I can't work like this: a reader on recent boycotts and contemporary art
In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under w...
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| Format: | Buch |
| Sprache: | English |
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Berlin
Sternberg Press
[2017]
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under what circumstances, with what consequences, and to what ends? From 2013 to 2015, biennials in Istanbul, St. Petersburg, Sydney, and São Paulo demonstrated that curating and art production can't just carry on as if nothing had happened. This reader is the result of Joanna Warsza's course at the Salzburg International Summer Academy of Fine Arts in 2015. It examines four recent cases of boycotts, presenting their political, ideological, and economic contexts, timelines, statements, as well as interviews with parties involved. It reflects on how certain biennials became the place where the power of art is renegotiated and why one simply "can't work like this." |
| Beschreibung: | 384 Seiten Illustrationen 13.8 x 21 cm |
| ISBN: | 9783956792502 |
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Datensatz im Suchindex
| _version_ | 1804177404489367552 |
|---|---|
| adam_text | INTRODUCTION
11 I CANAT WORK LIKE THAT / JOANNA WARSZA
13 NOTES ON THE ART BOYCOTT / DAVID BEECH
23 BELLETRISTIC EMBARGO / TIRDAD ZOLGHADR IN CONVERSATION WITH THE EDITORS
34 A REPORT ON THE CULTURAL BOYCOTT OF ISRAEL / CHEN TAMIR
52 CCC: CURRENCY OF COLLECTIVE CONSCIOUSNESS / AHMET AAEA02T
65 I WOULD NOT TRUST A PLUMBER TO PERFORM HEART SURGERY / Q&A WITH JULIETA ARANDA BY MIRELA BACIAK
70 ART OUT OF JOINT: ARTISTSA ACTIVISM BEFORE AND AFTER THE CULTURAL TURN / GREGORY SHOLETTE
13TH ISTANBUL BIENNIAL
93 WILL ART LOSE ITS POWER IN THE COLLISION? AN INTRODUCTION
94 TIMELINE
109 SOURCE STATEMENTS / ISTANBUL FOUNDATION FOR CULTURE AND ARTS, FULYA ERDEMCI, ANDREA PHILLIPS, KAMUSAL DIRENIA PLATFORMU, ARTISTS OF THE 13TH ISTANBUL BIENNIAL
133 IN TURKISH THE WORD APUBLICA DOESNAT EXIST / VASAEF KORTUN IN CONVERSATION WITH THE EDITORS 140 IS THE MUSEUM A BATTLEFIELD? (A QUOTE) / HITO STEYERL
142 A FOOTNOTE ON HITO STEYERLAS 2013 LECTURES PHOTOGRAPHY AND POLITICAL AGENCY AND IS THE MUSEUM A BATTLEFIELD? / WHICH IMAGES DO WE WANT TO BECOME REAL? / JUDITH WALDMANN
146 MANY THINGS AND NOTHING AT ALL: THREE RESPONSES OF ART TO GEZAE PARK / LARA FRESKO, ERDEM GA02NDA02Z, AND CHRISTOPH SCHAFER
157 MAKING THE PUBLIC / ANDREA PHILLIPS
MANIFESTA 10
167 THE SITUATION THAT NEVER LEAVES OUR WAKING THOUGHTS FOR LONG. AN INTRODUCTION
168 TIMELINE
189 SOURCE STATEMENTS / MANIFESTA FOUNDATION, KASPER KANIG, JOANNA WARSZA, NOEL KELLY, YURI LEIDERMAN, CHTO DELAT THOMAS HIRSCHHORN
211 IT IS LIKE A TIME BOMB. IT WILL TAKE A WHILE. / KASPER KANIG IN CONVERSATION WITH LIANNE MOL
215 ENGAGEMENT OR DISENGAGEMENT? / JOANNA WARSZA IN CONVERSATION WITH NATO THOMPSON
227 WHERE THE WILD THINGS ARE / Q&A WITH ALEVTINA KAKHIDZE
233 WITHDRAWAL AS INSTITUTIONAL CRITIQUE: CHTO DELAT AND MANIFESTA 10 / Q&A WITH DMITRY VILENSKY
237 THE FETISH OF BOYCOTT / BORIS BUDEN
239 EAST WEST, MANIFESTA / VESNA MADA08
244 ASYLUM IN MY OWN COUNTRY / MARIA KULIKOVSKA
247 AFTER THE DEMISE OF ARTISTIC AUTONOMY: ECONOMICS AND POLITICS AT MANIFESTA 10 / CORINA L. APOSTOL
249 A TEXT THAT SHOULD NEVER HAVE BEEN WRITTEN? / EKATERINA DEGOT
19TH BIENNALE OF SYDNEY
261 WITHDRAWAL IS OUR MOST CONSTRUCTIVE CHOICE. AN INTRODUCTION
262 TIMELINE
273 SOURCE STATEMENTS / OPEN LETTER TO COLLEAGUES ABOUT DETENTION PROFITS AND THE SYDNEY BIENNALE BY MATTHEW KIEM, OPEN LETTER TO THE BOARD OF DIRECTORS OF THE SYDNEY BIENNALE FROM PARTICIPATING ARTISTS, STATEMENT OF WITHDRAWAL, MAKING DECISIONS WITH THE HEART IN TIMES OF CRISIS BY AHMET AAEA02T, STATEMENT BY LUCA BELGIORNO - NETTIS
