Eduardo Paolozzi:
A seminal publication on one of Britain's most original and influential post-war artists, marking a major international retrospective. - Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the "godfather of Pop art," his power...
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Weitere Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Whitechapel Gallery
2017
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Schlagworte: | |
Zusammenfassung: | A seminal publication on one of Britain's most original and influential post-war artists, marking a major international retrospective. - Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the "godfather of Pop art," his powerful collages, sculptures and prints participated in and pushed back against the currents of postwar British art history, from his 1947 collage "I Was a Rich Man's Plaything" to the 1950s "Geometry of Fear" sculpture, through the Swinging Sixties and on to the advent of "Cool Britannia." In the event of a nuclear holocaust, J.G. Ballard said, Paolozzi's enormous body of work "could serve as evidence to reconstruct the 20th century." Accompanying the first major international exhibition of Paolozzi's art since 1975, this publication presents a comprehensive overview of Paolozzi's work from the 1940s to the 1990s, reassessing one of the most dynamic, versatile and pugilistic artists from Britain and highlighting the relevance of his work for artists today. As well as including a history of the artist's work in an international context, the book presents new approaches to Paolozzi from Hal Foster and Jon Wood, as well as a contribution by the contemporary Mexican artist Mariana Cristallo Deball. |
Beschreibung: | 288 Seiten 26 cm |
ISBN: | 9780854882519 |
Internformat
MARC
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520 | 3 | |a A seminal publication on one of Britain's most original and influential post-war artists, marking a major international retrospective. - Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the "godfather of Pop art," his powerful collages, sculptures and prints participated in and pushed back against the currents of postwar British art history, from his 1947 collage "I Was a Rich Man's Plaything" to the 1950s "Geometry of Fear" sculpture, through the Swinging Sixties and on to the advent of "Cool Britannia." In the event of a nuclear holocaust, J.G. Ballard said, Paolozzi's enormous body of work "could serve as evidence to reconstruct the 20th century." Accompanying the first major international exhibition of Paolozzi's art since 1975, this publication presents a comprehensive overview of Paolozzi's work from the 1940s to the 1990s, reassessing one of the most dynamic, versatile and pugilistic artists from Britain and highlighting the relevance of his work for artists today. As well as including a history of the artist's work in an international context, the book presents new approaches to Paolozzi from Hal Foster and Jon Wood, as well as a contribution by the contemporary Mexican artist Mariana Cristallo Deball. | |
600 | 1 | 7 | |a Paolozzi, Eduardo |d 1924-2005 |0 (DE-588)118591606 |2 gnd |9 rswk-swf |
653 | 1 | |a Paolozzi, Eduardo / 1924-2005 / Exhibitions | |
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689 | 0 | 0 | |a Paolozzi, Eduardo |d 1924-2005 |0 (DE-588)118591606 |D p |
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700 | 1 | |a Herrmann, Daniel F. |4 edt | |
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710 | 2 | |a Whitechapel Art Gallery |0 (DE-588)1003465-1 |4 isb | |
710 | 2 | |a Berlinische Galerie |0 (DE-588)2053618-5 |4 his | |
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Datensatz im Suchindex
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author2 | Herrmann, Daniel F. |
author2_role | edt |
author2_variant | d f h df dfh |
author_GND | (DE-588)118591606 (DE-588)123940362 |
author_facet | Herrmann, Daniel F. |
building | Verbundindex |
bvnumber | BV044259241 |
ctrlnum | (OCoLC)989949359 (DE-599)BVBBV044259241 |
format | Book |
