Švejk ve střední Evropě: = Švejk in Central Europe
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | Czech |
| Veröffentlicht: |
Olomouc
Vydavatelství Filozofické fakulty Univerzity Palackého v Olomouci
2016
|
| Ausgabe: | 1. vydání |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract Register // Personenregister |
| Beschreibung: | 201 Seiten |
| ISBN: | 9788087895863 |
Internformat
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| 245 | 1 | 0 | |a Švejk ve střední Evropě |b = Švejk in Central Europe |c Jiří Hrabal (ed.) |
| 246 | 1 | 1 | |a Švejk in Central Europe |
| 250 | |a 1. vydání | ||
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Datensatz im Suchindex
| _version_ | 1804177462152658944 |
|---|---|
| adam_text | Obsah
Pïedmluva 7
I. (Vy-)myslet Svejka
Michal Sÿkora:
Jaroslav Hasek a Franz Kafka jako stfedoevropskÿ fenomén 11
Blanka Cinätlovä:
Kafkovstina a svejkovstina jest jevem svëtovÿm 27
Erik Giik:
Proto-Svejk v kontextu Haskovy predvâlecné tvorby 47
Martin Lukas:
Tak pravil Josef Svejk 55
II. Svejk ve vizualnich reprezentacich
Petr A. Bflek:
Svejk na zdi: Sémantika svejkovskÿch obrazü
a „citâtû v prostorech soudobÿch restauraci 65
Jan Kolar:
Kabât bez organu. Cim je udëlan fiimovÿ Svejk? 81
III. Svejk ve strednf Evropë... a o kousek dal
Gertraude Zand:
K recepci Haskova Svejka v Rakousku 99
Lenka Németh Vftovä:
Polské pfeklady Osudù dobrého vojâka Svejka a polskÿ Svejk 107
Zoltán Németh:
Svejk a postmoderna mad arskâ titeratüra 119
Bojana Maltaric:
Svejk a Slovinsko 133
Miroslav Zelinsky:
Slovenskÿ Svejkl 145
Marcela Antosová:
Haskov Svejk a Timravini Hrdlnovia 153
Vera Kaplická Yakimova:
Osudy dobrého vojáka Svejka v bulharském zajetí 167
Tomasz Derlatka:
Prispëvek k svejkologií -
hornoíuzickosrbské, dolnoluzickosrbské a kasubské
pfeklady textu Jarosiava Haska o Svejkovi 177
Summary 189
Rejstrík 197
Summary
The collective monograph Svejk in Centrai Europe consists of fourteen
selected texts produced on the basis of papers presented and discussed
during the fifth Art and Culture of Central Europe symposium held at
Palackÿ University’s Faculty of Arts in 2015 and attended by twenty-six
speakers (including ten international contributors). The researchers’
objective was to attempt to reflect upon Svejk as a literary and cultural
type in Central European thinking, literatures and other types of art
(film, theatre, fine arts, etc.) in the previous century.
The publication is divided into three sections. The first one -
“Figure of/Out Svejk” - follows the constitution of a literary character
and its subsequent reflections in the context of Central European liter-
atures and Central European thinking.
MICHAL SŸKORA’s Jaroslav Hasek and Franz Kafka as a Cen-
tral European Phenomenon deals with the meaning of comparing Jaro-
slav Hasek and his novel The Fateful Adventures of the Good Soldier Svejk to
other writers. The tree ways of the comparative methods used in Hasek’s
case are defined - appreciative comparison (emphasising the quality of
Hasek’s novel), contextual comparison (placing the novel in the context
of the contemporary, mainly Austrian, literature), and hermeneutic
comparison (which tries to understand Hasek’s enigmatic novel by
comparing it to other texts and authors). The comparison of Jaroslav
Hasek and Franz Kafka belongs to the third comparison category. The
study summarised the theses of Karel Kosik and Petr V. Zima, two main
authors who dealt with the relation between Hasek and Kafka, and con-
cludes that what Hasek and Kafka have in common is the expression
of a so-called Central European feeling, the Central European sense for
irony and absurdity of history.
