The spell of capital: reification and spectacle
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Volltext Volltext Inhaltsverzeichnis |
| Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
| Beschreibung: | 223 Seiten Illustrationen |
| ISBN: | 9789089648518 |
| DOI: | 10.1515/9789048527052 |
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Contents
Introduction 9
Reification and Spectacle: The Timeliness of Western Marxism
Samir Gandesha and,Johan F. Hartle
1. Yiwu: The Cryptogram of the Spectacle 9
2. The Sequence (1867-1923-1967) and the Parcours 16
Bibliography 19
1. Reification as Structural Depoliticization: The Political
Ontology of Lukács and Debord 21
Johan F. Hartle
1. Mistaking the Social: Fetishism and Social Facts 23
2. Commodity Fetishism, Reification, Spectacle 27
3. Aesthetico-Political Interventions, or, How to Overcome
Reification? 31
Bibliography 35
2. ‘Reification' between Autonomy and Authenticity: Adorno on
Musical Experience 37
Samir Gandesha
1. Two Models of Reification 39
2. Reification and Normativity 43
3. Musical Experience beyond Autonomy and Authenticity 47
Bibliography 52
3. ‘All Reification Is a Forgetting’: Benjamin, Adorno, and the
Dialectic of Reification 55
Thijs Lijster
1. ‘All Reification Is a Forgetting’ 56
2. Reification and Allegory 58
3. The Collector 60
4. Adorno's Dialectic of Reification 62
5. Conclusion 65
Bibliography 66
4. Utopian Interiors: The Art of Situationist Urbanism from
Reification to Play 67
Tyrus Miller
Bibliography 88
5. ‘The Brilliance of Invisibility': Tracking the Body in the Society
of the Spectacle 91
Sudeep Dasgupta
1. Coordinating the Society of the Spectacle: Debord and Lukács 93
2. Interception/Identification/Dissolution 97
3. Suspension/Attention/Dissolution 101
4. From the Logic of Dissolution to the Dynamic of Identifica-
tion 103
5. Conclusion 108
Bibliography 109
6. Art Criticism in the Society of the Spectacle: The Case of October 111
Noortje de Leij
1· Buchloh's Spectacle 116
2. Use Value versus Exchange Value 118
3. Counter-spectacular Memory 125
Bibliography 129
7. Spectacle and Politics: Is There a Political Reality in the
Spectacle of Society? 133
Kati Röttger
1. Spectacle and Post-democracy 136
2. The Dilemma of the Spectacle 138
3. Spectacle as the Condition of Politics 140
4. In Praise of Theatre 142
Bibliography 146
8. Reification, Sexual Objectification, and Feminist Activism 149
Willow Verkerk
1. Lukács and Reification 150
2. Sexual Objectification and Reification: Feminist Problems 154
3. Performative Agency and Posthuman Feminism 158
Bibliography 161
g. Reified Life: Vitalism, Environmentalism, and Reification in
Guy Debord’s The Society of the Spectacle and A Sick Planet 163
Joost de Bloois
1. Dialectical Vitalism: The Society of the Spectacle 166
2. Time’s Crooked Arrow 169
3. A Sick Planet: Life as Revolutionary Wildcard 173
Bibliography 179
10. Images of Capital: An Interview with Zachary Formwalt 181
Samir Gandesha andJohan F. Hartle
Bibliography 201
Notes 203
Index 221
List of figures
Figure 1. Trading stalls ofYiwu in the People’s Republic of
China. Photo by Samir Gandesha and Johan F. Hartle. 9
Figure 4.1. Still from Guy Debord’s film The Passage of a Few
People in a Rather Brief Moment in Time (1959) show-
ing Asger Jorn (second from left, facing viewer), Guy
Debord (on far right, holding cigarette), and others
seated at a table. 74
Figure 4.2. Constant Nieuwenhuys, New Babylon. Still from DVD
[capture from Maarten Schmidt and Thomas Doebele,
Constant, Avant le Départ, 2006]. 77
Figure 4.3. onstant Nieuwenhuys, New Babylon. Still from DVD
[capture from Maarten Schmidt and Thomas Doebele,
