James Ensor, occasional modernist: Ensor's artistic and social ideas and the interpretation of his art
In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follo...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2018]
|
| Schriftenreihe: | XIX - Studies in nineteenth-century art and visual culture
[1] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follows the advice given to the art critic Andre De Ridder by Ensor himself in 1930: "I recommend you re-read 'Les Écrits de James Ensor', where I explain my research and defend my ideas". Ensor's writings can roughly be divided into two categories, his letters and "les écrits", encompassing his journalistic work, satirical exhibition reviews, comical speeches, words of thanks and praise, and open letters in brochures. The analysis of Ensor's writings is no small task, for he gave little attention to structure and coherence, and employed a complex "wondermiraclelikefulistic" language-archaisms, neologisms, staggering vitriolic rants, hyperboles. Nevertheless, his writings are a crucial source of knowledge on his opinions on Christian faith, rationality, hypocrisy, the dangers of an emerging Flemish nationalism, animal cruelty, the destruction of natural beauty and ancient monuments, and a number of other topics. |
| Beschreibung: | Bandangabe von der Website des Verlags ermittelt |
| Beschreibung: | 440 Seiten Illustrationen |
| ISBN: | 9782503570303 |
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| 520 | 3 | |a In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follows the advice given to the art critic Andre De Ridder by Ensor himself in 1930: "I recommend you re-read 'Les Écrits de James Ensor', where I explain my research and defend my ideas". Ensor's writings can roughly be divided into two categories, his letters and "les écrits", encompassing his journalistic work, satirical exhibition reviews, comical speeches, words of thanks and praise, and open letters in brochures. The analysis of Ensor's writings is no small task, for he gave little attention to structure and coherence, and employed a complex "wondermiraclelikefulistic" language-archaisms, neologisms, staggering vitriolic rants, hyperboles. Nevertheless, his writings are a crucial source of knowledge on his opinions on Christian faith, rationality, hypocrisy, the dangers of an emerging Flemish nationalism, animal cruelty, the destruction of natural beauty and ancient monuments, and a number of other topics. | |
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Datensatz im Suchindex
| _version_ | 1805084657554817024 |
|---|---|
| adam_text |
TABLE OF CONTENTS
PREFACE (AND
A
FEW PRELIMINARY REMARKS)
INTRODUCTION
STATUS QUESTIONIS
OF ENSOR RESEARCH
LETTERS AND DOCUMENTS
BIOGRAPHY
ARTISTIC WORK
STYLE AND ICONOGRAPHY
RECEPTION
RESEARCH
MUSICAL COMPOSITIONS
WRITINGS
THEORY AND
PRACTICE
CHAPTER
1
THE
ARTISTIC AGENDA OF LES
XX
AND THE EARLIEST RECEPTION OF ENSOR'S WORK
SOT~RCESFOR
THE
STUDY OFTHE
EARLIEST RECEPTION OF ENSOR'R
WORK
THE
ARTISTIC AGENDA
A
YOUNG,
NEW, ANTI-ACADEMIC ART
TRUE TO NATURE AND SUBJECTIVE.
IMPRESSIONIST?
GOTHIC
PRIMITIVISM
SYMBOLISM
NEO-IMPRESSIONISM
SYNESTHESIA
THE
SOCIAL
FUNCTION OF ART
ARTISTIC
METHOD,
AESTHETIC EXPERIENCE
CHAPTER
2
EUGGNE DEMOIDER ABOUT ENSOR (1892)
CHAPTER
3
LA
PLUME
(1898)'
AN
'AUTHORIZED' INTERPRETATION
OF ENSOR'S ART?
1.
PURPOSE AND HISTORY OFTHE
ENSOR
SPECIAL ISSUES
THE
OBJECTIVE
THE
AUTHORS
THE
COMPOSITION OF THE PUBLICATION AND THE
ELTING
OF THE TEXTS
2.
LA PLUME AND THE INTERPRETATION
OFENSOR'S
OEUVRE
TRUE
TO NATURE AND FANTASIZED
IMAGES
TABLE
OF CONTENTS
1
ART-HISTORICAL AND LITERARY SOURCES OF INSPIRATION
JOKE, SATIRE AND NIGHTMARE
COLOUR, FORM,
PAINTING TECHNIQUES
A REVOLUTIONARY ARTISTRY
CONCLUSION
CHAPTER 4
CANONIZATION
AND INTERPRETATION
OF
ENSOR'S ART (1905-1949 AND 1951-2012)
95
EMILE VERHAEREN AND ENSOR INTERPRETATION AROUND
1900
96
ENSOR INTERPRETATION
BETWEEN THE WARS: PAUL VDN OSTAIJEN AND ANDRE'
DE RIDDER
99
WILHELM
FRAENGER AND ENSOR INTERPRETATION
DFTER WORLD WAR
II
101
MODERNIST
104
POSTMODERNIST AVANT-LA-LETTRE
108
CHAPTER
5
MODERN,
MODERNISM, MODERNITY
AND INNOVATION
1.