293 COLLECTIVE ACTION DESPITE THE TIME ZONES / AHMET AAEA02T IN CONVERSATION WITH THE EDITORS
297 DONAT EVEN THINK OF BEING UNGRATEFUL FOR SPONSORSHIP / NATHAN GRAY AND GABRIELLE DE VIETRI IN CONVERSATION WITH KATHARINA BRANDL
308 IMMATERIAL CHAINS / LIBIA CASTRO & ALAFUR ALAFSSON
313 THE POWER TO REFUSE / ANGELA MITROPOULOS
315 BEYOND PERSONAL WORRIES / MATTHEW KIEM
317 IS NON - PARTICIPATION AN INDIVIDUAL OR A COLLECTIVE CONCEPT? / KAREN MIRZA AND BRAD BUTLER IN CONVERSATION WITH KATHARINA BRANDL
31TH BIENAL DE SAO PAULO
327 HOW TO (...) THINGS THAT DONAT EXIST. AN INTRODUCTION
328 TIMELINE
339 SOURCE STATEMENTS / OPEN LETTER TO THE FUNDACAO BIENAL DE SAO PAULO FROM PARTICIPATING ARTISTS, BIENAL DE SAO PAULO CURATORS RESPOND TO ARTISTSA DEMANDS TO REFUSE ISRAELI STATE FUNDING, OPEN LETTER TO THE BIENAL DE SAO PAULO FROM ART COLLECTORS
351 REPRESENTING SOMETHING THAT YOU DISAGREE WITH / GALIT EILAT IN CONVERSATION WITH THE EDITORS
358 IF WE QUESTION ONE LOGO, WE SHOULD BE ABLE TO QUESTION ALL OF THEM / MARIA GALINDO
362 WE WERE LATE / PABLO LAFUENTE
363 SENSE OF AFFILIATION / JONAS STAAL
365 THIS EXPERIENCE WAS ESSENTIAL / CLARA LANNI
366 A DAY AFTER / ANA LIRA
367 WHERE DOES ALL THIS MONEY COME FROM? / TONY CHAKAR
368 A VOLUNTARY TREMOR / CHARLES ESCHE IN CONVERSATION WITH RENATA CERVETTO
BIOGRAPHIES
|
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| contents | Contributions by Corina L. Apostol, Julieta Aranda, Burak Arikan, Dave Beech, Boris Buden, Brad Butler & Karen Mirza, Libia Castro & Ólafur Ólafsson, Tony Chakar, Chto Delat?, Ekaterina Degot, Galit Eilat, Charles Esche, Lara Fresko, Maria Galindo, Erdem Gündüz, Thomas Hirschhorn, Clara Ianni, Alevtina Kakhidze, Matthew Kiem, Kasper König, Vasif Kortun, Maria Kulikovska, Pablo Lafuente, Ana Lira, Vesna Madžoski, Angela Mitropoulos, Ahmet Öğüt, Andrea Phillips, Natascha Sadr Haghighian, Christoph Schäfer, Gregory Sholette, Jonas Staal, Hito Steyerl, Chen Tamir, Nato Thompson, Gabrielle de Vietri, Dmitry Vilensky, Joanna Warsza, Tirdad Zolghadr |
| ctrlnum | (OCoLC)969554445 (DE-599)BVBBV044242304 |
| discipline | Kunstgeschichte |
| era | Geschichte 2013-2015 gnd |
| era_facet | Geschichte 2013-2015 |
| format | Book |
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| spelling | I can't work like this a reader on recent boycotts and contemporary art edited by Joanna Warsza ; associate editors from the Salzburg International Summer Academy of Fine Arts: Ágnes Básthy [und weitere] Berlin Sternberg Press [2017] 384 Seiten Illustrationen 13.8 x 21 cm txt rdacontent n rdamedia nc rdacarrier Contributions by Corina L. Apostol, Julieta Aranda, Burak Arikan, Dave Beech, Boris Buden, Brad Butler & Karen Mirza, Libia Castro & Ólafur Ólafsson, Tony Chakar, Chto Delat?, Ekaterina Degot, Galit Eilat, Charles Esche, Lara Fresko, Maria Galindo, Erdem Gündüz, Thomas Hirschhorn, Clara Ianni, Alevtina Kakhidze, Matthew Kiem, Kasper König, Vasif Kortun, Maria Kulikovska, Pablo Lafuente, Ana Lira, Vesna Madžoski, Angela Mitropoulos, Ahmet Öğüt, Andrea Phillips, Natascha Sadr Haghighian, Christoph Schäfer, Gregory Sholette, Jonas Staal, Hito Steyerl, Chen Tamir, Nato Thompson, Gabrielle de Vietri, Dmitry Vilensky, Joanna Warsza, Tirdad Zolghadr In recent years, artists and curators have often been confronted with the political dilemma of engagement or disengagement. The ideological, economic, or ethically objectionable circumstances of certain biennials and art exhibitions have raised the question of whether to continue and, if so, under what circumstances, with what consequences, and to what ends? From 2013 to 2015, biennials in