Broken Harmony: Shakespeare and the Politics of Music
Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire t...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2011]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780801460920 |
| DOI: | 10.7591/9780801460920 |
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| spelling | Ortiz, Joseph M. Verfasser aut Broken Harmony Shakespeare and the Politics of Music Joseph M. Ortiz Ithaca, N.Y. Cornell University Press [2011] © 2011 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music's illegibility rather than come to terms with its actual effects. In Broken Harmony, Joseph M. Ortiz revises our understanding of music's relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged.Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare's plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter's Tale) and Milton's A Maske, Ortiz challenges the consensus that music's affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music's function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function In English Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Music in literature Musik (DE-588)4040802-4 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Musik (DE-588)4040802-4 s 1\p DE-604 https://doi.org/10.7591/9780801460920 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ortiz, Joseph M. Broken Harmony Shakespeare and the Politics of Music Shakespeare, William 1564-1616 (DE-588)118613723 gnd Music in literature Musik (DE-588)4040802-4 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4040802-4 (DE-588)4012899-4 |
| title | Broken Harmony Shakespeare and the Politics of Music |
| title_auth | Broken Harmony Shakespeare and the Politics of Music |
| title_exact_search | Broken Harmony Shakespeare and the Politics of Music |
| title_full | Broken Harmony Shakespeare and the Politics of Music Joseph M. Ortiz |
| title_fullStr | Broken Harmony Shakespeare and the Politics of Music Joseph M. Ortiz |
| title_full_unstemmed | Broken Harmony Shakespeare and the Politics of Music Joseph M. Ortiz |
| title_short | Broken Harmony |
| title_sort | broken harmony shakespeare and the politics of music |
| title_sub | Shakespeare and the Politics of Music |
| topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Music in literature Musik (DE-588)4040802-4 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Shakespeare, William 1564-1616 Music in literature Musik Drama |
| url | https://doi.org/10.7591/9780801460920 |
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