The mountains in art history:
The Mountains in Art History' is the first English-language work to focus on the mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Middletown, Connecticut
Wesleyan University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The Mountains in Art History' is the first English-language work to focus on the mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine how artistic representation of mountains has varied through the lens of specific depictions in English and American literature, and consider how images of mountains functioned in conjunction with religion, the sublime, and Romanticism. These essays by student authors adeptly ruminate on works by individuals such as William Wordsworth, John Frederick Kensett, Alexander van Humboldt, Emil Nolde, and Arnold Fanck. Includes an introduction by professor Peter Mark and a helpful appendix of the course syllabus and narrative description |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | xi, 132 Seiten Illustrationen |
| ISBN: | 9780819577290 |
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| 264 | 4 | |c © 2017 | |
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| 500 | |a Includes bibliographical references | ||
| 505 | 8 | |a Peter Mark: Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac"<br>Penny Snyder: Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism<br>Matthew Kim: Wordsworth's Alps<br>Elizabeth Deatrick: John Ruskin, Turner, and the Romantic Pursuit of Truth<br>Avery Chase: The Power of the Sublime in the Mountains<br>Page Nelson: The Intersection of Alpine Passes and Landscape Painting<br>Gordon Pignato: Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century<br>Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America<br>Penny Snyder: The South American Mountains of Alexander von Humboldt and Frederic Edwin Church<br>Elizabeth Deatrick: From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains<br>William Wiebe: Arnold Fanck and German Bergfilm<br>Jackson Sabes: This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains<br>Catherine Walsh: King Ortler: Climbing as Experience, a photo essay<br>Peter Mark | |
| 520 | 3 | |a The Mountains in Art History' is the first English-language work to focus on the mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine how artistic representation of mountains has varied through the lens of specific depictions in English and American literature, and consider how images of mountains functioned in conjunction with religion, the sublime, and Romanticism. These essays by student authors adeptly ruminate on works by individuals such as William Wordsworth, John Frederick Kensett, Alexander van Humboldt, Emil Nolde, and Arnold Fanck. Includes an introduction by professor Peter Mark and a helpful appendix of the course syllabus and narrative description | |
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Datensatz im Suchindex
| _version_ | 1804177422902362112 |
|---|---|
| adam_text | CONTENTS
INTRODUCTION:
COMING
ROUND
AGAIN
PETER
MARK
IX
MOUNTAINS
IN
ITALIAN
RENAISSANCE
DEPICTIONS
OF
THE
SACRIFICE
OF
ISAAC
PENNY
SNYDER
I
ANALYZING
FREDERIC
CHURCH S
THE
HEART
OF
THE
ANDES
WITH
JOSEPH
ADDISON S
NEOCLASSICAL
AND
PROTOTYPICAL
THEORY
OF
ARTISTIC
CRITICISM
MATTHEW
KIM
P
WORDSWORTH S
ALPS
ELIZABETH
DEATRICK
21
JOHN
RUSKIN,
TTIMER,
AND
THE
ROMANTIC
PURSUIT
OFT
RUTH
AVERY
CHASE
2
7
THE
POWER
OF
THE
SUBLIME
IN
THE
MOUNTAINS
PAGE
NELSON
33
THE
INTERSECTION
OF
ALPINE
PASSES
AND
LANDSCAPE
PAINTING
GORDON
PIGNATO
39
TERRIBLE
BEAUTY:
ARTISTIC
REPRESEN
TATIONS
OF
THE
WHITE
MOUNTAINS
IN
THE
NINETEENTH
CENTURY
PETER
HELMAN
45
THANATOPSIS:
A
VISION
OF
CHANGE
IN
NINETEENTH
CENTURY
AMERICA
PENNY
SNYDER
53
THE
SOUTH
AMERICAN
MOUNTAINS
OF
ALEX
ANDER
VON
HUMBOLDT
AND
FREDERIC
EDWIN
CHURCH
ELIZABETH
DEATRICK
^3
FROM
POSTCARDS
TO
WATERCOLORS:
ERNIL
NOLDE
(1867-1956)
AND
THE
MEDIUM
OF
THE
MOUNTAINS
WILLIAM
WIEBE
71
ARNOLD
FANCK
AND
GERMAN
BERGFILM
JACKSON
SABES
81
THIS
WILD
COUNTRY:
JACK
KEROUAC S
THE
DHARMA
BUMS
AND
THE
MOUNTAINS
CATHERINE
WALSH
KING
ORTLER;
CLIMBING
AS
EXPERIENCE,
A
PHOTO
ESSAY
PETER
MARK
101
APPENDIX:
THE
COURSE
SYLLABUS
ARHAZ96:
THE
MOUNTAINS
AND
ART
HISTORY
PROFESSOR
PETER
MARK
IX5
ACKNOWLEDGEMENTS
|
| any_adam_object | 1 |
| author2 | Mark, Peter Allen 1948- Helman, Peter Snyder, Penny |
| author2_role | edt edt edt |
| author2_variant | p a m pa pam p h ph p s ps |
| author_GND | (DE-588)1012830012 |
| author_facet | Mark, Peter Allen 1948- Helman, Peter Snyder, Penny |
