Hip hop at Europe's edge: music, agency, and social change
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| Sprache: | English |
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Bloomington
Indiana University Press
[2017]
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| Online-Zugang: | Inhaltsverzeichnis Register // Gemischte Register |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 311 Seiten |
| ISBN: | 9780253022738 9780253023049 |
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CONTENTS
Acknowledgments ix
Introduction / Milosz Miszczynski and Adriana Helbig i
PART I. Hip Hop, Post-Socialism, and Democracy 9
7 Rapping into Power: The Use of Hip Hop in Albanian Politics /
Gentian Elezi and Elona Toska 11
2 Nothing Left to Lose: Hip Hop in Bosnia-Herzegovina /
Jasmin Mujanovic 28
3 Russian Rap in the Era of Vladimir Putin / Philip Ewell 45
4 Rap Music as a Cultural Mediator in Postconflict Yugoslavia /
Alexandra Balandina 63
PART II. Hip Hop and Emerging Market Economies 83
5 Diesel Power: Serbian Hip Hop from the Pleasure of the Privileged
to Mass Youth Culture / Goran Music and Predrag Vukčevič 85
6 “The Underground Is for Beggars”: Slovak Rap at the Center
of National Popular Culture / Peter Barrer 109
7 Music, Technology, and Shifts in Popular Culture: Making Hip Hop
in e-Estonia / Triin Vallaste 128
8 Wearing Nikes for a Reason: A Critical Analysis of Brand Usage
in Polish Rap / Milosz Miszczynski and Przemysław Tomaszewski 145
viii I CONTENTS
PART III. Hip Hop on the Margins 163
9 Cosmopolitan Inscriptions? Mimicry, Rap, and Rurbanity
in Post-Socialist Albania / Nicholas Tochka 165
10 Violence as Existential Punctuation: Russian Hip Hop in the
Age of Late Capitalism / Alexandre Gontchar 182
11 Unmasking Expressions in Turkish Rap/Hip Hop Culture:
Contestation and Construction of Alternative Identities
through Localization in Arabesk Music / Nuran Erol I$ik
and Muran Can Basaran 199
12 Hip Hop as a Means of Flight from the “Gypsy Ghetto”
in Eastern Europe / Michal Ruzicka, Alena Kajanová,
Veronika Zvánovcováy and Tomas Mrhalek 212
13 Rapping the Changes in Northeast Siberia: Hip Hop, Urbanization,
and Sakha Ethnicity / Aimar Ventsel and Eleanor Peers 228
PART IV. Hip Hop and Global Circulations of Blackness 243
14 La haine et les autres crimes: Ghettocentric Imagery in Serbian
Hip Hop Videos / Irena Sentevska 245
15 The Power of the Words: Discourses of Authenticity in Czech
Rap Music / Anna Oravcová 267
16 “Keep It 360”: (Re)envisioning the Cultural and Racial Roots of
Hip Hop through DJ Rhetoric and Ethnography / Todd Craig 283
Contributors 297
Index 303
INDEX
1980s, з֊4, 85-88,102,167, 246-47
1990s, 13, 88-89,100,102,129, Ш-34 *50»
167
1993» 92-9З» 1061132
accessibility, 136
activist rap, 49-52
advertising, 109,156,157
African American culture, 7, 273-74, 286-87,
292, 295
African American Vernacular English (AAVE),
287
African American youth, 93
African diaspora, 294
Albania, 2, 4, 6,11-27, 14» 165-81; electoral
politics in, 17-18; emigration from, 15, 64, 69,
78П20; and Europe, 176; internal migration
in, 172-74; language of, 76, 78П20; music
industry in, 166-67; Socialist Party of, 22;
youth in, 70, 76,165-66
Albanian-language rap, 14-15,165-81
Alekseev, Ivan, 46-52
alienation, 230, 235
ambivalence, 209
American hip hop, 3-4,147-50, 269-71, 289-91;
and Albanian-language rap, 14-15; and BiH
hip hop, 39; history of, 230; mimicry of, 166;
and Russia, 59
anti-EU movements, 137
anti-Semitism, 122
antifascist songs, 49
apartheid, 30, 39
appropriation: of African American culture,
286-87; of cultural resources, 200; of English
slang, 270
arabesk, 5-6,199-211
arabesk rap, 6, 200-209, 210m
artistic expression, 213
artists, 156-58
audience: of Albanian-language rap, 167; of
arabesk, 203; and brand recognition, 148,
156-58; multiethnic, 70; relationship with,
273; of Russian hip hop, 60; of Slovak rap,
123
authenticity, 3,145, 283; and African American
culture, 273; and brands, 148,156; and Czech
rap, 267, 271, 279; and DJ Phat Phillie, 295; in
Russian rap, 183,190; self-identified, 12; and
Serbian hip hop, 246-49
authoritarian politics, 86
b-boy groups, 98, 247
Balandina, Alexandra, 4, 63-81, 297
Balkans, 13,63-81,177
Barrer, Peter, 5,109-27, 297
