1971 - a year in the life of color:
In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
University of Chicago Press
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts<U+2014>and those of their advocates<U+2014>to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists<U+2014>among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas<U+2014>rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture<U+2019>s preoccupation with color |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 285 Seiten Illustrationen 24 cm |
| ISBN: | 9780226131054 |
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| 520 | 3 | |a In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts<U+2014>and those of their advocates<U+2014>to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists<U+2014>among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas<U+2014>rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture<U+2019>s preoccupation with color | |
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Datensatz im Suchindex
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|---|---|
| adam_text |
INTRODUCTION.
SOCIAL EXPERIMENTS WITH MODERNISM
1
CHAPTER 1.
HOW IT LOOKS TO BE A PROBLEM
53
CHAPTER 2.
MAKING A SHOW OF DISCOMPOSURE
CONTEMPORARY BLACK ARTISTS IN AMERICA
123
CHAPTER 3.
LOCAL COLOR AND ITS DISCONTENTS
THE DELUXE SHOW
193
APPENDIX
RAYMOND SAUNDERS
3
BLACK IS A COLOR (1967)
265
ACKNOWLEDGMENTS
277
INDEX
279 |
| any_adam_object | 1 |
| author | English, Darby 1974- |
| author_GND | (DE-588)1129806421 |
| author_facet | English, Darby 1974- |
| author_role | aut |
| author_sort | English, Darby 1974- |
| author_variant | d e de |
| building | Verbundindex |
| bvnumber | BV044270902 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6538 |
| callnumber-raw | N6538.N5 |
| callnumber-search | N6538.N5 |
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| callnumber-subject | N - Visual Arts |
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| contents | Introduction: Social experiments with modernism How it looks to be a problem Making a show of discomposure: Contemporary Black Artists in America Local color and its discontents: the DeLuxe show Appendix: Raymond Saunders, Black is a color (1967) |
| ctrlnum | (OCoLC)982063156 (DE-599)BSZ484596764 |
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| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1971 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1971 |
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| spelling | English, Darby 1974- Verfasser (DE-588)1129806421 aut 1971 - a year in the life of color Darby English Nineteen hundred and seventy-one Chicago ; London University of Chicago Press 2016 285 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction: Social experiments with modernism How it looks to be a problem Making a show of discomposure: Contemporary Black Artists in America Local color and its discontents: the DeLuxe show Appendix: Raymond Saunders, Black is a color (1967) In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts<U+2014>and those of their advocates<U+2014>to further that aim through public exhibition. Amid calls to define a black aesthetic, these experiments with modernist art prioritized cultural interaction and instability. 'Contemporary Black Artists in America' highlighted abstraction as a stance against normative approaches, while 'The DeLuxe Show' positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists<U+2014>among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas<U+2014>rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture<U+2019>s preoccupation with color Geschichte 1900-2000 Geschichte 1971 gnd rswk-swf Geschichte Gesellschaft Rassismus (DE-588)4076527-1 gnd rswk-swf Person of Color (DE-588)4034855-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Contemporary Black Artists in America (Exhibition) <(1971> De Luxe Show (Exhibition) <(1971> African American art / Exhibitions / History Art, Abstract / Exhibitions / History / United States Art, American / Exhibitions / History / 20th century Art and race Art and society / United States Modernism (Art) / Social aspects / United States Nineteen seventy-one, A.D African American art / Exhibitions / 20th century (DE-588)4135467-9 Ausstellungskatalog gnd-content USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Rassismus (DE-588)4076527-1 s Person of Color (DE-588)4034855-6 s Geschichte 1971 z DE-604 Erscheint auch als Online-Ausgabe 9780226274737 DE-576;DE-14 application/pdf http://swbplus.bsz-bw.de/bsz484596764inh.htm 20170331151047 Inhaltsverzeichnis SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029675514&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | English, Darby 1974- 1971 - a year in the life of color Introduction: Social experiments with modernism How it looks to be a problem Making a show of discomposure: Contemporary Black Artists in America Local color and its discontents: the DeLuxe show Appendix: Raymond Saunders, Black is a color (1967) Geschichte Gesellschaft Rassismus (DE-588)4076527-1 gnd Person of Color (DE-588)4034855-6 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4076527-1 (DE-588)4034855-6 (DE-588)4114333-4 (DE-588)4078704-7 (DE-588)4135467-9 |
| title | 1971 - a year in the life of color |
| title_alt | Nineteen hundred and seventy-one Introduction: Social experiments with modernism How it looks to be a problem Making a show of discomposure: Contemporary Black Artists in America Local color and its discontents: the DeLuxe show Appendix: Raymond Saunders, Black is a color (1967) |
| title_auth | 1971 - a year in the life of color |
| title_exact_search | 1971 - a year in the life of color |
| title_full | 1971 - a year in the life of color Darby English |
| title_fullStr | 1971 - a year in the life of color Darby English |
| title_full_unstemmed | 1971 - a year in the life of color Darby English |
| title_short | 1971 - a year in the life of color |
| title_sort | 1971 a year in the life of color |
| topic | Geschichte Gesellschaft Rassismus (DE-588)4076527-1 gnd Person of Color (DE-588)4034855-6 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Geschichte Gesellschaft Rassismus Person of Color Kunst USA Ausstellungskatalog |
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Inhaltsverzeichnis