Exception Taken: How France Has Defied Hollywood's New World Order
In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2017]
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| Schriftenreihe: | Film and Culture Series
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Zusammenfassung: | In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource 10 b&w illustrations and 70 tables and graphs |
| ISBN: | 9780231543071 |
| DOI: | 10.7312/buch17066 |
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| spelling | Buchsbaum, Jonathan Verfasser aut Exception Taken How France Has Defied Hollywood's New World Order Jonathan Buchsbaum New York, NY Columbia University Press [2017] © 2017 1 online resource 10 b&w illustrations and 70 tables and graphs txt rdacontent c rdamedia cr rdacarrier Film and Culture Series Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization.Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema In English Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Motion picture industry France History 20th century Motion picture industry United States History 20th century Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Frankreich USA Frankreich (DE-588)4018145-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Frankreich (DE-588)4018145-5 g USA (DE-588)4078704-7 g Filmwirtschaft (DE-588)4154384-1 s Geschichte 1900-2000 z 1\p DE-604 https://doi.org/10.7312/buch17066 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Buchsbaum, Jonathan Exception Taken How France Has Defied Hollywood's New World Order Geschichte Motion picture industry France History 20th century Motion picture industry United States History 20th century Filmwirtschaft (DE-588)4154384-1 gnd |
| subject_GND | (DE-588)4154384-1 (DE-588)4018145-5 (DE-588)4078704-7 |
| title | Exception Taken How France Has Defied Hollywood's New World Order |
| title_auth | Exception Taken How France Has Defied Hollywood's New World Order |
| title_exact_search | Exception Taken How France Has Defied Hollywood's New World Order |
| title_full | Exception Taken How France Has Defied Hollywood's New World Order Jonathan Buchsbaum |
| title_fullStr | Exception Taken How France Has Defied Hollywood's New World Order Jonathan Buchsbaum |
| title_full_unstemmed | Exception Taken How France Has Defied Hollywood's New World Order Jonathan Buchsbaum |
| title_short | Exception Taken |
| title_sort | exception taken how france has defied hollywood s new world order |
| title_sub | How France Has Defied Hollywood's New World Order |
| topic | Geschichte Motion picture industry France History 20th century Motion picture industry United States History 20th century Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | Geschichte Motion picture industry France History 20th century Motion picture industry United States History 20th century Filmwirtschaft Frankreich USA |
| url | https://doi.org/10.7312/buch17066 |
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