In her paper entitled The Kafkaesque and the Svejkian Are
a Global Phenomenon. Where Do the Svejk Comparisons Fail?, BLANKA
CINÂTLOVÂ states that quite a lot of texts written by key figures of
Central European literature (such as Drago Jancar, Milorad Pavic
or Péter Esterhâzy) refer to Svejk (or Jaroslav Hasek, who is so often
189
identified with the character he created) and connect him with char-
acters from Kafka’s novels or from Hrabal’s stories. However, these es-
tablished comparisons are not without problems: they may be seen as
emblems and stepping stones for the “mythical construction” of the
(non-existent) Central European identity rather than as seriously in-
tended contributions to literary interpretation. The paper deals with
the connection between these comparisons and the transformation of
the myth called Mittleeuropa from the 1960s to the 1980s.
ERIK GILK’s Proto-Svejk in the Context of Hasek s Pre-War
Writings focuses on two problems related to an early version of the
Svejk character (i.e. the prosaic series composed of five parts named
Dobry vojak Svejk. Zajimave prihody poctiveho vojina (The Good Soldier
Svejk. The Curious Stones of An Upright Private; published in 1911). The
first point is the context of Hasek’s pre-war short story writings that
brought about the figure of the good soldier Svejk. The second point
is trying to answer the question why it was this very character that
became the protagonist of the globally popular albeit unfinished post-
war novel.
Thus Spoke Josef Svejk, by MARTIN LUKAS, offers an interpre-
tation of Vladimir Vokolek’s novel Tak pravil Svejk (Thus Spoke Svejk;
written in 1959-1960) by examining Vokolek’s use of Hasek’s fictional
character Josef Svejk for satirical purposes. Vokolek introduces
an adapted version of Svejk who is both an incompetent idiot and
a popular philosopher devoted to the new establishment represented
by a socialist party and, at the same time, revealing (whether or not
intentionally) the true face of the regime that bears a strong resem-
blance to the one created by the Communist Party of Czechoslovakia
in the 1950s. By confronting the real and the fictional Vokolek presents
another suggestive account of his popular theme of historical blind-
ness when one era proves the previous one to be false in its historically
determined truth.
The second section - “Svejk in Visual Representations” - focuses
mainly on the transformations of the visual image of Svejk (with regard
to the literary model) into the “Svejk” as a consumer culture phenom-
enon that, in turn, affects the reading of Hasek’s The Fateful Adventures
of the Good Soldier Svejk During the World War.
190
PETR A. BÍLEK’s paper entitled Svejk on the Wait: The Seman-
tics of Svejk Imagery and “Quotes” in Modem Restaurants explores the
distinct verbal and visual representations of the novel The Good Soldier
Svejk by Jaroslav Hasek and its main protagonist Svejk as they are used
by today’s Czech restaurants and pubs to attract local customers. The
use and abuse of the novelistic imagery and the original illustrations is
interpreted with the help of the terms consecration (as coined by Pierre
Bourdieu) and fetish as developed by Sigmund Freud and Jean Baudril-
lard. By analysing items on the menus, quotes and pseudo-quotes on
walls, website introductions as well as paintings on the walls and ceil-
ings, the article attempts to interpret the concept as a realm of orna-
mental pseudo-signs that do not refer to the original novel anymore.
They attract attention and create a specific “local colour” of the place
only due to its flow of signifiers deprived of any relationship to any po-
tential signified meanings. The concept of Svejk restaurants and pubs is
thus based on emblematic reductions that communicate only via their
own mutual differences, as a genre structure based on the sameness
challenged by minor innovations each place is able to offer. The whole
transfer of the elements of a novel into the pub and restaurant space
and equipment is interpreted as a specific type of remediation.