Basaran, Murat Can, 6,199-211, 297
beat box, 218
beat-making, 130,136
Belgrade, 20, 86-91, 26in4; in 1993, 93;
demonstrations in, 253; and elites, 252; in rap
videos, 256-57; youth culture in, 98
belonging, 177-78, 254
betrayal, 37
BiH. See Bosnia-Herzegovina
bitch, 260, 262n35, 275
black market, 94
blackness, 7, 246, 286, 287, 293
block parties, 289-91
body-marking practices, 187,188
bootleg cassettes, 88-89
borders, 167
boredom, 219-20
Bosnia-Herzegovina, 28-44; hag in» 37» hip hop
in, 28, 30-40; postwar era in, 29-30, 34-35
Bosniak-Croat Federation of BiH, 30
bottom-up approach, 69, 71
bottom-up movement, 145
boundaries, 65-66
brands, 5,145-61,153; and authenticity, 148;
character of, 158; everyday, 152; familiarity
with, 148; and gangster rap, 156; local, 154;
meaning of, 146-49,155; Polish hip hop, 157;
in Polish rap lyrics, 149,151-54,158; in
videos, 175
bravado,207
break dancing, 5,6, 87, 88, 236-37, 247
Brithop, 11
brotherhood, 69
303
304 I INDEX
České Budějovice, 217
capitalism: critique of, 156; mafia, 86, 94; and
masculinity, 109; and mobility, 5; print, 130;
and Russian hip hop, 182-98; in Serbia, 85,
93,97; and Slovak rap, 113
cars, 255
cassettes, 88-89,133
celebrity endorsement, 21
censorship, 15, 53, 96
Centre for Intercultural Dialogue (CID), 77Ո2,
78ni3
chalga, 5
chauvinism, 30,34-36,39
Christianity, 57-58
City Records, 261Ո5
class, 267; and arabesk music, 199; in Czech
Republic, 279; identities, 5,155; and internal
migrants, 172-74; middle, 86,103Ո4, 261Ո6,
273; and Nike, 155; and Polish rap, 146,151,
158; and Serbian hip hop, 87; and urbanity,
96-97; working, 88, 92, 94, 96,151. 249; and
youth, 86,103,174
clothing, 88,158
comedy, 32
commercialism, 2-3, 40; criticism of, 117; and
Czech hip hop, 271, 272; and Polish rap,
145-61, 267-68; and Slovak rap, 109,113
communality, 202
Communist Party, 14
communists, 29,87
communities, 204, 219, 222
competitive displays, 200
computer animation, 259
computer fluency, 133
concerts, 5
conflict, 64
conflict transformation, 64, 68, 77,78Ո19
conscious rap, 253, 276, 279
consumer culture: language of, 146-49; and
Sakha, 237; in Serbia, 94; in Slovakia, 109.
See also commercialism
consumers: post-socialist, 2; of Slovak rap, 123;
young people as, 176
consumption: conspicuous, 148,175; and hip
hop, 158; and identity, 146-47
cooperation, 70
copyright, 230
corporate sponsors, 111-13,155-57, 236
corruption, 33, 46-47» 49-50, 52» 95» 116-17» 253
cosmopolitanism, 155,165-81
counterculture, 112
Craig, Todd, 7, 283-96, 297
credibility, 156
criminality, 33
Croatia, 7, 29, 65, 291-95
cross-cultural understanding, 64
cross-regional dialogue, 66
crossover appeal, 268
crosstalking, 206-207
Crotona Park Jams, 289
cultural boundaries, 65-66
cultural capital, 6
cultural conflict, 68, 75
cultural dialogue, 74
cultural equity, 70
cultural exchange, 86
cultural pluralism, 63, 69
cultural transfer, 85
culture: arabesk, 200-204; post-socialist hip
hop, 3; street, 86,100; urban, 95-97,151»
172-74, 201, 233, 285; youth, 85-108. See also
consumer culture
Czech hip hop, 7, 215-16, 267-82; and American
hip hop, 270; critique of, 271-72; and gender,
274-78; history of, 216, 269-71; and lived
reality, 274; and Roma hip hop, 273
Czech Republic: music industry in, 111; and
musical theater, 110; Roma in, 7, 213-15; slang
in, 270; women in, 276
ce: Belgrade, 86-88; and hip hop, 105024;
and turbo-folk, 94
Dayton Accords, 28, 30
death, 191
decentralization, 29
Def Jam sound, io4n8
delocalization, 17803
demo rap, 89, 90
democracy, 11-81
demoralization, 97-98
deterritorialization, 166-68,172,174
dialect: in Albania, 21,174; in former
Yugoslavia, 67; and hip hop, 65; and identity,
75; and Youth Open Festival, 72
diaspora, 31, 294
diesel, 5, 86, 95-100,105021, io6n29
Digger’s Delight, 289-91
digital music, 133-35
digital piracy, 2, 88-89,111,157
Dirty South style, 100-101
disco, 234
disco/funk, 85-87
INDEX I 305
disco polo, 5
disenfranchisement, 288
disillusionment, 152-54
diss, 206-208
dissent, 13, 53» 60-61
dizelasi, 5, 86, 95-100,105021, io6n29
DJ Phat Phillie, 291-95
DJs, 7, 283-96
domestic violence, 277
drugs, 189,193, 220-21
duels, 200, 206-207
Dutch-Turkish arabesk rap, 204-205
e-Estonia, 131-36
economic development, 97,132
economic hardships, 97,112
economic migrants, 176
