Pier Paolo Pasolini: Performing Authorship
Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Mari...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship.Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource 41 b&w illustration |
| ISBN: | 9780231542708 |
| DOI: | 10.7312/anno18030 |
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| 520 | |a Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship.Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Annovi, Gian Maria |
| author_facet | Annovi, Gian Maria |
| author_role | aut |
| author_sort | Annovi, Gian Maria |
| author_variant | g m a gm gma |
| building | Verbundindex |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 858 - Italian miscellaneous writings |
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| discipline | Romanistik |
| doi_str_mv | 10.7312/anno18030 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:47:54Z |
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| isbn | 9780231542708 |
| language | English |
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| spelling | Annovi, Gian Maria Verfasser aut Pier Paolo Pasolini Performing Authorship Gian Maria Annovi New York, NY Columbia University Press [2017] © 2017 1 online resource 41 b&w illustration txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) Before his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship.Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author In English Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd rswk-swf Selbst (DE-588)4121653-2 gnd rswk-swf Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 p Selbst (DE-588)4121653-2 s 1\p DE-604 https://doi.org/10.7312/anno18030 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Annovi, Gian Maria Pier Paolo Pasolini Performing Authorship Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Selbst (DE-588)4121653-2 gnd |
| subject_GND | (DE-588)118591908 (DE-588)4121653-2 |
| title | Pier Paolo Pasolini Performing Authorship |
| title_auth | Pier Paolo Pasolini Performing Authorship |
| title_exact_search | Pier Paolo Pasolini Performing Authorship |
| title_full | Pier Paolo Pasolini Performing Authorship Gian Maria Annovi |
| title_fullStr | Pier Paolo Pasolini Performing Authorship Gian Maria Annovi |
| title_full_unstemmed | Pier Paolo Pasolini Performing Authorship Gian Maria Annovi |
| title_short | Pier Paolo Pasolini |
| title_sort | pier paolo pasolini performing authorship |
| title_sub | Performing Authorship |
| topic | Pasolini, Pier Paolo 1922-1975 (DE-588)118591908 gnd Selbst (DE-588)4121653-2 gnd |
| topic_facet | Pasolini, Pier Paolo 1922-1975 Selbst |
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