According to JAN KOLÁR’s A Gutless Coat. What Makes the Cin-
ematic Svejk?, the eponymous hero of The Good Soldier Svejk takes the
unusual form of a personified narrative flow that is by itself “without
qualities”. However, the situation is different in most film adaptations
of the novel. The cinematic Svejk has almost superheroic features -
most commonly, he is presented as an emblematic figure completely
identifiable by his external attributes; a figure that is not in any way
“consumed” by the narration. Svejk does not change or gets old in the
movies: therefore he - a peculiar Central European Superman - can
over and over again repeat his gestures and monologues in countless
spatiotemporal contexts. The article deals with the reasons why most
readers, paradoxically, appropriate the character of Josef Svejk on the
basis of such secondary audiovisual emblematisations rather than on
the novel of Jaroslav Hasek.
The third, and most extensive, section - “Svejk in Central Europe...
and a Bit Further” - covers the responses to, and importance of, Hasek’s
191
Svejk in the individual Central European literatures. Attention is paid to
how the Svejk character is applied in the intertextual networks of Central
European literary pieces, to whether we can find characters in the Central
European context which could be close to Svejk or those created on the
basis of inspiration by Svejk. The researchers also note to what extent the
character of Svejk influenced, or influences, the perspective of the indi-
vidual Central European nations on “being Czech” and the nature of the
Czech nation. Also included are issues related to the translation of the
specific language of Hasek’s The Fatefut Adventures of the Good Soldier Svejk
into Central European languages.
GERTRAUDE ZAND’s study On the Reception of Hasek’s
Svejk in Austria deals with the reception of Jaroslav Hasek’s Svejk
in Austria. It brings into focus four main aspects: 1) The Austrian re-
ception is based on Grete Reiner’s translation of Svejk into “Klein-
seitner Deutsch” (a German dialect spoken by middle-class Czechs in
Prague), which strongly resembles the so called “Bohmakeln” of the
Czechs in Vienna; thus Reiner’s language seems very familiar to the
Austrian reader. 2) While the good soldier Svejk depicts - without any
doubt — a true Czech, for the Austrian reader he is “one of us” nonethe-
less; Czechs and Austrians share the same historical context. 3) Svejk
gained new topicality in the authoritarian Austria between the world
wars: especially, the left-wing press and the entertainment business
took advantage of the subversive power of Hasek’s most prominent
character. This was prolonged by exile writers during the time of Na-
tional Socialism. 4) The character of Svejk remained very popular in
the entertainment business after 1945; however, it forfeits its subver-
sive power and degenerates into a mere figure of fun.
As LENKA NEMETH VfTOVA states in The Polish Translations
of “The Good Soldier Svejk” and Polish Svejk, Hasek’s most famous
novel The Good Soldier Svejk was translated into Polish three times and
each time the translator followed a different strategy. The first trans-
lation, by Pawei Hulka-Laskowski (published in twenty-two editions),
emphasises the humorous aspects of the novel, using mostly standard
language. The second translation, by Jozef Waczkow (published in one
edition), overplays the expressive aspect of the novel, using idioms,
vulgarisms etc. The third translation, by Antoni Kroh (published in
two editions), aspires to convey all the possible aspects of the novel,
192
using numerous endnotes (328 in total) with a precise explanation
of the historical and cultural phenomena and occurrences. Maria
Tymoczko (TYMOCZKO 1999a) pointed out that a literary text with
many notes is intended for former colonisers and/or an international
audience, so this third translation of this Hasek’s novel seems to be
a challenge for reinterpretation, de- or recanonisation and acceptance
of the Other in Polish culture.
In his study entitled Svejk and Postmodern Hungarian Litera-
ture, ZOLTÁN NEMETH deals with the relationship between Svejk and
postmodern Hungarian literature. The first part of the study examines
the characteristics of postmodern Hungarian literature (intertextual-
ity, metafiction, pseudonymous and mask literature, irony, parody, pas-
tiche) and covers its most significant achievements (Péter Esterhâzy,
Péter Nâdas, Dezsô Tandon, Lajos Parti Nagy, Andrâs Ferenc Kovâcs).