economic oppression, 66
economies: entertainment, 6,174-75; free
market, 94,151; informal, 94, 95; market,
4-5, 252; rap's impact on, 145-61
educational exchange, 7
electoral politics, 12-13,16,19, 58
electronic dance music gatherings, 97
electronic music, 183
Elezi, Gentian, 4,11-27, 297
elites, 173, 242
emigration. See migrants
endorsements, 21
entertainment economy, 6,174-75
entrepreneurs, 94,167
escapist imagery, 246, 254, 259-60
Estonia, 128-44; and European Union, 136-40;
hip hop in, 5,129-31,134-35; independence
of, 139; and internet, 130; and Soviet Union,
137; underground hip hop in, i4in2
Estrada, 231-32
ethics, 183
ethnic chauvinism, 30, 34-36
ethnic cleansing, 29, 30
ethnic groups, 71-72,118
ethnic identification, 72-76, 228
ethnic markers, 12
ethnic rock, 232
ethnic tension, 63, 68,69, 74-76
ethnicity: and Czech hip hop, 216; and hip hop,
6; Sakha, 228-41
ethnolinguistic nationalism, 129
eurodance music, 86, 89, 95,100-102,
104015
European Union, 136-40,176
Eurorealists, 137
Euroskeptics, 137
Ewell, Philip, 4, 45-62» 298
experimentation, 15-16
extortion, 49
fame, 259
fans. See audience
far-right subculture, 122
fascism, 49
fashion, 100,145-61
fatalism, 205
fatherhood, 276-77
female rappers, 119-20, 277-78
feminism, 278
films: European ghettocentric, 250.
See also videos
flow, 72,170-71, 268
FM Jam production house, 32
folk music, 4-5, 20, 77Ո7, 202, 203
Former Yugoslav Republic of Macedonia
(FYROM), 77Ո8
foul language, 115,119* 140
France, 11,155
free market economy, 94,151
freedom: of expression, 15; of speech, 46, 49,
131; as theme, 190
freestyle, 150, 208, 209
frustration, 220-21
funk, 90-91,104Ո7
FYROM, 77Ո8
g-funk, 85, 91-92» 95» 100-101,169
gangsta rap, 90-91; and Albanian-language
rap, 167,169; Russian, 183,186,191,192; in
Serbian hip hop, 246, 259; themes of, 93
gangster, 91,186-87
gender, 6,12,105Ո24,119-20, 267, 274-78
genocide, 29, 30, 38
genre, 6,16,177, 202-203
German rap, 140
Germany, 204, 260m, 269
GetOy 91, 93
ghetto, 7, 245-66; and communist dictatorship,
140; country as, 40, 255; definition of,
248-49, 256-57; escape from, 259-60;
everyday life in, 219-20; experience of,
33; and ‘hoods, 255; as metaphor, 250;
post-socialist, 251; and Roma, 212, 214-15,
224Ո3; in Serbian hip hop, 247-49; in
Slovakia, 118
306 I INDEX
Ghettofest, 215
global culture, 178113
global hip hop, 8,139-40,165
global identity, 73
global youth culture, 237
globalization, 129,182
Golden Lily, 4ini6
Golden Lion, 78nio
Goncharov, Vasily, 52-58, 61
Gontchar, Alexandre, 7,182-98, 298
government-sponsored messages, 117
graffiti, 26in8; accessories for, 156; and
Albanian rap, 171; in Belgrade, 257; in New
Belgrade, 251; and Roma youth, 218; in
Sakha, 234; in Serbia, 98, 249
grassroots, 86, 216
Greece, 6,167,168
grime, 150
griot, 293
group flow, 72
Gypsy. See Roma
hedonism, 97,101
Helbig, Adriana, 1-8, 298
helplessness, 51-52
hero,184,187
heterosexual masculinity, 120, 274-78
hip hop: aesthetic of, 98,112; analysis of, 13-14;
and Belgrade street riots, 101; in BiH, 32-40;
black, 3; commodification of, 145-61; and
copyright, 230; Croatian, 65, 291-94; cultural
context of, 294; as cultural mediator, 73;
culture of, 154,155, 269-71; and dance,
i05n24; and digital technology, 133-35; DJ in,
283-96; and drugs, 221; as escape, 219-20; in
Estonia, 128-44; and ethnic tension, 74-76;
and European Union membership, 136-40;
in former Yugoslavia, 65; history of, 5,11,147,
270, 283-96; and identity, 12, 76,175; internal
coherence of, 155; at international level, 288;
as language of oppressed, 85; linguistics of,
287; in Macedonia, 4, 65; mainstream, 12;
and MySpace, 248; and opportunism, 58;
party style of, 6in2, 86-89» 101,104017, 260;
as political, 2-3, 39; and political power, 12,
230; and post-punk generation, 88; purist,
293; queer themes in, 35, 4ini2; and R B, 16;
as rebellion, 22-23; research on, 1,158,
269-82; revolutionary spirit of, 23; and rock
musicians, 10306; in Russia, 1,192-98; in
Sakha, 228-41; and specialty stores, 6;
subculture of, 90; as urban culture, 96;
vernacular of, 147; Western-sounding, 141; in
Yugoslavia, 86-88. See also Albanian-
language rap; American hip hop; arabesk
rap; Czech hip hop; Romani hip hop; Serbian
hip hop; Slovak rap
hip hop events, 28on4
hip hop indigenization, 128
