The music copyright manual: the definitive guide to music copyright law in the digital age
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lawrence, KS
Rock N Roll Law
© 2016
|
| Schlagworte: | |
| Beschreibung: | 225 Seiten 23 cm |
| ISBN: | 9781535241335 1535241330 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044276346 | ||
| 003 | DE-604 | ||
| 005 | 20171004 | ||
| 007 | t | ||
| 008 | 170419s2016 b||| 00||| eng d | ||
| 020 | |a 9781535241335 |9 978-1-5352-4133-5 | ||
| 020 | |a 1535241330 |9 1535241330 | ||
| 035 | |a (DE-599)BVBBV044276346 | ||
| 040 | |a DE-604 |b ger |e rda | ||
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| 100 | 1 | |a Jesse, Jim |e Verfasser |0 (DE-588)113947507X |4 aut | |
| 245 | 1 | 0 | |a The music copyright manual |b the definitive guide to music copyright law in the digital age |c Jim Jesse |
| 264 | 1 | |a Lawrence, KS |b Rock N Roll Law |c © 2016 | |
| 300 | |a 225 Seiten |c 23 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a A 'bittersweet' story or 'why it's important to know about this stuff' -- A band is a business -- Origins of copyright law, duration and public domain -- What is copyright and what can be copyrighted? -- The two copyrights in every song -- How to obtain a copyright -- Music publishers and transfer of copyright -- Section 2: The exclusive rights you get with a copyright: an overview of the exclusive rights -- The right of reproduction 17 U.S.C. 106(1) -- The right of distribution 17 U.S.C. 106(3) -- The right to public performance 17 U.S.C. 106(4) -- Terrestrial radio -- Synchronization learning -- The right to prepare derivative works 17 U.S.C. 106(2) -- The right to public display 17 U.S.C. 106(5) -- Joint authorship -- Works made for hire and termination rights -- Wrapping up the Exclusive rights -- Section 3: Music copyright law in the digital age: The right of digital transmission 17 U.S.C. 106(5) -- SoundExchange -- YouTube and the Digital Millennium Copyright Act -- File sharing cases -- Wrapping up the new music paradigm -- Section 4: Copyright infringement cases: Introduction to copyright cases -- What a plaintiff must prove -- Defenses to music copyright cases -- Damages in music copyright cases -- Famous copyright cases -- How songs are built Why songs sound alike conclusion | |
| 650 | 4 | |a Musik | |
| 651 | 4 | |a USA | |
| 653 | 0 | |a Copyright / Music / United States | |
| 653 | 0 | |a Copyright / Music | |
| 653 | 2 | |a United States | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029680822 | ||
Datensatz im Suchindex
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| any_adam_object | |
| author | Jesse, Jim |
| author_GND | (DE-588)113947507X |
| author_facet | Jesse, Jim |
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| author_sort | Jesse, Jim |
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| building | Verbundindex |
| bvnumber | BV044276346 |
| contents | A 'bittersweet' story or 'why it's important to know about this stuff' -- A band is a business -- Origins of copyright law, duration and public domain -- What is copyright and what can be copyrighted? -- The two copyrights in every song -- How to obtain a copyright -- Music publishers and transfer of copyright -- Section 2: The exclusive rights you get with a copyright: an overview of the exclusive rights -- The right of reproduction 17 U.S.C. 106(1) -- The right of distribution 17 U.S.C. 106(3) -- The right to public performance 17 U.S.C. 106(4) -- Terrestrial radio -- Synchronization learning -- The right to prepare derivative works 17 U.S.C. 106(2) -- The right to public display 17 U.S.C. 106(5) -- Joint authorship -- Works made for hire and termination rights -- Wrapping up the Exclusive rights -- Section 3: Music copyright law in the digital age: The right of digital transmission 17 U.S.C. 106(5) -- SoundExchange -- YouTube and the Digital Millennium Copyright Act -- File sharing cases -- Wrapping up the new music paradigm -- Section 4: Copyright infringement cases: Introduction to copyright cases -- What a plaintiff must prove -- Defenses to music copyright cases -- Damages in music copyright cases -- Famous copyright cases -- How songs are built Why songs sound alike conclusion |
| ctrlnum | (DE-599)BVBBV044276346 |
| format | Book |
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| id | DE-604.BV044276346 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:48:29Z |