The second part of the study deals with the interpretation and the re-
writing of the figure of Svejk and Hasek’s novel in postmodern Hungar-
ian literature as well as analyses the novels and poems by Péter Nâdas,
Péter Esterhâzy, Gyorgy Spirô, Dezsô Tandori, Otto Orbân and Andrâs
Ferenc Kovâcs. The study mainly focuses on the analysis of the works
of Bohemist writer Istvân Vorôs as well as the postmodern translation
techniques and Svejk reworking in the texts of Lajos Parti Nagy.
Svejk and Slovenia, by BOJANA MALTARIC, focuses on three
main subjects: Jaroslav Hasek and his Svejk as a part of the Slovenian
literary world - with a special focus on the advantages and disad-
vantages of the two post-war translations; Svejk in Slovenian theatre
(current production in the MGL theatre, based on an adaptation by the
Irish author Colin Teevan). In the last part, she focuses on the role of
Hasek’s literary hero in the broader Slovenian cultural spectrum and
his reflections in everyday life in modern Slovenia.
MIROSLAV ZELINSKŸ’s The Slovak “Svejk”! compares the
Slovak translation of Hasek’s Svejk to the Czech original. It is critical
both of the historical circumstances of the origin of the translation
and its language level.
In her paper entitled Hasekfs “Svejk” and Timrava’s “Heroes”,
MARCELA ANTOSOVÂ establishes a comparative relationship between
the Czech cult novel The Soldier Svejk (by Hasek) and the Slovak story
Heroes (B. S. Timrava). The reason behind the topic is the fact that,
193
within their respective national literatures, both of these texts are
among the most significant works dealing with World War I (in addi-
tion it should be said that the Soldier Svejk has crossed the Czech border
by its phenomenalism). The purpose was also a fleeting connection in
the characteristics of the books - which is the presence of irony in the
two instruments stated by the literary scholars. It also turned out from
her comparative “focus”, there is irony and irony. Despite the common
(elementary) and noted informative contour of the texts that includes
meaninglessness, the absurdity of war, and criticism of the social back-
ground, and despite the penetrance of the building structure of the
works (e.g. the pub area, presence of songs etc.), the works differ in
their semantic “branching” (therefore the informative value, which, of
course, also results from the literary form itself - a novel versus a short
story) and the particular construction/message of the text. While Tim-
rava’s Heroes more or less does not abandon the oppressive-anxious
“formulas” (so typical of war) and the irony resounds in that oppres-
sive, on the waves of Hasek’s Svejk, the percipient enjoys the grotesque,
humour, satire, irony, mockery, all that at an absolutely entertaining,
elated level, only to reveal that the oppressive messages are far more
extensive, timeless and broader than in Timrava’s Heroes.
VERA KAPLICKA YAKIMOVA’s contribution The Fateful Ad-
ventures of the Good Soldier Svejk in Bulgarian Captivity focuses on
the reception of Hasek’s novel in Bulgarian contemporary culture.
It shows the different contexts that the novel enters and in which it
becomes a canonical literary text and a popular phenomenon at the
same time.
The purpose of TOMASZ DERLATKA’s A Contribution to Svej-
kology - The Upper Sorbian, Lower Sorbian, and Kashubian Trans-
lations ofjaroslav Hasek s Texts About Svejk is to present the Upper
Sorbian, Lower Sorbian and Kashubian translations of the texts
(short stories, novels) written by Jaroslav Hasek about Svejk, thus
complementing the status of „Svejkological” studies with writings
that were previously unregistered (and therefore unknown). Hasek’s
writings about Svejk, especially the novel The Fateful Adventures of
the Good Soldier Svejk, have been translated, in whole or in part, into
nearly 60 languages, but the translations into the „small” West Slavic
languages have gone unnoticed in the available publications (bibliog-
194
raphies, lists). These translations are not included in the basic, albeit
older, bibliographic lists (R. Pytlik - M. Laiske, B. Medilek), nor are the
Sorbian translations and the translation into the Kashubian language
evidenced by the modern database Comenius, dedicated to Hasek (and
Svejk). Meanwhile Hasek’s works about Svejk (novels and short stories)
came into being: five times into the Upper Sorbian language (1950,
1961 - 3 x, 1983); in the Lower Sorbian language in a single translation
of a part of the novel (1955); in the Kashubian language, only on-line, as
one part of the novel (after the year 2000). Thus, they form an integral
part of the „Svejkological” studies.
