Music in Vienna: 1700, 1800, 1900
The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, v...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Suffolk
Boydell & Brewer
2017
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| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.<BR> This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writersas well as composers, and deals with institutional and commercial characteristics alongside representative individual works. <I>Music in Vienna</I> focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interestedgeneral reader.<BR><BR> DAVID WYN JONES is Professor of Music at Cardiff University |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 07 Mar 2017) Telling tales of music in Vienna -- 1700. Music at the imperial and royal court ; Catholicism, ritual, and ceremony ; Italian opera and the preservation of the Habsburg dynasty -- 1800. Court, aristocrats, and connoisseurs ; Demand, aspiration, and the ennobling of the spirit ; Music, war, and peace -- 1900. Vienna, city of music ; 'Seid umschlungen, Millionen' ; From Johann Strauss to Richard Strauss |
| Beschreibung: | 1 online resource (x, 277 pages) |
| ISBN: | 9781782048312 |
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| 520 | |a The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.<BR> This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writersas well as composers, and deals with institutional and commercial characteristics alongside representative individual works. <I>Music in Vienna</I> focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interestedgeneral reader.<BR><BR> DAVID WYN JONES is Professor of Music at Cardiff University | ||
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| spelling | Wyn Jones, David 1950- Verfasser (DE-588)122108000 aut Music in Vienna 1700, 1800, 1900 David Wyn Jones Suffolk Boydell & Brewer 2017 1 online resource (x, 277 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 07 Mar 2017) Telling tales of music in Vienna -- 1700. Music at the imperial and royal court ; Catholicism, ritual, and ceremony ; Italian opera and the preservation of the Habsburg dynasty -- 1800. Court, aristocrats, and connoisseurs ; Demand, aspiration, and the ennobling of the spirit ; Music, war, and peace -- 1900. Vienna, city of music ; 'Seid umschlungen, Millionen' ; From Johann Strauss to Richard Strauss The image of Vienna as a musical city is a familiar one. Vienna has long been associated with many of the most significant composers in Western music - from Haydn, Mozart, Beethoven and Schubert, through the Strauss family, Brahms, Bruckner and Wolf, to Mahler, Lehár, Schoenberg and Webern. Today, venerable institutions like the Vienna Philharmonic Orchestra, the Staatsoper and the Vienna Boys' Choir, together with the shared pride of residents and visitors in its musical inheritance, ensure that the image of a musical city is undimmed.<BR> This book explores the history of music in Vienna, focussing on three different epochs, 1700, 1800 and 1900, an approach which allows the very different relationships between music and society that existed in each of these periods to be distinguished. Patronage, social function and audience are key considerations, set within wider political and cultural developments. The volume is populated by emperors, princes, performers, publishers and writersas well as composers, and deals with institutional and commercial characteristics alongside representative individual works. <I>Music in Vienna</I> focusses on the political and social role of music, broadening our understanding of the city as a musical capital. It will appeal to a wide readership, including music historians and political, cultural and social historians, as well as the interestedgeneral reader.<BR><BR> DAVID WYN JONES is Professor of Music at Cardiff University Geschichte 1700-1800 Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1700-1914 gnd rswk-swf Musik Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / 19th century / History and criticism Music / Austria / Vienna / 20th century / History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Wien Österreich Wien (DE-588)4066009-6 gnd rswk-swf Wien (DE-588)4066009-6 g Musik (DE-588)4040802-4 s Geschichte 1700-1914 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-78327-107-8 https://www.cambridge.org/core/product/identifier/9781782048312/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Wyn Jones, David 1950- Music in Vienna 1700, 1800, 1900 Musik Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / 19th century / History and criticism Music / Austria / Vienna / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4066009-6 |
| title | Music in Vienna 1700, 1800, 1900 |
| title_auth | Music in Vienna 1700, 1800, 1900 |
| title_exact_search | Music in Vienna 1700, 1800, 1900 |
| title_full | Music in Vienna 1700, 1800, 1900 David Wyn Jones |
| title_fullStr | Music in Vienna 1700, 1800, 1900 David Wyn Jones |
| title_full_unstemmed | Music in Vienna 1700, 1800, 1900 David Wyn Jones |
| title_short | Music in Vienna |
| title_sort | music in vienna 1700 1800 1900 |
| title_sub | 1700, 1800, 1900 |
| topic | Musik Music / Austria / Vienna / 18th century / History and criticism Music / Austria / Vienna / 19th century / History and criticism Music / Austria / Vienna / 20th century / History and criticism Musik (DE-588)4040802-4 gnd |
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