Constant, Avant le Départ, 2006]. 78
Figure 4.4. Constant Nieuwenhuys, New Babylon. Cover of Opus
International 2,7 (September 1971). 86
Figure 5.1. Edouard Manet’s Chemin de Fer, 1873. 99
Figure 5.2. Georges Seurat’s Parade de Cirque, 1887-1888. 100
Figure 6.1. Dan Graham, Homes for America, 1989. Photo offset
reproduction of layout for magazine article {Arts
Magazine, December 1966-January 1967). Courtesy
of the artist and Marian Goodman Gallery, Paris. 122
Figure 6.2. Homes for America (detail), 1966-1967. One from 20
colour 35mm slides. Courtesy of the artist and Marian
Goodman Gallery, Paris. 123
Figure 6.3. James Coleman, Box (ahareturnabout), 1977. 16mm
black 8c white film with synchronized audio narra-
tion, continuous projection. Courtesy of the artist and
Marian Goodman Gallery, Paris. 126
Figure 10.1. Video still from Zachary Formwalt, In Place of Capital
(2009), showing a part of one of Henry Talbot's 1845
photographs of the Royal Exchange in London. 184
Figure 10.2. A Scene in Shantytown, NY. Reproduction Direct
from Nature' {The Daily Graphic, 1880). Production
still from Zachary Formwalt, Through a Fine Screen,
2010. 186
Figure 10.3. View from the press photographers' platform of the
opening and closing bell ceremonial space, Shenzhen
Stock Exchange, China. Production still from Zachary
Formwalt, In Light of the Arc, 2013. 189
Figure 10.4. Exterior view of the Shenzhen Stock Exchange in
China under construction. Production still from
Zachary Formwalt, In Light of the Arc, 2013. 190
Figure 10.5. Pages in a notebook that Marx kept in 1868, from
Zachary Formwalt, Reading the Economist, 2010. The
notebook can be found at the International Institute
of Social History, Amsterdam. 191
Figure 10.6. Video still from Zachary Formwalt, A Projective
Geometry, 2012. 193
Figure 10.7. Notes by the colonial administration regarding a
petition from the residents of Sekondi. These notes
can be found in the National Archives of Ghana, in
Accra. Video still from Zachary Formwalt, A Projective
Geometry, 2012. 195
Figure 10.8. Worksite at Shenzhen Stock Exchange. Video still from
Zachary Formwalt, Unsupported Transity 2011. 198
Figure 10.9. Exterior of Shenzhen Stock Exchange. Video still from
Zachary Formwalt, Unsupported Transit, 2011. 199
Figure 10.10. Voice-over microphone in Malmö recording studio.
Video still from Zachary Formwalt's 2005 television
program, A Story Called Eurabia200 |
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| spellingShingle | The spell of capital reification and spectacle Debord, Guy 1931-1994 (DE-588)119215365 gnd Lukács, Georg 1885-1971 (DE-588)11857518X gnd Marxismus (DE-588)4037764-7 gnd |
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| title | The spell of capital reification and spectacle |
| title_auth | The spell of capital reification and spectacle |
| title_exact_search | The spell of capital reification and spectacle |
| title_full | The spell of capital reification and spectacle edited by Samir Gandesha and Johan F. Hartle |
| title_fullStr | The spell of capital reification and spectacle edited by Samir Gandesha and Johan F. Hartle |
| title_full_unstemmed | The spell of capital reification and spectacle edited by Samir Gandesha and Johan F. Hartle |
| title_short | The spell of capital |
| title_sort | the spell of capital reification and spectacle |
| title_sub | reification and spectacle |
| topic | Debord, Guy 1931-1994 (DE-588)119215365 gnd Lukács, Georg 1885-1971 (DE-588)11857518X gnd Marxismus (DE-588)4037764-7 gnd |
| topic_facet | Debord, Guy 1931-1994 Lukács, Georg 1885-1971 Marxismus Aufsatzsammlung |
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