The present publication is a specific contribution to Svejkology:
both Hasek’s famous novel and the Josefa Svejk character, which has
eventually cut itself loose from the novel to become a part of the Eu-
ropean cultural encyclopaedia (including its literary and non-literary
transformations), are viewed here within the context of - not just the
literary - Central European culture.
195
Rejstrík
A
Abrhám, Josef 82
Alexander, Peter 86,104,105
Alföldi, Alíz 127
Altenberg, Peter 36
Ancik, Zdena 148,150,151
Andersen, Hans Ch. 135
Antel, Franz 101
B
Balzac, Honoré de 15
Bartol, Vladimir 142
Bass, Eduard 150
Bata, Tomás 39
Baudrillard, Jean 78,191
Bëlohradskÿ, Václav 38
Bëlyj, Andrej 109
Benedek, Miklôs 126
Benes, Edvard 88,104
Benes, Svatopluk 82
Benjamin, Walter 72
Bényei, Jôzsef 126,130
Bernhard, Thomas 30, 36
Berwid-Buquoy, Jan 76
Besenczi, Árpád 125
Bilek, Petr A. 109
Blazicek, Premysl 40, 41
Bloom, Harold 169
Bojtàr, Endre 121
Borbély, Szilàrd 120
Bourdieu, Pierre 65, 75
Bradac, Fran 134
Brecht, Bertolt 27
Brod, Max 35,103
Broch, Hermann 101
Brousek, Antonin 99
Bfeza, Rudolf 145
C
Calvino, Italo 15,16
Cekov, Nikolaj 171,176
Certeau, Michel de 93
Cervantes, Miguel de 13,135,171
Ciger Hronskÿ, Jozef 148
Conrads, Heinz 104
Corduas, Sergio 34, 37
Crombie, Robert 85
Csehy, Zoltán 121
Csobânka, Zsuzsa 120
C
Capek, Karel 40, 41,150
5emÿ, David 173
D
Danes, Frantisek 148
Delak, Ferdo 140
Dolezal, Bohumil 11
Dury ch, Jaroslav 14
Dvofâk, Jaroslav 145
Dvoráková, Ludmila 145
E
Eco, Umberto 87, 88
Ehrenzweig, Robert 103
viz také Lucas, Robert
Eisner, Pavel 16
Esterházy, Péter 30,119,120,121,
123,124
197
F
Filipovskÿ, FrantiSek 82
Fiske,John 77
Fiut, Aleksander 115
Flaubert, Gustave 11
Francastel, Pierre 71, 73, 74
Frantisek Ferdinand d Este 69,
70,109,112,153,154,179,180
Frantièek Josef L 19, 70, 82, 88
Freud, Sigmund 78
Fric, Martin 83, 84
Fiynta, Emanuel 32, 33, 34, 36, 56
Fuks, Ladislav 14
G
Garaczi, Laszlo 120
Gaspar, Tido 148
Gazizov, Rinat 85
Georgiev, Nikola 168,169,175
Gjud, Bogdan 135,136
Glazarovâ, Jarmila 150
Glück, Helmut 100
Gombrowicz, Witold 30,109,141
Gorinsek, Danilo 140
Govekar, Fran 134
Grebenickovâ, Rûzena 11,12,13
Grimmové, bratri 135
Grossman, Jan 12,13
Grosz, George 27
Grün, Herbert 140
H
Haider, Hans 100
Haider-Pregler, Hilde 100
Hajnôczy, Péter 119
Halas, Frantisek 55,145
Hamvas, Béla 124
H asko va, Jarmila 48
Hegedüs, D. Géza 127
Herrmann, Ignât 52
Hlavaty, Robert 134
Hlinomaz, Josef 82
Hobsbawm, Eric. J. 13
Homicek, Miroslav 148
Hrabal, Bohumil 27-30, 32-37,
40-43,124,126