hip hop literacy, 287
hip hop porn, 120
hip hop videos. See videos
holiday, 260
home, ii, 168, 233
homophobia, 25, 4ini2
‘hood, 91, 254-55
horizontal intertextuality, 270
housing projects, 246, 250
hybrid musical practices, 17803,199, 203, 204,
209
hyperghetto, 249
identity: in Albania, 14,172,176; and arabesk
culture, 202; artistic, 182; Balkan, 177; and
bodies, 188; and brands, 154; class, 5,155; and
Czech rap, 269; ethnic, 72-76, 228; as
gangster, 186-87; and hip hop, 12,149-50» *75;
local, 128; and localization, 199-211; national,
67; rapper as, 89-90; and Russian hip hop,
183-84,186; Sakha, 228, 231, 237-39; self, 146;
stigmatized, 223; in Turkish rap, 199-211;
youth, 77
ideological control, 14
imagery, 236; and brands, 158; escapist, 246;
ghetto, 7, 245-66; party, 260; racist, 274; of
success, 259-60; of women, 274-78
improvisation, 70, 72
incarceration, 46-47
independent labels, 5, 272
indirect speech, 91
individualism, 222
informal economy, 94, 95
information technology, 129,132-33
insider status, 154
intellectuals, 54
intercultural interaction, 71-74
interethnic communication, 77
interethnic tension, 63, 66
internal migrants, 172-74, 232
internet: and arabesk rap, 205; and censorship,
53; in Estonia, 130,132-33; and musical
hybridization, 199; and Polish hip hop,
INDEX I 307
149-51; and Rytmus, 115; and Serbian hip
hop, 248; and Slovak rap, 110
intertextuality, 158, 270
I§ik, Nuran Erol, 6,199-211, 298
Islam, 76
jazz, 3-4
job discrimination, 218
judicial system, 56-57
Kajanov£, Alena, 7, 212-27, 298
Kosova, 165
Kosovo, 15, 29
Krovostok, 185-93
Kumanovo, 63
language: and African American culture, 287;
in Albania, 14,16,165,171; and alienation,
235; appropriation of, 270; and arabesk rap,
208; of consumer society, 146-49; of
cosmopolitanism, 176; and Czech rap, 269;
of duels, 207; Estonian, 129; and ethnic
identification, 72-76; in former Yugoslavia,
67; foul, 115,119,140; and hip hop, 12; and
interpersonal communication, 75; local, 129;
and Macedonians, 65,76; Sakha, 232-37;
Slovak, 111; of survival, 206; vernacular, 21,
147, 204; and Youth Open Festival, 70;
Yugoslav, 87
law enforcement, 46-47
linguistics, 287
local identity, 128,145,154
local language, 65,129
local specificity, 11
local street culture, 86
local subculture, 270
locality: and arabesk rap, 204; and g-funk
generation, 91-92; and neighborhoods, 91, 255
localization, 99
love, 203, 277
luxury, 152,153» 259
lyrics: analysis of, 151-52; arabesk, 199, 201; and
arabesk rap, 204-205; and brands, 145-61,
146,153; of Polish songs, 151-52; rap, 11; and
Roma ghetto, 219-20; of Russian rap, 47-57;
of Serbian hip hop, 89, 95; Slovak rap, 112,
122; turbo-folk, 94; and verbal duels, 207;
and women, 275
Macedonia, 15, 63, 64,77ns; Albanian-language
media in, 167; Albanians in, 69; hip hop in,
4,65; history of, 67; and language, 65, 75, 76;
nationalism in, 73; youth from, 70
mafia capitalism, 86, 94
magazines, 91
mainstream: and Albanian-language rap, 165;
and Czech hip hop, 267, 271; and escapism,
260; and Estonian-language hip hop, 131; hip
hop, 12; opposition to, 185-87; Sakha hip hop
as, 235; Slovak rap as, 109,115-16,122
manele, 5
marginalization, 3-4, 6, 7,13, 204-205,
212-14, 249
market economies, 4-5, 252
market socialism, 103Ո4
market transition, 213-14
marketing, 24, 230
masculinity, 109,120,128,145, 272-74
mass media, 110, 119
mass youth culture, 85-108
material wealth, 98
MCs, 276-77» 293
media, 15,17,110,119,130,133,167, 236
membership, 177-78
memory, 182
migrants: African, 7; from Albania, 167;
economic, 176; internal, 96,172-74, 232; and
urban culture, 201
Miloševič, Slobodan, 29, 93-94, 97,104Ո14,
247
mimicry, 166,169,171,176-78
minorities, 118
misogyny, 145, 274
Miszczynski, Milosz, 1-8,5,145-61, 298
mixing, 293
modern: musical genres as, 167; symbols of,
175; tattoos as, 169-70; Tirana as, 174
modernity, 176,177, 202, 209
modernization, 129,166
Montenegro, 15, 29, 65, 248
motherhood, 276, 277
Mrhalek, Tomas, 7, 212-27, 299
Mujanovic, Jasmin, 4, 28-44, 299
multilingualism, 111
multivocality, 128
music: in Albania, 14-15; awards for, 268;
as commodity, 2-3; and conflict
transformation, 77Ո4; journal about, 236;
piracy of, 2, 88-89, in» 157; and politics, 16,
252; production of, 130,134-36,156, 216.
