Holdings: Attisch rotfigurige und schwarzgefirnißte Lekanides

Attisch rotfigurige und schwarzgefirnißte Lekanides:

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Bibliographic Details
Main Author:	Breitfeld-von Eickstedt, Eva Diana 1956- (Author)
Format:	Thesis Book
Language:	German
Published:	Wiesbaden Reichert Verlag 2017
Subjects:	Geschichte 470 v. Chr.-300 v. Chr. Lekanis Rotfigurige Vasenmalerei Athen Hochschulschrift
Online Access:	Inhaltsverzeichnis
Physical Description:	XIX, 242, 40 Seiten Illustrationen, Diagramme, Karte
ISBN:	9783954902262

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MARC


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Record in the Search Index

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adam_text	INHALTSVERZEICHNIS VORWORT .......................................... IX ABKUERZUNGSVERZEICHNIS...................................................................................................................................... XI I. EINLEITUNG............................................................................................................................................................... 1 II. DEFINITION DER LEKANIS...................................................................................................................................3 III. IDENTIFIZIERUNG AUFGRUND DER SCHRIFTQUELLEN................................................ . ......................... 7 IV FUNKTION..................................................................................................................................................................9 1. SCHRIFTQUELLEN.............................................................................................................................................................9 2. DARSTELLUNGEN VON LEKANIDES................................................................................................................................... 9 3. IN LEKANIDES GEFUNDENE GEGENSTAENDE .................................................................. 10 4. FUNDKONTEXTE....................................................... 11 4.1. NEKROPOLEN................................................................................................................................................... 11 4.2. SIEDLUNGEN.................................................................................................................................................... 11 4.3. HEILIGTUEMER................................................................................................................................................... 12 5. ZUSAMMENFASSUNG................................................................................................................................................... 12 V CHRONOLOGIE........................................................................................................................................................13 VI. FORMENTWICKLUNG...........................................................................................................................................17 1. VORBEMERKUNG....................................................................................................................................... 17 2. WANDEL DER EINZELNEN GEFAESS TEILE............................................................................................................................18 2.1. F USS................................................................................................................................................................ 18 2.2. SCHALENBECKEN............................................................................................................................................... 19 2.3. HENKEL.......................................................................................................................................................... 20 2.4. DECKEL........................................................................................................................................................... 20 2.5. DECKELGRIFF....................................................................................................................................................22 3. ZUSAMMENFASSUNG....................................................................................................................................................23 VII. WERKSTAETTEN, VASENMALER UND TOEPFER...............................................................................................25 1. VORBEMERKUNG........................................................................................................................................................ 25 2. CA. 470-430/420 V. CHR.........................................................................................................................................26 2.1. VORBEMERKUNG............................................................................................................................................. 26 2.2. BERLINER MALER.............................................................................................................................................. 27 2.3. NIOBIDEN-MALER........................................................................................................................................... 28 2.4. HERMONAX.....................................................................................................................................................29 2.5. EUAION-MALER...................................................................................................... 29 2.6. ACHILLEUS-MALER............................................................................................................................................ 30 2.7. PERSEPHONE-MALER......................................................................................................................................... 30 2.8. MALER VON LONDON E 494.............................................................................................................................30 2.9. PHIALE-MALER..................................................................................................................................................31 2.10. MALER DER PARISER KENTAUROMACHIE..............................................................................................................32 2.11. FRAUENBAD-MALER.......................................................................................................................................... 32 2.12. ZUSAMMENFASSUNG........................................................................................................................................32 3. VIERTES VIERTEL 5. JH. V. CHR....................................................................................................................................32 3.1. MIKION (EUEMPOROS?)..................................................................................................................................32 3.2. DER MEIDIAS-MALER UND SEIN KREIS...............................................................................................................33 3.2.1. ZUSCHREIBUNGEN.................................................................................................................................33 3.2.2. IKONOGRAPHIE UND BILDKOMPOSITION................................................................................................. 34 3.2.3. ORNAMENTIK....................................................................................................................................... 35 3.2.4. TOEPFER ............................................... 35 3.2.5. DATIERUNG ............................... 35 3.3. ZUSAMMENFASSUNG........................................................................................................................................ 