Hrusinskÿ, Rudolf 67, 82
Hrusovskÿ, Ján 153
Hrebejk,Jan 32
Hulka-Laskowski, Pawel 107, 111
Hybner, Boris 32
I
Innemann, Svatopluk 83
I vanee V, S ve to mir 168
J
Jakobson, Roman 146
James, Henry 11
Janear, Drago 30, 41
Jankovic, Milan 48, 49, 90, 91
Jan Pavel II. 38
Jaromír 99 30
viz také Svejdík, Jaromír
Jedlicka, Josef 39, 55, 56, 59
Jesenská, Milena 30
Jez, Niko 141
Jirásek, Alois 150
Joyce, James 114
Juric, Evgen 135
Jutkevic, Sergej 88
K
Kafka, Franz 11,16, 18,19-22,
27-39, 41, 42, 43,109, 121, 122,
123,125
Kavafis, Konstantinos 121
Kis, Danilo 39,121
Kjosev, Aleksandar 174
Klaus, Václav 173
198
Knoll, Vladislav 178,183
Kola, Cyril 183,184
Konrad, György 21, 39
Konstantinov, Aleko 169
Kortenska, Miroslava 172,173
Kosik, Karel 11,16,17,18, 20,
28-37, 39, 42,160
Koskovâ, Helena 31
Kosztolânyi, Dezsö 125
Kovâcs, Andrâs Ferenc 120,
121,123
Kozâr, Ales 142
Krai, Petr 89, 90, 91
Krappmann, Maria 100
Kratochvil, Milos Vaclav 150
Kraus, Karel 13
Krleza, Miroslav 124
Kroh, Antoni 108,113,114
Kroutvor, Josef 39
Krusovszki, Dénes 120
Kukorelly, Endre 120
Kundera, Milan 38, 39,126,170
L
Lada, Josef 16, 47, 66, 67, 71,
72, 74, 83, 85, 86,134,135,
147,181
Lafazanov, Krastjo 171,172
Laiske, Miroslav 178
Lamac, Karel 83, 84, 85, 88
Langdon, Harry 90
Langer, Frantisek 51
Lâtal, Stanislav 83
Lengyel, Péter 119
Liebeneiner, Wolfgang 86,104,105
Lipovec, Albina 141
Longen, Emil Artur 59, 83, 87
Lucas, Robert 103
viz také Ehrenzweig, Robert
Lukas, Jan 32
Lukas, Rudolf 82
M
Magos, György 126
Magris, Claudio 30, 36, 38
Mâcha, Karel Hynek 14,141
Machaty, Gustav 83, 87
Mairowitz, David Z. 30
Majerovâ, Marie 150
Marek, Josef J. 93
viz také Petiska, Martin
Marischka, Ernst 101
Masaryk,Jan 89
Mathauser, Zdenëk 15,18
Mëdilek, Boris 178
Merz, Carl 129
Mészôly, Miklôs 119
Meyrink, Gustav 22
Mickiewicz, Adam 141
Michnik, Adam 22, 39
Milde, Franz-Frantisek 172
Miller, Frank 87
Milosz, Czeslaw 22, 30
Morcinek, Bettina 100
Mucha, Jifi 37
Mukafovsky, Jan 146
Muliar, Fritz 105
Musil, Robert 14, 30,101,109
N
Nabokov, Vladimir 109
Nâdas, Péter 119,120,121
Nepomuk Nestroy, Johann 100
Neruda, Jan 150
Nezval, Vitëzslav 145,146
Nietzsche, Friedrich 56, 59
Nikolskij, Sergej 48
Noll, Karel 83, 87
Nowak(-Njechorriski), Mërcin
179,180,182,183
0
Ognjanov-Rizor, Lubomir 167
199
Olbracht, Ivan 124,163
Opletalovâ, Veronika 100
Orbân, Otto 123
Ort, Jan 182
Osers, Ewald 21
Oskar II. 50
Ottlik, Géza 120,121
Ozerov, Jurij 81, 82, 83
P
Parti Nagy, Lajos 120,121,126-129
Pavic, Milorad 42, 43
Pelân, Jifi 29
Petiska, Martin 93
viz také Marek, Josef J.