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| contents | Peter Mark: Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac"<br>Penny Snyder: Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism<br>Matthew Kim: Wordsworth's Alps<br>Elizabeth Deatrick: John Ruskin, Turner, and the Romantic Pursuit of Truth<br>Avery Chase: The Power of the Sublime in the Mountains<br>Page Nelson: The Intersection of Alpine Passes and Landscape Painting<br>Gordon Pignato: Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century<br>Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America<br>Penny Snyder: The South American Mountains of Alexander von Humboldt and Frederic Edwin Church<br>Elizabeth Deatrick: From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains<br>William Wiebe: Arnold Fanck and German Bergfilm<br>Jackson Sabes: This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains<br>Catherine Walsh: King Ortler: Climbing as Experience, a photo essay<br>Peter Mark |
| ctrlnum | (OCoLC)992457163 (DE-599)BVBBV044253001 |
| dewey-full | 704.9/436143 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.9/436143 |
| dewey-search | 704.9/436143 |
| dewey-sort | 3704.9 6436143 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| spelling | The mountains in art history edited by Peter Mark, Peter Helman and Penny Snyder Middletown, Connecticut Wesleyan University Press [2017] © 2017 xi, 132 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Peter Mark: Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac"<br>Penny Snyder: Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism<br>Matthew Kim: Wordsworth's Alps<br>Elizabeth Deatrick: John Ruskin, Turner, and the Romantic Pursuit of Truth<br>Avery Chase: The Power of the Sublime in the Mountains<br>Page Nelson: The Intersection of Alpine Passes and Landscape Painting<br>Gordon Pignato: Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century<br>Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America<br>Penny Snyder: The South American Mountains of Alexander von Humboldt and Frederic Edwin Church<br>Elizabeth Deatrick: From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains<br>William Wiebe: Arnold Fanck and German Bergfilm<br>Jackson Sabes: This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains<br>Catherine Walsh: King Ortler: Climbing as Experience, a photo essay<br>Peter Mark The Mountains in Art History' is the first English-language work to focus on the mountains as subject matter and source of aesthetic and spiritual inspiration for painters. This collection of original essays is written entirely by Wesleyan University students of art history. The essays examine how artistic representation of mountains has varied through the lens of specific depictions in English and American literature, and consider how images of mountains functioned in conjunction with religion, the sublime, and Romanticism. These essays by student authors adeptly ruminate on works by individuals such as William Wordsworth, John Frederick Kensett, Alexander van Humboldt, Emil Nolde, and Arnold Fanck. Includes an introduction by professor Peter Mark and a helpful appendix of the course syllabus and narrative description Geschichte gnd rswk-swf Mountains in art Historiography Gebirge Motiv (DE-588)4156145-4 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Gebirge Motiv (DE-588)4156145-4 s Geschichte z DE-604 Mark, Peter Allen 1948- (DE-588)1012830012 edt Helman, Peter edt Snyder, Penny edt Erscheint auch als Online-Ausgabe 978-0-8195-7730-6 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029658054&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The mountains in art history Peter Mark: Mountains in Italian Renaissance Depictions of "The Sacrifice of Isaac"<br>Penny Snyder: Analyzing Frederic Church's The Heart of the Andes with Joseph Addison's Neoclassical and Prototypical Theory of Artistic Criticism<br>Matthew Kim: Wordsworth's Alps<br>Elizabeth Deatrick: John Ruskin, Turner, and the Romantic Pursuit of Truth<br>Avery Chase: The Power of the Sublime in the Mountains<br>Page Nelson: The Intersection of Alpine Passes and Landscape Painting<br>Gordon Pignato: Terrible Beauty: Artistic Representations of the White Mountains in the Nineteenth Century<br>Peter HelmanThanatopsis: A Vision of Change in Nineteenth Century America<br>Penny Snyder: The South American Mountains of Alexander von Humboldt and Frederic Edwin Church<br>Elizabeth Deatrick: From Postcards to Watercolors: Emil Nolde (1867-1956) and the Medium of the Mountains<br>William Wiebe: Arnold Fanck and German Bergfilm<br>Jackson Sabes: This Wild Country: Jack Kerouac's The Dharma Bums and the Mountains<br>Catherine Walsh: King Ortler: Climbing as Experience, a photo essay<br>Peter Mark Mountains in art Historiography Gebirge Motiv (DE-588)4156145-4 gnd Kunst (DE-588)4114333-4 gnd |
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| title | The mountains in art history |
| title_auth | The mountains in art history |
| title_exact_search | The mountains in art history |
| title_full | The mountains in art history edited by Peter Mark, Peter Helman and Penny Snyder |
| title_fullStr | The mountains in art history edited by Peter Mark, Peter Helman and Penny Snyder |
| title_full_unstemmed | The mountains in art history edited by Peter Mark, Peter Helman and Penny Snyder |
| title_short | The mountains in art history |
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