Seeing Things:
A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto
University of Toronto Press
[2017]
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Schlagworte: | |
Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media.Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017) |
Beschreibung: | 1 online resource |
ISBN: | 9781442696525 |
DOI: | 10.3138/9781442696525 |
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Datensatz im Suchindex
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any_adam_object | |
author | Ackerman, Alan |
author_facet | Ackerman, Alan |
author_role | aut |
author_sort | Ackerman, Alan |
author_variant | a a aa |
building | Verbundindex |
bvnumber | BV044254484 |
collection | ZDB-23-DGG |
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dewey-ones | 700 - The arts |
dewey-raw | 700.1/05 |
dewey-search | 700.1/05 |
dewey-sort | 3700.1 15 |
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discipline | Kunstgeschichte |
doi_str_mv | 10.3138/9781442696525 |
format | Electronic eBook |
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spelling | Ackerman, Alan Verfasser aut Seeing Things Alan Ackerman Toronto University of Toronto Press [2017] © 2011 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Jan. 23, 2017) A technological revolution has changed the way we see things. The storytelling media employed by Pixar Animation Studios, Samuel Beckett, and William Shakespeare differ greatly, yet these creators share a collective fascination with the nebulous boundary between material objects and our imaginative selves. How do the acts of seeing and believing remain linked? Alan Ackerman charts the dynamic history of interactions between showing and knowing in Seeing Things, a richly interdisciplinary study which illuminates changing modes of perception and modern representational media.Seeing Things demonstrates that the airy nothings of A Midsummer Night's Dream, the Ghost in Hamlet, and soulless bodies in Beckett's media experiments, alongside Toy Story's digitally animated toys, all serve to illustrate the modern problem of visualizing, as Hamlet put it, 'that within which passes show.' Ackerman carefully analyses such ghostly appearances and disappearances across cultural forms and contexts from the early modern period to the present, investigating the tension between our distrust of shadows and our abiding desire to believe in invisible realities. Seeing Things provides a fresh and surprising cultural history through theatrical, verbal, pictorial, and cinematic representations In English DISCOUNT-C. Technology and the arts Visual communication Visual perception Kunst (DE-588)4114333-4 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 s Visuelle Kommunikation (DE-588)4131112-7 s Kunst (DE-588)4114333-4 s Technologie (DE-588)4059276-5 s 1\p DE-604 https://doi.org/10.3138/9781442696525 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Ackerman, Alan Seeing Things DISCOUNT-C. Technology and the arts Visual communication Visual perception Kunst (DE-588)4114333-4 gnd Technologie (DE-588)4059276-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4059276-5 (DE-588)4078921-4 (DE-588)4131112-7 |
title | Seeing Things |
title_auth | Seeing Things |
title_exact_search | Seeing Things |
title_full | Seeing Things Alan Ackerman |
title_fullStr | Seeing Things Alan Ackerman |
title_full_unstemmed | Seeing Things Alan Ackerman |
title_short | Seeing Things |
title_sort | seeing things |
topic | DISCOUNT-C. Technology and the arts Visual communication Visual perception Kunst (DE-588)4114333-4 gnd Technologie (DE-588)4059276-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
topic_facet | DISCOUNT-C. Technology and the arts Visual communication Visual perception Kunst Technologie Visuelle Wahrnehmung Visuelle Kommunikation |
url | https://doi.org/10.3138/9781442696525 |
work_keys_str_mv | AT ackermanalan seeingthings |