Aggressive Fictions: Reading the Contemporary American Novel
A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or ann...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2011]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers-or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers-and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780801462870 |
| DOI: | 10.7591/9780801462870 |
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| spelling | Hume, Kathryn 1945- Verfasser (DE-588)172147573 aut Aggressive Fictions Reading the Contemporary American Novel Kathryn Hume Ithaca, N.Y. Cornell University Press [2011] © 2011 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Ellis's American Psycho, Katherine Dunn's Geek Love, and Don DeLillo's Underworld seem determined to upset, disgust, or annoy their readers-or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works "aggressive fiction." Why would authors risk alienating their readers-and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers "attacks" on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion In English Geschichte 1900-2000 Geschichte 1970-2010 gnd rswk-swf Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aggressivität (DE-588)4141621-1 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Roman (DE-588)4050479-7 s Aggressivität (DE-588)4141621-1 s Geschichte 1970-2010 z 1\p DE-604 https://doi.org/10.7591/9780801462870 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hume, Kathryn 1945- Aggressive Fictions Reading the Contemporary American Novel Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aggressivität (DE-588)4141621-1 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4141621-1 (DE-588)4050479-7 (DE-588)4078704-7 |
| title | Aggressive Fictions Reading the Contemporary American Novel |
| title_auth | Aggressive Fictions Reading the Contemporary American Novel |
| title_exact_search | Aggressive Fictions Reading the Contemporary American Novel |
| title_full | Aggressive Fictions Reading the Contemporary American Novel Kathryn Hume |
| title_fullStr | Aggressive Fictions Reading the Contemporary American Novel Kathryn Hume |
| title_full_unstemmed | Aggressive Fictions Reading the Contemporary American Novel Kathryn Hume |
| title_short | Aggressive Fictions |
| title_sort | aggressive fictions reading the contemporary american novel |
| title_sub | Reading the Contemporary American Novel |
| topic | Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aggressivität (DE-588)4141621-1 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Aggressiveness in literature American fiction 20th century History and criticism American fiction 21st century History and criticism Aggressivität Roman USA |
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