See also specific genres
Music, Goran, 5, 85-108, 299
308 I INDEX
music industries, 1, 3, 4, 78Ո12,158; in Albania,
166-67; in Czech Republic, 267; in Estonia,
130-31; in Slovakia, 111; in Yugoslavia,
87, 92
music videos. See videos
musical resistance, 132
musical theater, 110
musicians, 135-36
MuzTV, 1
MySpace, 248
narratives: of marginality, 249; of repression,
130; Russian gangsta, 196; in Slovak rap, 109;
of women, 275
National Festival of Albanian Music, 15
national identity, 67
nationalism, 38; ethnolinguistic, 129; and
folk music, 77Ո7; as hip hop theme, 33;
imagery of, 6; in Macedonia, 67, 73,139;
and popuiar music, 64-65; in Russia, 47,
60; in Sakha, 233, 237, 239; in Serbia, 29; in
Slovakia, 110,121-22; and turbo-folk, 86; in
Yugoslavia, 63
Nazi rap, 138
neighborhood, 91, 254-55
neo-Nazis, 47,122
neoliberalism, 149-55
New Belgrade, 246, 247, 250-51, 261Ո9
New Partisans, 31-32
New Primitives, 31-32, 40Ո2
new wave, 87-88
New York City, 289-91
NGOs, 71-72
nightlife, 97
nihilism, 193
Nike, 105Ո21,145-61
Noize MC, 46-52
normativity, 176
Oblomov, Vasya, 52-58, 61
oligarchy, 252, 253
opportunism, 58
Oravcova, Anna, 7, 267-82, 299
organized crime, 95
orientalism, 97
outlaw, 259
park jams, 289-91
parody, 115-16,172-74» 259
participant observation, 271
Partisan liberation struggle, 35
party hip hop, 6m2, 86-89,101,104017, 260
patriotism, 121
peace-building projects, 78ni9
peer learning, 70
Peers, Eleanor, 7, 228-41, 299
perestroika, 232
personal freedom, 184,193
Petchauer, Emery, 288
Phat Phillie, DJ, 291-95
pioneers, 292
piracy, 2, 88-89, ni, 157
place,219
poetics, 209, 259, 287
Poland, 5,145-61,150
police imagery, 259
politics: and activism, 93; Albanian, 11-27,13;in
BiH, 30, 33-34; and corruption, 116; and
dissent, 49; and Edi Rama, 19-21; electoral,
12-13; and instability, 66; and isolation, 253;
mainstream, 19-24; and power, 12; rappers
and, 58; and resistance, 187-88; rhetoric of,
2-3; in Russia, 46; and Serbian hip hop,
252~53 in Yugoslavia, 93
politics of, 12, 23
pop-folk genres, 172
popsa, 234, 238
popular culture: in Slovakia, 109-27; in Turkey,
201; in Yugoslavia, 4,30-31
popular music: Estonian-language, 130-31; in
post-Soviet contexts, 138; Sakha, 231; and
Serbian politics, 252; uses of, 64
pornography, 120-21
positivism, 188
post-punk scene, 87-88
post-socialism, 1-3,165-68
post-Soviet reality, 140
postcolonialism, 177-78
poverty, 212, 214
power: centralized, 138; issues of, 230;
masculine, 128; political, 12; in post-socialist
society, 7; in Russia, 195-96; in Russian
Federation, 229
powerlessness, 98
print capitalism, 130
prison imagery, 259
prison songs, 188
privileged youth, 85-108
producer, 285
production process, 135
profanity, 115,119,140
profiteering, 297
INDEX I 309
proletarian youth, 85-86,101,103
promotion channels, 150
protagonist, 185-94
protest songs, 49, 65
punk, 30, 87-88
Pushkin, Alexander, 47-49,183
Pussy Riot, 54-58
Putin, Vladimir, 1,196; critique of, 52-53; and
Pussy Riot, 55; and rap, 45; reign of, 197*17;
and Sakha, 237; support for, 58
queer themes, 35, 4ini2
race, 267, 283-96
racism, 39, 47-49,119, 121, 249, 273-74, 279
radio, 91,130, 236, 291, 292
Rama, Edi, 13,17-22
rap: activist, 49-52; in Albania, 16; and arabesk
rap, 208; brand usage in, 145-61; critique of,
10305; cultural values of, 146; and dizel
culture, 95, 98-100; in Estonia, 129-31,
134-35; and ethnic minorities, 118; fashion of,
150; festivals of, 185; in former Yugoslavia, 64;
hardcore street, 98; influence of, 60;
intertextuality of, 158; localization of, 99;
parody of, 115-16,172-74, 259; pro-Putin, 58;
production of, 156; public perceptions of, 110;
and R B, 16; and reconciliation processes,
71-72; and Roma youth, 273; in Russia, 4, 7,
45-62; in Slovakia, 5,109-27; and social