Petöfi, Sandor 121
Petrfk,Jan 157
Piscator, Erwin 27, 76, 91,103
Preseren, France 141
Prochazka, Willy 16
Pytlik, Radko 36, 48, 51,108,
135,178
Q
Qualtinger, Helmut 129
R
Rabelais, François 13
Rasilov, Sasa 83
Reimann, Hans 103
Reiner, Grete 99,145,167
Réz, Adam 126,128,129
Rinas, Karten 100
Rippelino, Angelo M. 34
Roth, Joseph 13,14,30,36,101
Rühmann, Heinz 105
S
Sebald, Winifred G. 30
Sedlácek, Tomás 143
Seifert, Josef 40,41,145
Shakespeare, William 13,169
Schorske, Carl E. 38
Slancíková, Bozena 153
viz také Timrava
Slonimski, Antoni 109
Spiró, György 124,125
Stasiuk, Andrej 30
Stekly, Karel 70, 82, 83, 84, 85,
88,107
Stendhal 15
Straslipka, Frantisek 77, 82
Svatoñ, Vladimir 14
Sverdlov, Jakov 81
Szigeti, Lázsló 34, 36
V
S
Sima, Josef 145
Stefánik, Milan R. 145,146
Svejdik, Jaromir 30
viz také Jaromir 99
T
Tandori, Dezsö 120,122
Teevan, Colin 140
Timrava 153,154,156,157,159-164
viz také Slancíková, Bozena
Todorov, Velicko 168
Tolstoj, Lev Nikolajevic 11
Tompa, Andrea 127
Tremblay, Michel 127
Trifonov, Slavi 171,172
Tmka,Jiri 83,84
Tutuola, Amos 114
Tymoczko, Maria 114
U
Urban, Milo 153
200
V
Vaculik, Ludvik 126
Vämos, Gejza 148
Vancura, Vladislav 124,145
Vanek, Karel 93,134,135
Vidrih, Nives 142
Vladkov, Dimitar 168
Vogel, Herman 134,135,136,138,
139
Vokolek, Vaclav 55, 58
Vokolek, Vladimir 55-61
Voncina, Danijel 141
Vörös, Istvän 125,126
Vörösmarty, Mihäly 121
W
Waczköw, Jözef 107
Weöres, Sandor 120
Werich,Jan 31,85,148
Weys, Rudolf 103
Winter, Zikmund 14
Wittgenstein, Ludwig 43,125
Womar,Jan 181,184
z
Zeyer, Julius 14,150
Zguriska, Zuzka 145,146,147,
148,149
Zima, PetrV. 19,20
Zupancic, Joze 134-139
201
r
Bayerische
Staatsbibliothek
München
|
| any_adam_object | 1 |
| author2 | Hrabal, Jiří 1973- |
| author2_role | edt |
| author2_variant | j h jh |
| author_GND | (DE-588)1131199928 |
| author_corporate | Mezinárodní interdisciplinární sympozium Umění a kultury střední Evropy Olomouc |
| author_corporate_role | aut |
| author_facet | Hrabal, Jiří 1973- Mezinárodní interdisciplinární sympozium Umění a kultury střední Evropy Olomouc |
| author_sort | Mezinárodní interdisciplinární sympozium Umění a kultury střední Evropy Olomouc |
| building | Verbundindex |
| bvnumber | BV044275456 |
| classification_rvk | KS 4546 |
| ctrlnum | (OCoLC)992512413 (DE-599)BVBBV044275456 |
| discipline | Slavistik |
| edition | 1. vydání |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Conference Proceeding Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2015 Olmütz gnd-content |
| genre_facet | Konferenzschrift 2015 Olmütz |
| geographic | Ostmitteleuropa (DE-588)4075753-5 gnd |
| geographic_facet | Ostmitteleuropa |
| id | DE-604.BV044275456 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:48:27Z |
| institution | BVB |
| institution_GND | (DE-588)1131200764 |
| isbn | 9788087895863 |
| language | Czech |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029679957 |