Istanbul, St. Petersburg, Sydney, and São Paulo demonstrated that curating and art production can't just carry on as if nothing had happened. This reader is the result of Joanna Warsza's course at the Salzburg International Summer Academy of Fine Arts in 2015. It examines four recent cases of boycotts, presenting their political, ideological, and economic contexts, timelines, statements, as well as interviews with parties involved. It reflects on how certain biennials became the place where the power of art is renegotiated and why one simply "can't work like this." Geschichte 2013-2015 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Artists and museums Artists and art museum curators Curatorship Boycotts Artists / Political and social views (DE-588)4006432-3 Bibliografie gnd-content Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Gesellschaft (DE-588)4020588-5 s Geschichte 2013-2015 z DE-604 Warsza, Joanna 1976- Sonstige (DE-588)138920974 oth Básthy, Ágnes edt Internationale Sommerakademie für Bildende Kunst Salzburg (DE-588)2073888-2 isb V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029647627&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | I can't work like this a reader on recent boycotts and contemporary art Contributions by Corina L. Apostol, Julieta Aranda, Burak Arikan, Dave Beech, Boris Buden, Brad Butler & Karen Mirza, Libia Castro & Ólafur Ólafsson, Tony Chakar, Chto Delat?, Ekaterina Degot, Galit Eilat, Charles Esche, Lara Fresko, Maria Galindo, Erdem Gündüz, Thomas Hirschhorn, Clara Ianni, Alevtina Kakhidze, Matthew Kiem, Kasper König, Vasif Kortun, Maria Kulikovska, Pablo Lafuente, Ana Lira, Vesna Madžoski, Angela Mitropoulos, Ahmet Öğüt, Andrea Phillips, Natascha Sadr Haghighian, Christoph Schäfer, Gregory Sholette, Jonas Staal, Hito Steyerl, Chen Tamir, Nato Thompson, Gabrielle de Vietri, Dmitry Vilensky, Joanna Warsza, Tirdad Zolghadr Politik (DE-588)4046514-7 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4046514-7 (DE-588)4020588-5 (DE-588)4114333-4 (DE-588)4006432-3 |
| title | I can't work like this a reader on recent boycotts and contemporary art |
| title_auth | I can't work like this a reader on recent boycotts and contemporary art |
| title_exact_search | I can't work like this a reader on recent boycotts and contemporary art |
| title_full | I can't work like this a reader on recent boycotts and contemporary art edited by Joanna Warsza ; associate editors from the Salzburg International Summer Academy of Fine Arts: Ágnes Básthy [und weitere] |
| title_fullStr | I can't work like this a reader on recent boycotts and contemporary art edited by Joanna Warsza ; associate editors from the Salzburg International Summer Academy of Fine Arts: Ágnes Básthy [und weitere] |
| title_full_unstemmed | I can't work like this a reader on recent boycotts and contemporary art edited by Joanna Warsza ; associate editors from the Salzburg International Summer Academy of Fine Arts: Ágnes Básthy [und weitere] |
| title_short | I can't work like this |
| title_sort | i can t work like this a reader on recent boycotts and contemporary art |
| title_sub | a reader on recent boycotts and contemporary art |
| topic | Politik (DE-588)4046514-7 gnd Gesellschaft (DE-588)4020588-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Politik Gesellschaft Kunst Bibliografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029647627&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT warszajoanna icantworklikethisareaderonrecentboycottsandcontemporaryart AT basthyagnes icantworklikethisareaderonrecentboycottsandcontemporaryart AT internationalesommerakademiefurbildendekunstsalzburg icantworklikethisareaderonrecentboycottsandcontemporaryart |