Antimodernism and Artistic Experience: Policing the Boundaries of Modernity
Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, histor...
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Format: | Elektronisch E-Book |
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Sprache: | English |
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Toronto
University of Toronto Press
[2017]
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Schriftenreihe: | Heritage
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Schlagworte: | |
Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
Zusammenfassung: | Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience.Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
Beschreibung: | 1 online resource |
ISBN: | 9781442623101 |
DOI: | 10.3138/9781442623101 |
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Datensatz im Suchindex
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adam_text | |
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spelling | Antimodernism and Artistic Experience Policing the Boundaries of Modernity Lynda Lee Jessup Toronto University of Toronto Press [2017] © 2001 1 online resource txt rdacontent c rdamedia cr rdacarrier Heritage Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience.Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production In English Moderne (DE-588)4039827-4 gnd rswk-swf Primitivismus (DE-588)4175712-9 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 1996 Toronto gnd-content Moderne (DE-588)4039827-4 s Ästhetik (DE-588)4000626-8 s 2\p DE-604 Primitivismus (DE-588)4175712-9 s 3\p DE-604 Jessup, Lynda Lee Sonstige oth https://doi.org/10.3138/9781442623101 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Antimodernism and Artistic Experience Policing the Boundaries of Modernity Moderne (DE-588)4039827-4 gnd Primitivismus (DE-588)4175712-9 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4039827-4 (DE-588)4175712-9 (DE-588)4000626-8 (DE-588)1071861417 |
title | Antimodernism and Artistic Experience Policing the Boundaries of Modernity |
title_auth | Antimodernism and Artistic Experience Policing the Boundaries of Modernity |
title_exact_search | Antimodernism and Artistic Experience Policing the Boundaries of Modernity |
title_full | Antimodernism and Artistic Experience Policing the Boundaries of Modernity Lynda Lee Jessup |
title_fullStr | Antimodernism and Artistic Experience Policing the Boundaries of Modernity Lynda Lee Jessup |
title_full_unstemmed | Antimodernism and Artistic Experience Policing the Boundaries of Modernity Lynda Lee Jessup |
title_short | Antimodernism and Artistic Experience |
title_sort | antimodernism and artistic experience policing the boundaries of modernity |
title_sub | Policing the Boundaries of Modernity |
topic | Moderne (DE-588)4039827-4 gnd Primitivismus (DE-588)4175712-9 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Moderne Primitivismus Ästhetik Konferenzschrift 1996 Toronto |
url | https://doi.org/10.3138/9781442623101 |
work_keys_str_mv | AT jessuplyndalee antimodernismandartisticexperiencepolicingtheboundariesofmodernity |