The off-screen: an investigation of the cinematic frame
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stanford, California
Stanford University Press
[2017]
|
| Schriftenreihe: | Meridian: crossing aesthetics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | x, 256 Seiten Illustrationen |
| ISBN: | 9781503600720 |
Internformat
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Datensatz im Suchindex
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| adam_text |
Contents
Illustrations ix
THRESHOLD
The Unframing Image 3
part 1: the off-screen:
SHAKESPEARE, BRUEGEL, TARKOVSKY 15
PART 2.' THE ORIGIN OF FILM
1 On the Origin of Film and the Resurrection of the People:
D. W. Griffiths Intolerance 61
2 The Actor of the Crowd—The Great Dictator:
Chaplin, Riefenstahl, Lang 78
PART 3: ON FILM GENRE
3 Howard Hawks’s Idea of Genre 173
4 What Is a Cinema of Jewish Vengeance?
Tarantinos Inglourious Basterds 200
Notes 211
Index 253
From the Renaissance on, a new concept of the frame becomes crucial to a
range of artistic media, which in turn are organized around and fascinated
by this frame. The frame decontextualizes. cutting everything that is within it
from the continuity of the world and creating a realm we understand as the
realm of fiction. The modern theatrical stage, framed paintings, the novel, the
cinematic screen—all present us with such framed-off zones. Naturally, the
frame creates a separation between inside and out. But, as this book argues,
what is outside the frame, what is offstage, or off-screen, remains particularly
mysterious. It constitutes the primary enigma of the work of art in the modem
age. It is to the historical and conceptual significance of this "off11 that this
book is dedicated. By focusing on what is outside the frame of a work of art. it
offers a comprehensive theory of film, a concise history of American cinema
from D.W. Griffith to Quentin Tarantino, and a reflection on the place and
significance of film within the arts of modernity in general.
EYAL PERETZ is Professor of Comparative Literature at Indiana University
Bloomington. He is the author of BECOMING VISIONARY (Stanford, 2007). |
| any_adam_object | 1 |
| author | Peretz, Eyal 1968- |
| author_GND | (DE-588)174172958 |
| author_facet | Peretz, Eyal 1968- |
| author_role | aut |
| author_sort | Peretz, Eyal 1968- |
| author_variant | e p ep |
| building | Verbundindex |
| bvnumber | BV044254094 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)989977169 (DE-599)BVBBV044254094 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
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| spelling | Peretz, Eyal 1968- Verfasser (DE-588)174172958 aut The off-screen an investigation of the cinematic frame Eyal Peretz Stanford, California Stanford University Press [2017] © 2017 x, 256 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Meridian: crossing aesthetics Includes bibliographical references Hawks, Howard 1896-1977 (DE-588)118547283 gnd rswk-swf Lang, Fritz 1890-1976 (DE-588)118569244 gnd rswk-swf Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd rswk-swf Chaplin, Charlie 1889-1977 (DE-588)118520113 gnd rswk-swf Inglourious basterds (DE-588)7672918-7 gnd rswk-swf Intolerance: Love's Struggle Throughout the Ages (DE-588)109221836X gnd rswk-swf Film Geschichte Philosophie Motion pictures Philosophy Framing (Cinematography) Motion pictures United States History Filmtheorie (DE-588)4071216-3 gnd rswk-swf Rahmen (DE-588)4048300-9 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA Aufführung (DE-588)4143388-9 s Film (DE-588)4017102-4 s DE-604 Filmtheorie (DE-588)4071216-3 s Rahmen (DE-588)4048300-9 s Intolerance: Love's Struggle Throughout the Ages (DE-588)109221836X u Chaplin, Charlie 1889-1977 (DE-588)118520113 p Riefenstahl, Leni 1902-2003 (DE-588)118600761 p Lang, Fritz 1890-1976 (DE-588)118569244 p Hawks, Howard 1896-1977 (DE-588)118547283 p Inglourious basterds (DE-588)7672918-7 u Erscheint auch als Online-Ausgabe 978-1-5036-0166-1 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029659132&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029659132&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Peretz, Eyal 1968- The off-screen an investigation of the cinematic frame Hawks, Howard 1896-1977 (DE-588)118547283 gnd Lang, Fritz 1890-1976 (DE-588)118569244 gnd Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd Chaplin, Charlie 1889-1977 (DE-588)118520113 gnd Inglourious basterds (DE-588)7672918-7 gnd Intolerance: Love's Struggle Throughout the Ages (DE-588)109221836X gnd Film Geschichte Philosophie Motion pictures Philosophy Framing (Cinematography) Motion pictures United States History Filmtheorie (DE-588)4071216-3 gnd Rahmen (DE-588)4048300-9 gnd Aufführung (DE-588)4143388-9 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118547283 (DE-588)118569244 (DE-588)118600761 (DE-588)118520113 (DE-588)7672918-7 (DE-588)109221836X (DE-588)4071216-3 (DE-588)4048300-9 (DE-588)4143388-9 (DE-588)4017102-4 |
| title | The off-screen an investigation of the cinematic frame |
| title_auth | The off-screen an investigation of the cinematic frame |
| title_exact_search | The off-screen an investigation of the cinematic frame |
| title_full | The off-screen an investigation of the cinematic frame Eyal Peretz |
| title_fullStr | The off-screen an investigation of the cinematic frame Eyal Peretz |
| title_full_unstemmed | The off-screen an investigation of the cinematic frame Eyal Peretz |
| title_short | The off-screen |
| title_sort | the off screen an investigation of the cinematic frame |
| title_sub | an investigation of the cinematic frame |
| topic | Hawks, Howard 1896-1977 (DE-588)118547283 gnd Lang, Fritz 1890-1976 (DE-588)118569244 gnd Riefenstahl, Leni 1902-2003 (DE-588)118600761 gnd Chaplin, Charlie 1889-1977 (DE-588)118520113 gnd Inglourious basterds (DE-588)7672918-7 gnd Intolerance: Love's Struggle Throughout the Ages (DE-588)109221836X gnd Film Geschichte Philosophie Motion pictures Philosophy Framing (Cinematography) Motion pictures United States History Filmtheorie (DE-588)4071216-3 gnd Rahmen (DE-588)4048300-9 gnd Aufführung (DE-588)4143388-9 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Hawks, Howard 1896-1977 Lang, Fritz 1890-1976 Riefenstahl, Leni 1902-2003 Chaplin, Charlie 1889-1977 Inglourious basterds Intolerance: Love's Struggle Throughout the Ages Film Geschichte Philosophie Motion pictures Philosophy Framing (Cinematography) Motion pictures United States History Filmtheorie Rahmen Aufführung USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029659132&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029659132&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT peretzeyal theoffscreenaninvestigationofthecinematicframe |