reality, 220; types of, 45-46, 6in2,150; and
war, 65; women in, 277-28. See also hip hop;
lyrics; videos
rap beefs, 150
rap heads, 102
rap ‘n’ roll generation, 89, 91, 92
rapping verse, 87
R B, 13,16
reality, 220, 273
realness, 7,102, 245, 248-49, 259, 283-96
rebellion, 22-23, 205-6, 230
reconciliation, 71-72
recording equipment, 130,156
recording industry. See music industries
refugees, 33
regionalism, 174
relationships, 276
religion, 76
representing, 247
repression, 45,130
Republic of Macedonia, see Macedonia
Republic of Sakha. See Sakha
research: applied, 64, 74; on DJs, 285-86;
methods for, 224nio; participant observation,
271; qualitative, 268; on Roma, 217-23
resignation, 205-206
resistance, 213
rhetoric, 4in8, 245
rhyme schemes, 130
rhyming, 200
rhythm-and-blues, 13,16
Richardson, Elaine, 286-87, 295
riots, 101
rock music: and hip hop, i03n6; in Sakha, 231,
232; and Serbian hip hop, 87; in socialist
society, 3-4; in Yugoslavia, 30, 31, 65, 88,
103Π2
role models, 136, 277
Roma, 212-27; in Czech Republic, 273, 279,
280ml; exclusion of, 213; and frustration,
220-21; and funk music, 10407; and ghetto,
224Π3, 26on2; and job discrimination, 218;
population of, 22402; research on, 217-23;
Rytmus as, 114; in Serbia, 95; in Slovakia, 109,
118-19; and solidarity, 222; stereotypes of, 118,
121-22, 274; and stigma, 221-23
Roma youth, 70, 75-76, 86, 88
Romani hip hop, 7, 71-72, 213, 215-16, 222, 273
rural migrants, 172-74, 201
Russia: government of, 57-58; hip hop in, 1,
182-98; intellectuals in, 54; language of, 234;
power in, 195-96; rap in, 4, 45-46, 59-60,
6in2,183-85; rock in, 188; and Sakha, 237,
239; and the West, 59
Russian Eastern Orthodox Church, 57-58
Ruzicka, Michal, 7, 212-27, 299
Rytmus, 109-10,112-19, 216, 223
Sakha, 228-41; hip hop in, 7, 229, 235; music
tradition of, 231-33, 236; and nationalism,
239; post-Soviet era in, 233-38; radio in, 236;
and Russia, 237
sampling, 129,135,156, 285
Sarajevo, 31-32, 4in9
satire, 115-16,172-74, 259» 277
scholarship. See research
segregation, 75, 215
self, 146,147,175,194
self-consciousness, 190,195
self-creation, 187,191
self-expression, 140, 223, 269
self-reflection, 223
310 I INDEX
selling out, 271
Sentevska, Irena, 7, 245-66, 299
Serbia, 5, 29; in 1993» 92-93; demo rap scene in,
89; as ghetto, 249, 258; politics in, 252; rap
styles in, 99; record companies in, 78Ո12;
youth culture in, 70,97-98
Serbian hip hop, 5,65, 85-108; and class, 87;
gangsta narratives in, 259; history of, 246-47;
and ‘hoods, 255; and representing, 247; and
videos, 7,66, 245-66
Serbian rap music, 78Ո12, 92-93, 96, 253
sexism, 260, 274-78
sexual domination, 260
sexual objectification, 120-21
SFRJ. See Yugoslavia (SFRJ)
shamanic rock, 232
Siberia, 228-41
Sign, 187
slang, 208, 269, 270
Slovak rap, 5,109-27; commercialization of, 113;
and corruption, 116-17; internet presence of,
110; and minorities, 118; in other countries,
m; themes in, 112
Slovakia: anti-Semitism in, 122; corruption in,
116-17; and gender inequality, 121; and
ghettos, 118; music industry in, 111;
patriotism in, 121
Slovenia, 29
social activist rap, 46-52
social change, 74
social cohesion, 154-56
social critique, 6,112, 223
social decay, 92
social disadvantage, 245
social distance, 222
social exclusion, 214
social memory, 34
social mobility, 109,112
social movement, 16
social outcast, 187
social problems, 86
social tensions, 2-3
social trauma, 40
socialism, 85, 278
Socialist Federal Republic of Yugoslavia (SFRJ),
7, 28-ՅՆ 34, 86
socialist realism, 14,16, 251
society as, 145
solidarity, 146,154-56, 222
sonic experience, 269
sophistication, 155
Soviet Union, 7
spirituality, 203
spitting, 146,159П1
spoken word, 45
sponsorship, 111-13, i55~57 236
sport shoes, 105П21
state socialism, 85
status, 6,98,102,154
stereotypes: and African American culture,