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genre_facet | Ausstellungskatalog Ausstellungskatalog Berlinische Galerie 02.02.2018-18.06.2018 Berlin Ausstellungskatalog Whitechapel Art Gallery 16.02.2017-14.05.2017 London |
id | DE-604.BV044259241 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:48:01Z |
institution | BVB |
institution_GND | (DE-588)1003465-1 (DE-588)2053618-5 |
isbn | 9780854882519 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029664212 |
oclc_num | 989949359 |
open_access_boolean | |
owner | DE-255 DE-12 |
owner_facet | DE-255 DE-12 |
physical | 288 Seiten 26 cm |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Whitechapel Gallery |
record_format | marc |
spelling | Paolozzi, Eduardo 1924-2005 (DE-588)118591606 art Eduardo Paolozzi (2017) Eduardo Paolozzi editor: Daniel F. Herrmann ; with contributions by Dawn Ades, Poppy Bowers, Mariana Castillo Deball, Hal Foster, Jane Hall (Assemble), Clare Heath, Martin Kershaw, Anne Massey [und weitere] London Whitechapel Gallery 2017 288 Seiten 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier A seminal publication on one of Britain's most original and influential post-war artists, marking a major international retrospective. - Eduardo Paolozzi was one of the most innovative and irreverent British artists of the 20th century. Considered the "godfather of Pop art," his powerful collages, sculptures and prints participated in and pushed back against the currents of postwar British art history, from his 1947 collage "I Was a Rich Man's Plaything" to the 1950s "Geometry of Fear" sculpture, through the Swinging Sixties and on to the advent of "Cool Britannia." In the event of a nuclear holocaust, J.G. Ballard said, Paolozzi's enormous body of work "could serve as evidence to reconstruct the 20th century." Accompanying the first major international exhibition of Paolozzi's art since 1975, this publication presents a comprehensive overview of Paolozzi's work from the 1940s to the 1990s, reassessing one of the most dynamic, versatile and pugilistic artists from Britain and highlighting the relevance of his work for artists today. As well as including a history of the artist's work in an international context, the book presents new approaches to Paolozzi from Hal Foster and Jon Wood, as well as a contribution by the contemporary Mexican artist Mariana Cristallo Deball. Paolozzi, Eduardo 1924-2005 (DE-588)118591606 gnd rswk-swf Paolozzi, Eduardo / 1924-2005 / Exhibitions Art and Design (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Berlinische Galerie 02.02.2018-18.06.2018 Berlin gnd-content (DE-588)4135467-9 Ausstellungskatalog Whitechapel Art Gallery 16.02.2017-14.05.2017 London gnd-content Paolozzi, Eduardo 1924-2005 (DE-588)118591606 p DE-604 Herrmann, Daniel F. edt Foster, Hal 1955- (DE-588)123940362 wat Whitechapel Art Gallery (DE-588)1003465-1 isb Berlinische Galerie (DE-588)2053618-5 his |
spellingShingle | Eduardo Paolozzi Paolozzi, Eduardo 1924-2005 (DE-588)118591606 gnd |
subject_GND | (DE-588)118591606 (DE-588)4135467-9 |
title | Eduardo Paolozzi |
title_alt | Eduardo Paolozzi (2017) |
title_auth | Eduardo Paolozzi |
title_exact_search | Eduardo Paolozzi |
title_full | Eduardo Paolozzi editor: Daniel F. Herrmann ; with contributions by Dawn Ades, Poppy Bowers, Mariana Castillo Deball, Hal Foster, Jane Hall (Assemble), Clare Heath, Martin Kershaw, Anne Massey [und weitere] |
title_fullStr | Eduardo Paolozzi editor: Daniel F. Herrmann ; with contributions by Dawn Ades, Poppy Bowers, Mariana Castillo Deball, Hal Foster, Jane Hall (Assemble), Clare Heath, Martin Kershaw, Anne Massey [und weitere] |
title_full_unstemmed | Eduardo Paolozzi editor: Daniel F. Herrmann ; with contributions by Dawn Ades, Poppy Bowers, Mariana Castillo Deball, Hal Foster, Jane Hall (Assemble), Clare Heath, Martin Kershaw, Anne Massey [und weitere] |
title_short | Eduardo Paolozzi |
title_sort | eduardo paolozzi |
topic | Paolozzi, Eduardo 1924-2005 (DE-588)118591606 gnd |
topic_facet | Paolozzi, Eduardo 1924-2005 Ausstellungskatalog Ausstellungskatalog Berlinische Galerie 02.02.2018-18.06.2018 Berlin Ausstellungskatalog Whitechapel Art Gallery 16.02.2017-14.05.2017 London |
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