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| isbn | 9781535241335 1535241330 |
| language | English |
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| physical | 225 Seiten 23 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Rock N Roll Law |
| record_format | marc |
| spelling | Jesse, Jim Verfasser (DE-588)113947507X aut The music copyright manual the definitive guide to music copyright law in the digital age Jim Jesse Lawrence, KS Rock N Roll Law © 2016 225 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier A 'bittersweet' story or 'why it's important to know about this stuff' -- A band is a business -- Origins of copyright law, duration and public domain -- What is copyright and what can be copyrighted? -- The two copyrights in every song -- How to obtain a copyright -- Music publishers and transfer of copyright -- Section 2: The exclusive rights you get with a copyright: an overview of the exclusive rights -- The right of reproduction 17 U.S.C. 106(1) -- The right of distribution 17 U.S.C. 106(3) -- The right to public performance 17 U.S.C. 106(4) -- Terrestrial radio -- Synchronization learning -- The right to prepare derivative works 17 U.S.C. 106(2) -- The right to public display 17 U.S.C. 106(5) -- Joint authorship -- Works made for hire and termination rights -- Wrapping up the Exclusive rights -- Section 3: Music copyright law in the digital age: The right of digital transmission 17 U.S.C. 106(5) -- SoundExchange -- YouTube and the Digital Millennium Copyright Act -- File sharing cases -- Wrapping up the new music paradigm -- Section 4: Copyright infringement cases: Introduction to copyright cases -- What a plaintiff must prove -- Defenses to music copyright cases -- Damages in music copyright cases -- Famous copyright cases -- How songs are built Why songs sound alike conclusion Musik USA Copyright / Music / United States Copyright / Music United States |
| spellingShingle | Jesse, Jim The music copyright manual the definitive guide to music copyright law in the digital age A 'bittersweet' story or 'why it's important to know about this stuff' -- A band is a business -- Origins of copyright law, duration and public domain -- What is copyright and what can be copyrighted? -- The two copyrights in every song -- How to obtain a copyright -- Music publishers and transfer of copyright -- Section 2: The exclusive rights you get with a copyright: an overview of the exclusive rights -- The right of reproduction 17 U.S.C. 106(1) -- The right of distribution 17 U.S.C. 106(3) -- The right to public performance 17 U.S.C. 106(4) -- Terrestrial radio -- Synchronization learning -- The right to prepare derivative works 17 U.S.C. 106(2) -- The right to public display 17 U.S.C. 106(5) -- Joint authorship -- Works made for hire and termination rights -- Wrapping up the Exclusive rights -- Section 3: Music copyright law in the digital age: The right of digital transmission 17 U.S.C. 106(5) -- SoundExchange -- YouTube and the Digital Millennium Copyright Act -- File sharing cases -- Wrapping up the new music paradigm -- Section 4: Copyright infringement cases: Introduction to copyright cases -- What a plaintiff must prove -- Defenses to music copyright cases -- Damages in music copyright cases -- Famous copyright cases -- How songs are built Why songs sound alike conclusion Musik |
| title | The music copyright manual the definitive guide to music copyright law in the digital age |
| title_auth | The music copyright manual the definitive guide to music copyright law in the digital age |
| title_exact_search | The music copyright manual the definitive guide to music copyright law in the digital age |
| title_full | The music copyright manual the definitive guide to music copyright law in the digital age Jim Jesse |
| title_fullStr | The music copyright manual the definitive guide to music copyright law in the digital age Jim Jesse |
| title_full_unstemmed | The music copyright manual the definitive guide to music copyright law in the digital age Jim Jesse |
| title_short | The music copyright manual |
| title_sort | the music copyright manual the definitive guide to music copyright law in the digital age |
| title_sub | the definitive guide to music copyright law in the digital age |
| topic | Musik |
| topic_facet | Musik USA |
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