287; of Albanians, 176; of European nations,
138; in former Yugoslavia, 70; and Roma, 7h
118, i2i֊22, 218; in Turkey, 205, 207; of
women, 274-78
stigma, 1, 75, 215, 217, 221-23
storytelling, 293
street culture, 86,100
street rallies, 101
street rappers, 150
street themes, 85, 91
struggle, 254
studio equipment, 130,156
subculture, 5,85,89-90, 200, 270
success, 259-60
swear words, 115,119,140
symbolism: and BiH flag, 41П16; of brands,
148-49,158; of ghettos, 255; of hip hop, 176;
and rap videos, 66; and tattoos, 187
talent shows, 280П13
tattoos, 169-71,187-88
techno rap, 234
technology, 131
television, 88-89, 95,111
themes: in Albanian-language rap, 24,168;
170-71; antiauthoritarian, 132; of arabesk
culture, 201; of arabesk rap, 205-206; of
betrayal, 37; for BiH hip hop, 33; and
consumer culture, 146; of corruption,
116-17; and Estonian hip hop, 130,137-38; of
love, 203; in Sakha hip hop, 238; of Sakha
music, 233; in Serbian cinema, 250; Serbian
hip hop, 249, 252, 253, 256, 261П15; sexist, 276;
Slovak rap, 109,112,114; street, 85,91
Tiger Leap Foundation, 132-33
Timati, 58-59
Tirana, 6,18, 21,165-66,172-75
Tochka, Nicholas, 6,165-81,300
Tomaszewski, Przemysław, 145-61,300
Tosk dialect, 14
Toska, Elona, 4,11-27, З00
turbo-folk, 5, 86, 94, 246, 260
INDEX I 311
Turkey, 6,199-211
turntable technique, 293
Tuzla, 32, 4ОП4
Underground, 12,109-27, 216, 268-69, 271-72
United States, 12-13, 269-71. See also American
hip hop
unity, 69
urban culture, 95-97,151,172-74, 201, 233, 285
urban imagery, 236
urbanization, 228-41
Vallaste, Triin, 5,128-44, 300
Valter, 41П9
Ventsel, Aimar, 7, 228-41, 300
verbal duello, 200, 206-207
Vergina Sun, 77П6
vernacular, 21,147, 204
victimhood, 130
Videos, 67, 246, 258; Albanian hip hop, 179П5; of
Edi Rama, 19; and ghettos, 250, 256; Polish
rap, 111; and Russian hip hop, 184; in Sakha,
234, 236-37; satirical, 259; Serbian hip hop,
66, 88-89, 245-67; Slovakian rap, 114;
turbo-folk, 260
violence, 182-98,189,193,194
virtual communities, 208
Voice of America, 14-15
Vojvodina, 29
Vukčevič, Predrag, 5, 85-108, 300
Wang, E., 40m
war, 14, 29, 32, 65-67, 213
wealth, 113,114
West Coast gangsta rap, 90-91,129, 169
West Coast rappers, 18
West Side Family, 13,15, 18-21
Western cultural products, 2, 85
white rapping, 256
women, 120-21, 274-78
world music, 246
World War II, 14, 66, 213
xenophobia, 33, 49,138,139
Yakutia. See Sakha
Yakutsk, 231, 235
youth: African American, 93; Albanian, 70,
76,165-66; and arabesk rap, 204-205; as
consumers, 176; disenfranchisement of, 288;
in former Yugoslavia, 68-75; and interethnic
tension, 76; lower-class, 103; Romani, 217-18;
in Sakha, 238; in Serbia, 98; Yugoslav, 87
Youth Open Festival (YOF), 64, 68-75
YouTube, 66
Yugoslavia, 63-81; diaspora from, 31, 33;
ethnic tension in, 68; hip hop in, 65, 246;
NGO’s in, 71-72; and popular music,
64-65; and reconciliation, 71-72; rock
music in, 7705; state-owned record
companies in, 87
Yugoslavia (SFRJ), 7, 28-31, 34, 86
Yunusov, Timur, 58-59
Zulu Nation, 7, 292, 294
Zvanovcova, Veronika, 7, 212-27, 301
Bayerisch·
\ Staatsbibliothek
München |
| any_adam_object | 1 |
| author2 | Miszczynski, Milosz Helbig, Adriana 1974- |
| author2_role | edt edt |
| author2_variant | m m mm a h ah |
| author_GND | (DE-588)1053780281 |
| author_facet | Miszczynski, Milosz Helbig, Adriana 1974- |
| building | Verbundindex |
| bvnumber | BV044271490 |
| callnumber-first | M - Music |
| callnumber-label | ML3531 |
| callnumber-raw | ML3531 |
| callnumber-search | ML3531 |
| callnumber-sort | ML 43531 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LS 48650 |
| ctrlnum | (OCoLC)992440089 (DE-599)BVBBV044271490 |
| dewey-full | 782.4216490947 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.4216490947 |