35 VI INHALTSVERZEICHNIS 3.4. EXKURS: MENTALITAETSGESCHICHTLICHE HINTERGRUENDE, DIE ZU EINER ZUNEHMENDEN PRODUKTION DER LEKANIS UND IHRER BELIEBTHEIT IN DER MEIDIAS-WERKSTATT BEITRUGEN.......................................................................... 36 4. ERSTES VIERTEL 4. JH. V. CHR.......................................................................................................................................38 4.1. WERKSTATT DES MELEAGER-MALERS.....................................................................................................................38 4.2. JENA- UND DIOMEDES-MALER ......................................................................................................................... 39 4.3. ZUSAMMENFASSUNG........................................................................................................................................40 5. ZWEITES VIERTEL 4. JH. V. CHR....................................................................................................................................40 5.1. OTSCHET-GRUPPE............................................................................................................................................ 40 5.1.1. ZUSCHREIBUNGEN..................................................................................................................................40 5.1.2. ALLGEMEINE CHARAKTERISTIKA UND ZEICHENSTIL......................................................................................41 5.1.3. EINZELNE MALER....................................................................................................................................42 5.1.4. IKONOGRAPHIE UND BILDKOMPOSITION..................................................................................................48 5.1.5. ORNAMENTIK........................................................................................................................................ 48 5.1.6. TOEPFER .................................................................................................................................................49 5.1.7. DATIERUNG .......................................................................................................................................... 49 5.2. HOCHZEITSLEKANIDES ....................................................................................................................................... 50 5.2.1. DEFINITION .......................................................................................................................................... 50 5.2.2. EINZELNE MALER BZW. GRUPPEN .......................................................................................................... 50 5.2.3. IKONOGRAPHIE UND BILDKOMPOSITION .................................................................................................55 5.2.4. ORNAMENTIK ....................................................................................................................................... 55 5.2.5. TOEPFER .................................................................................................................................................55 5.2.6. DATIERUNG .......................................................................................................................................... 55 5.3. MALER VON WIEN 155 DER GRUPPE Y Z ......................................................................................................... 56 5.3.1. ZUSCHREIBUNGEN .................................................................................................................................56 5.3.2. ZEICHENSTIL ......................................................................................................................................... 56 5.3.3. IKONOGRAPHIE UND BILDKOMPOSITION .................................................................................................57 5.3.4. ORNAMENTIK ....................................................................................................................................... 57 5.3.5. TOEPFER .................................................................................................................................................57 5.3.6. DATIERUNG .......................................................................................................................................... 58 5.4. MALER VON THESSALONIKI 34.1 ....................................................................................................................... 58 5.4.1. ZUSCHREIBUNGEN .................................................................................................................................58 5.4.2. ZEICHENSTIL ......................................................................................................................................... 58 5.4.3. IKONOGRAPHIE UND BILDKOMPOSITION .................................................................................................59 5.4.4. ORNAMENTIK ....................................................................................................................................... 59 5.4.5. TOEPFER .................................................................................................................................................59 5.4.6. DATIERUNG .......................................................................................................................................... 60 5.5. GRUPPE DER RODIN-LEKANIS.......................................................................................................................... 60 5.5.1. ZUSCHREIBUNGEN .................................................................................................................................60 5.5.2. ZEICHENSTIL ......................................................................................................................................... 60 5.5.3. IKONOGRAPHIE UND BILDKOMPOSITION ................................................................................................ 60 5.5.4. ORNAMENTIK ..................................................................................................................... 60 5.5.5. TOEPFER ................................................................................................................................................ 60 5.5.6. DATIERUNG .......................................................................................................................................... 60 5.6. MALER VON THESSALONIKI 38.290 ............................................................................................ 61 5.6.1. ZUSCHREIBUNGEN ................................................................................................................................ 61 5.6.2. ZEICHENSTIL .........................................................................................................................................61 5.6.3. IKONOGRAPHIE UND BILDKOMPOSITION ................................................................................................ 61 5.6.4. ORNAMENTIK .......................................................................................................................................61 5.6.5. TOEPFER ................................................................................................................................................ 61 5.6.6. DATIERUNG .......................................................................................................................................... 62 5.7. GRUPPE DER WIENER LEKANIS ........................................................................................................................62 5.7.1. ZUSCHREIBUNGEN ................................................................................................................................ 62 5.7.2. ZEICHENSTIL ......................................................................................................................................... 