MODERN, MODERNISMS (ORTHODOX
OR SUBVERSIVE),
MODERNITY
2.
COMPAGNON AND THE ANTI-MODERN UNDERCURRENT
3.
GALENSON'S
DUAL CONCEPTION OF ARTISTIC INNOVATION
CHAPTER
6
THE GENERAL CHARACTER
OF
ENSOR'S WRITINGS
1.
THE
HISTORY OF THE
"
WRITINGS"
ENSOR'S
'LITERARY'
DEBUT
THE EDITIONS
THE
COMPLETE LITERARY WORKS
2.
A
TYPOLOGY OFENSOR'S
WRITINGS
REPORTAGE
AND SATIRE
OCCASIONAL SPEECHES ('MES DISCOURS')
LETTERS AND NOTES
3.
CHARACTERISTICS
OF ENSOR'S
WRITINGS
THE
LANGUAGE (FRENCH AND DUTCH)
THE
STRUCTURE AND PROGRESSION
OF THE
ARGUMENT
'SUPERLIFICOQUENTIEUSE'
NONSENSE?
THE
HALLMARKS OF STYLE
4.
A
$AINTER AND WRITER' OR A 'WRITING-PAINTER'?
CHAPTER
7
ENSOR'S IDEOLOGICAL BELIEFS
1.
RELIGION AND SCIENCE
2.
REASON AND FEELING
3.
BLISS
2
TABLE
OF
CONTENTS
CHAPTER
8
SOCIAL CRITICISM
1.
THE
POLITICAL DIVISIONS
2.
VANITY,
HYPOCRISY
3.
ANIMAL CRUELTY AND VIVISECTION
4. AESTHETIC CRIMES
VANDALISM: HERITAGE
VANDALISM:
THE
LANDSCAPE
CHAPTER
9
ENSOR'S ARTISTIC VIEWS
1. THEJNALITY
OF
ART
2. EXPLORATION AND VISUAL
PERCEPTION: 'RECHERCHES,
VISIONS'
3.
T/DRIOUS
MODES
OF
REPRESENTATION: 'MANI2VES'
4. COLOU1;
'THE
ORNAMENT
OF
OUR SPIRITUAL WEDDING'
5. ON ICONOGVAPHICGENRES
AND
MOTIJI
6.
INNOVATION AND THE OBSESSION WITH CHRONOLOGY
7. THE
ARTIST, THE NATIONAL CHARACTER,
THE MILIEU, THE
PERIOD, AND THE ART HISTORICAL CANON
CONCLUSION
CHAPTER
10
AN
EXPERIMENTAL ATTITUDE, A CONCEPTUAL METHOD,
A PLURALITY OF PROJECTS
GEORGES LERNMEN
EMILE
VERHAEREN
PAUL HAESAERTS
WALTHERVANBESELAERE
MARCEL DE MAEYER
FRANCINE-CLAIRE LEGRAND
CRITERIA FOR
DATINGS
ENSOR'S
PRODUCTIVITY OVER TIME
CONSECUTIVE AND SIMULTANEOUS PROJECTS
INNOVATION BY RADICALIZING
A CONCEPT BORROWED
FROM ELSEWHERE
CHAPTER
11
A
SELECTION OF
19
ARTISTIC
PROJECTS
THE
SUBORDINATE IMPORTANCE OFGENRES,
SUBJECTS AND THEMES
1. STILL
LGES (1880-1940)
2.
THE
'CARTONS
ROSES':
A GROUP
OF
NATURE STUDIES (APRIL TO OCTOBER 1876)
3.SPANISH SOLDIERS (1879/80?)
4. SEASCAPES AND LANDSCAPES (1 876- 1885)
5. STUDIES
OF
OBJECTS AND PERSONS (1 880-
1885)
6. SILHOUETTE DRAWINGS (1880-82)
7.