| oclc_num | 992512413 |
| open_access_boolean | |
| owner | DE-11 DE-12 |
| owner_facet | DE-11 DE-12 |
| physical | 201 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Vydavatelství Filozofické fakulty Univerzity Palackého v Olomouci |
| record_format | marc |
| spelling | Mezinárodní interdisciplinární sympozium Umění a kultury střední Evropy 5. 2015 Olomouc Verfasser (DE-588)1131200764 aut Švejk ve střední Evropě = Švejk in Central Europe Jiří Hrabal (ed.) Švejk in Central Europe 1. vydání Olomouc Vydavatelství Filozofické fakulty Univerzity Palackého v Olomouci 2016 201 Seiten txt rdacontent n rdamedia nc rdacarrier Text tschechisch, teilweise slowakisch Zusammenfassung in englischer Sprache Hašek, Jaroslav 1883-1923 Osudy dobrého vojáka Švejka za světové valky (DE-588)4133054-7 gnd rswk-swf Schwejk (DE-588)118760122 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Ostmitteleuropa (DE-588)4075753-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2015 Olmütz gnd-content Hašek, Jaroslav 1883-1923 Osudy dobrého vojáka Švejka za světové valky (DE-588)4133054-7 u Schwejk (DE-588)118760122 p Ostmitteleuropa (DE-588)4075753-5 g Literatur (DE-588)4035964-5 s Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Hrabal, Jiří 1973- (DE-588)1131199928 edt Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Švejk ve střední Evropě = Švejk in Central Europe Hašek, Jaroslav 1883-1923 Osudy dobrého vojáka Švejka za světové valky (DE-588)4133054-7 gnd Schwejk (DE-588)118760122 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4133054-7 (DE-588)118760122 (DE-588)4049716-1 (DE-588)4035964-5 (DE-588)4075753-5 (DE-588)1071861417 |
| title | Švejk ve střední Evropě = Švejk in Central Europe |
| title_alt | Švejk in Central Europe |
| title_auth | Švejk ve střední Evropě = Švejk in Central Europe |
| title_exact_search | Švejk ve střední Evropě = Švejk in Central Europe |
| title_full | Švejk ve střední Evropě = Švejk in Central Europe Jiří Hrabal (ed.) |
| title_fullStr | Švejk ve střední Evropě = Švejk in Central Europe Jiří Hrabal (ed.) |
| title_full_unstemmed | Švejk ve střední Evropě = Švejk in Central Europe Jiří Hrabal (ed.) |
| title_short | Švejk ve střední Evropě |
| title_sort | svejk ve stredni evrope svejk in central europe |
| title_sub | = Švejk in Central Europe |
| topic | Hašek, Jaroslav 1883-1923 Osudy dobrého vojáka Švejka za světové valky (DE-588)4133054-7 gnd Schwejk (DE-588)118760122 gnd Rezeption (DE-588)4049716-1 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Hašek, Jaroslav 1883-1923 Osudy dobrého vojáka Švejka za světové valky Schwejk Rezeption Literatur Ostmitteleuropa Konferenzschrift 2015 Olmütz |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029679957&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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