| dewey-search | 782.4216490947 |
| dewey-sort | 3782.4216490947 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| oclc_num | 992440089 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-20 |
| owner_facet | DE-12 DE-11 DE-20 |
| physical | ix, 311 Seiten |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Indiana University Press |
| record_format | marc |
| spelling | Hip hop at Europe's edge music, agency, and social change edited by Milosz Miszczynski and Adriana Helbig Bloomington Indiana University Press [2017] ix, 311 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Gesellschaft Rap (Music) Europe, Eastern History and criticism Rap (Music) Europe, Central History and criticism Rap (Music) Social aspects Europe, Eastern Rap (Music) Social aspects Europe, Central Soziale Funktion (DE-588)4289518-2 gnd rswk-swf Hip-Hop (DE-588)4303517-6 gnd rswk-swf Popkultur (DE-588)4175361-6 gnd rswk-swf Politischer Wandel (DE-588)4175047-0 gnd rswk-swf Osteuropa (DE-588)4075739-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Osteuropa (DE-588)4075739-0 g Hip-Hop (DE-588)4303517-6 s Popkultur (DE-588)4175361-6 s Soziale Funktion (DE-588)4289518-2 s Politischer Wandel (DE-588)4175047-0 s DE-604 Miszczynski, Milosz edt Helbig, Adriana 1974- (DE-588)1053780281 edt Erscheint auch als Online-Ausgabe 978-0-253-02321-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029676089&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029676089&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
| spellingShingle | Hip hop at Europe's edge music, agency, and social change Gesellschaft Rap (Music) Europe, Eastern History and criticism Rap (Music) Europe, Central History and criticism Rap (Music) Social aspects Europe, Eastern Rap (Music) Social aspects Europe, Central Soziale Funktion (DE-588)4289518-2 gnd Hip-Hop (DE-588)4303517-6 gnd Popkultur (DE-588)4175361-6 gnd Politischer Wandel (DE-588)4175047-0 gnd |
| subject_GND | (DE-588)4289518-2 (DE-588)4303517-6 (DE-588)4175361-6 (DE-588)4175047-0 (DE-588)4075739-0 (DE-588)4143413-4 |
| title | Hip hop at Europe's edge music, agency, and social change |
| title_auth | Hip hop at Europe's edge music, agency, and social change |
| title_exact_search | Hip hop at Europe's edge music, agency, and social change |
| title_full | Hip hop at Europe's edge music, agency, and social change edited by Milosz Miszczynski and Adriana Helbig |
| title_fullStr | Hip hop at Europe's edge music, agency, and social change edited by Milosz Miszczynski and Adriana Helbig |
| title_full_unstemmed | Hip hop at Europe's edge music, agency, and social change edited by Milosz Miszczynski and Adriana Helbig |
| title_short | Hip hop at Europe's edge |
| title_sort | hip hop at europe s edge music agency and social change |
| title_sub | music, agency, and social change |
| topic | Gesellschaft Rap (Music) Europe, Eastern History and criticism Rap (Music) Europe, Central History and criticism Rap (Music) Social aspects Europe, Eastern Rap (Music) Social aspects Europe, Central Soziale Funktion (DE-588)4289518-2 gnd Hip-Hop (DE-588)4303517-6 gnd Popkultur (DE-588)4175361-6 gnd Politischer Wandel (DE-588)4175047-0 gnd |
| topic_facet | Gesellschaft Rap (Music) Europe, Eastern History and criticism Rap (Music) Europe, Central History and criticism Rap (Music) Social aspects Europe, Eastern Rap (Music) Social aspects Europe, Central Soziale Funktion Hip-Hop Popkultur Politischer Wandel Osteuropa Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029676089&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029676089&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT miszczynskimilosz hiphopateuropesedgemusicagencyandsocialchange AT helbigadriana hiphopateuropesedgemusicagencyandsocialchange |