WATERCOLOURS
(1
880)
TABLE
OF
CONTENTS
3
8. AUTOBIOGRAPHICAL CARTOONS (1 88
1
-
83)
9. 'THIS
SERIES
OF
COQUETTISH WOMEN' (1 880-
1882)
10.
OSTENDJIGURES
AND NATUVALISTIC
SUBJECTS (1 880-
'83)
11.
COPYING,
INVESTIGATING VARIOUS
MANIPRES?
12.
ODILON
REDON:
ENSOR'S 'TRIER'?
13.
REMBRANDT-LIKE VISIONS
14.
INSPIRED BY ART-HISTORICAL REDISCOVERIES:
HOMAGES OR PARODIES?
14.
SATIRE
15.
THE
CREATIVE
PROCESS AND THE TRANSFORMATIONS
GROUP (1 887-90)
16.
PAINTINGS AND DRAWINGS ON PRE-PREPARED PANELS
17.
ETCHED STUDIES
FVOM NATURE (1 886-90)
18.
STAGINGS WITH CARNIVAL MASKS AND SKELETONS
19.
A
LAYE
PAINTING WITH CHRIST
AND MASKS (1 888-92?)
CONCLUSION:
AN OCCASIONAL
MODERNIST
SOURCES
1.
UNPUBLISHED SOURCES: LETTERS
2.
UNPUBLISHED SOURCES:
NON-EPISTOLARY MANUSCRIPTS
3.
SOURCES: EDITIONS OF LETTERS
4. SOURCES:
"MES HITS"
LITERATURE
CONSULTED
GENERAL, THEORETICAL, METHODOLOGICAL.
ENSOR:
HIS LIFE,
HIS WORK
APENDIX
ENSORS "CANON". AN OVERVIEW OF POSITIVE AND NEGATIVE APPRECIATION
OF ARTISTS OF YESTERYEAR
AND CONTEMPORARIES, IN
ENSOR'S WRITINGS AND
LETTERS.
INDEX
4
TABLE
OF
CONTENTS |
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| spelling | Todts, Herwig 1958- Verfasser (DE-588)137833148 aut James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art Herwig Todts Turnhout, Belgium Brepols [2018] 440 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier XIX - Studies in nineteenth-century art and visual culture [1] Bandangabe von der Website des Verlags ermittelt In the course of the twentieth century, under the influence of the increasing success of Modernism, a misleading image of James Ensor emerged. One might even say that Ensor was confined within a modernist "straitjacket". In order to understand the artist's motivations, this book follows the advice given to the art critic Andre De Ridder by Ensor himself in 1930: "I recommend you re-read 'Les Écrits de James Ensor', where I explain my research and defend my ideas". Ensor's writings can roughly be divided into two categories, his letters and "les écrits", encompassing his journalistic work, satirical exhibition reviews, comical speeches, words of thanks and praise, and open letters in brochures. The analysis of Ensor's writings is no small task, for he gave little attention to structure and coherence, and employed a complex "wondermiraclelikefulistic" language-archaisms, neologisms, staggering vitriolic rants, hyperboles. Nevertheless, his writings are a crucial source of knowledge on his opinions on Christian faith, rationality, hypocrisy, the dangers of an emerging Flemish nationalism, animal cruelty, the destruction of natural beauty and ancient monuments, and a number of other topics. Ensor, James 1860-1949 (DE-588)11853050X gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Ensor, James 1860-1949 (DE-588)11853050X p DE-604 Ensor, James 1860-1949 (DE-588)11853050X ill XIX - Studies in nineteenth-century art and visual culture [1] (DE-604)BV049775563 1 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029641740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Todts, Herwig 1958- James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art Ensor, James 1860-1949 (DE-588)11853050X gnd XIX - Studies in nineteenth-century art and visual culture |
| subject_GND | (DE-588)11853050X (DE-588)4006804-3 |
| title | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art |
| title_auth | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art |
| title_exact_search | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art |
| title_full | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art Herwig Todts |
| title_fullStr | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art Herwig Todts |
| title_full_unstemmed | James Ensor, occasional modernist Ensor's artistic and social ideas and the interpretation of his art Herwig Todts |
| title_short | James Ensor, occasional modernist |
| title_sort | james ensor occasional modernist ensor s artistic and social ideas and the interpretation of his art |
| title_sub | Ensor's artistic and social ideas and the interpretation of his art |
| topic | Ensor, James 1860-1949 (DE-588)11853050X gnd |
| topic_facet | Ensor, James 1860-1949 Biografie |
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