950s, Ayres has been celebrated for more than six decades for her use of vibrant color, impasto, tachiste effects and bold forms to create exuberant compositions full of movement and energy. In the 1950s, she applied oils and household paint with rags and brushes; in the 1960s, she created light-filled images in oils or acrylics; in the 1970s, she approached the canvas as an expanse to be filled with a painterly alloverness. Later in that decade and into the 1980s, she began to use thick impasto in carefully designed arrangements; and in recent decades, she has developed simplified organic motifs |
Beschreibung: | 405 Seiten |
ISBN: | 9781908970305 |
Internformat
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520 | 3 | |a This beautifully produced volume is the definitive monograph on Gillian Ayres (born 1930), whom journalist Andrew Marr describes as "probably the finest abstract painter alive in Britain." Working since the 1950s, Ayres has been celebrated for more than six decades for her use of vibrant color, impasto, tachiste effects and bold forms to create exuberant compositions full of movement and energy. In the 1950s, she applied oils and household paint with rags and brushes; in the 1960s, she created light-filled images in oils or acrylics; in the 1970s, she approached the canvas as an expanse to be filled with a painterly alloverness. Later in that decade and into the 1980s, she began to use thick impasto in carefully designed arrangements; and in recent decades, she has developed simplified organic motifs | |
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689 | 0 | 0 | |a Ayres, Gillian |d 1930-2018 |0 (DE-588)119329980 |D p |
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700 | 1 | |a Marr, Andrew |d 1959- |0 (DE-588)1023892715 |4 wpr | |
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700 | 1 | |a Cleaton-Roberts, David |4 wat | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029682275 |
Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author_GND | (DE-588)119329980 (DE-588)1023892715 (DE-588)138215146 |
building | Verbundindex |
bvnumber | BV044277835 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)986525683 (DE-599)BSZ486688860 |
dewey-full | 700.411 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
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illustrated | Not Illustrated |
indexdate | 2024-09-23T20:20:06Z |
institution | BVB |
isbn | 9781908970305 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029682275 |
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physical | 405 Seiten |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
record_format | marc |
spelling | Ayres, Gillian 1930-2018 (DE-588)119329980 art Gillian Ayres (Bildband, 2017) Gillian Ayres with a foreword by Andrew Marr ; texts by Martin Gayford and David Cleaton-Roberts London Art/Books [2017] © 2017 405 Seiten sti rdacontent txt rdacontent n rdamedia nc rdacarrier This beautifully produced volume is the definitive monograph on Gillian Ayres (born 1930), whom journalist Andrew Marr describes as "probably the finest abstract painter alive in Britain." Working since the 1950s, Ayres has been celebrated for more than six decades for her use of vibrant color, impasto, tachiste effects and bold forms to create exuberant compositions full of movement and energy. In the 1950s, she applied oils and household paint with rags and brushes; in the 1960s, she created light-filled images in oils or acrylics; in the 1970s, she approached the canvas as an expanse to be filled with a painterly alloverness. Later in that decade and into the 1980s, she began to use thick impasto in carefully designed arrangements; and in recent decades, she has developed simplified organic motifs Ayres, Gillian 1930-2018 (DE-588)119329980 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Ayres, Gillian 1930-2018 (DE-588)119329980 p Malerei (DE-588)4037220-0 s DE-604 Marr, Andrew 1959- (DE-588)1023892715 wpr Gayford, Martin 1952- (DE-588)138215146 wat Cleaton-Roberts, David wat |
spellingShingle | Gillian Ayres Ayres, Gillian 1930-2018 (DE-588)119329980 gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)119329980 (DE-588)4037220-0 (DE-588)4145395-5 |
title | Gillian Ayres |
title_alt | Gillian Ayres (Bildband, 2017) |
title_auth | Gillian Ayres |
title_exact_search | Gillian Ayres |
title_full | Gillian Ayres with a foreword by Andrew Marr ; texts by Martin Gayford and David Cleaton-Roberts |
title_fullStr | Gillian Ayres with a foreword by Andrew Marr ; texts by Martin Gayford and David Cleaton-Roberts |
title_full_unstemmed | Gillian Ayres with a foreword by Andrew Marr ; texts by Martin Gayford and David Cleaton-Roberts |
title_short | Gillian Ayres |
title_sort | gillian ayres |
topic | Ayres, Gillian 1930-2018 (DE-588)119329980 gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Ayres, Gillian 1930-2018 Malerei Bildband |
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