Stagestruck: The Business of Theater in Eighteenth-Century France and Its Colonies
Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urba...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater's spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire's most important Atlantic colony, Saint-Domingue.Clay argues that outside Paris the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors-including women and people of color-who seized the opportunities offered by commercial theater to become important agents of cultural change.Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, Stagestruck overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This deeply researched book will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780801468216 |
| DOI: | 10.7591/9780801468216 |
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| doi_str_mv | 10.7591/9780801468216 |
| era | Geschichte 1700-1800 Geschichte 1700-1800 gnd |
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| spelling | Clay, Lauren R. Verfasser aut Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies Lauren R. Clay Ithaca, N.Y. Cornell University Press [2013] © 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater's spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire's most important Atlantic colony, Saint-Domingue.Clay argues that outside Paris the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors-including women and people of color-who seized the opportunities offered by commercial theater to become important agents of cultural change.Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, Stagestruck overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This deeply researched book will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state In English Geschichte 1700-1800 Geschichte 1700-1800 gnd rswk-swf Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Theater Economic aspects France History 18th century Theater Economic aspects West Indies, French History 18th century Theater (DE-588)4059702-7 gnd rswk-swf Kolonie (DE-588)4031790-0 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Kolonie (DE-588)4031790-0 s Theater (DE-588)4059702-7 s Geschichte 1700-1800 z 1\p DE-604 https://doi.org/10.7591/9780801468216 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Clay, Lauren R. Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Theater Economic aspects France History 18th century Theater Economic aspects West Indies, French History 18th century Theater (DE-588)4059702-7 gnd Kolonie (DE-588)4031790-0 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4031790-0 (DE-588)4018145-5 |
| title | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies |
| title_auth | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies |
| title_exact_search | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies |
| title_full | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies Lauren R. Clay |
| title_fullStr | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies Lauren R. Clay |
| title_full_unstemmed | Stagestruck The Business of Theater in Eighteenth-Century France and Its Colonies Lauren R. Clay |
| title_short | Stagestruck |
| title_sort | stagestruck the business of theater in eighteenth century france and its colonies |
| title_sub | The Business of Theater in Eighteenth-Century France and Its Colonies |
| topic | Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Theater Economic aspects France History 18th century Theater Economic aspects West Indies, French History 18th century Theater (DE-588)4059702-7 gnd Kolonie (DE-588)4031790-0 gnd |
| topic_facet | Geschichte Theater and society France History 18th century Theater and society West Indies, French History 18th century Theater Economic aspects France History 18th century Theater Economic aspects West Indies, French History 18th century Theater Kolonie Frankreich |
| url | https://doi.org/10.7591/9780801468216 |
| work_keys_str_mv | AT claylaurenr stagestruckthebusinessoftheaterineighteenthcenturyfranceanditscolonies |