62 5.7.3. IKONOGRAPHIE UND BILDKOMPOSITION ................................................................................................ 63 5.7.4. ORNAMENTIK .......................................................................................................................................63 5.7.5. TOEPFER ................................................................................................................................................ 63 5.7.6. DATIERUNG ..........................................................................................................................................63 5.8. ZUSAMMENFASSUNG........................................................................................................................................63 6. MITTE 4. JH. V. CHR................................................................................................................................................... 65 6.1. MARSYAS-MALER.............................................................................................................................................. 65 6.2. ELEUSINISCHER MALER ......................................................................................................................................66 6.3. ZUSAMMENFASSUNG........................................................................................................................................66 7. ZWEITE HAELFTE 4. JH. V. CHR..................................................................................................................................... 67 7.1. MALER VON ATHEN 1472 ................................................................................................................................ 67 7.2. MALER DES HOCHZEITSZUGS ............................................................................................................................. 67 7.3. APOLLONIA-GRUPPE ........................................................................................................................................68 7.4. MALER VON ATHEN 1370 ................................................................................................................................ 68 7.5. MALER VON FERRARA T 4 C .............................................................................................................................69 7.6. MALER VON AGORA 17 562 .............................................................................................................................70 7.7. MALER DER READING LEKANIS..........................................................................................................................70 7.8. ZUSAMMENFASSUNG....................................................................................................................................... 70 8. AUSWERTUNG.............................................................................................................................................................71 VIII. ORNAM ENTE...........................................................................................................................................................73 1. VORBEMERKUNG ....................................................................................................................................................... 73 2. AUFBAU DER DEKORATION ..........................................................................................................................................73 3. VERZIERUNGSFORMEN DER EINZELNEN GEFAESSTEILE ........................................................................................................74 3.1. KNAUFSCHEIBE................................................................................................................................................74 3.2. GRIFFANSATZ ............................................... 74 3.3. DECKELRAND................................................................................................................................................... 75 3.4. HENKELZONE ..................................................................................................................................................76 3.5. HENKEL ........................................................................................................................................................ 76 4. EINZELNE ORNAMENTFORMEN ................................................................................................................................... 77 4.1. BLATTKRANZ..................................................................................................................................................... 77 4.2. EIERSTAB ....................................................................................................................................................... 78 4.3. LOTOSBLUETENKETTE ......................................................................................................................................... 79 4.4. LOTOSKNOSPENKETTE ...................................................................................................................................... 79 4.5. LOTOS-PALMETTEN-BAND.............................................................................................................. 79 4.6. M AEANDER....................................................................................................................................................... 79 4.7. MYRTENKRANZ ................................................................................................................................................79 4.8. PALMETTEN ..................................................................................................................................................... 79 4.9. PUNKTREIHE.................................................................................................................................................... 80 4.10. SPIRALBAND.................................................................................................................................................... 80 4.11. STRAHLENKRANZ ...............................................................................................................................................80 4.12. STRICHMUSTER................................................................................................................... 80 4.13. WELLENBAND ..................................................................................................................................................81 4.14. ZICKZACKLINIE, HORIZONTAL MIT EINGESCHALTETEN W INKELN............................................................................. 81 4.15. ZICKZACKLINIEN, VERTIKAL ...............................................................................................................................81 4.16. ZUNGENMUSTER..............................................................................................................................................81 5. ZUSAMMENFASSUNG .................................................................................................................................................82 IX. IKONOGRAPHIE..................................................................................................................................................... 85 1. VORBEMERKUNG ....................................................................................................................................................... 85 2. UEBERBLICK UEBER DIE BILDTHEMEN .............................................................................................................................85 3. FRAUENSZENEN ........................................................................................................................................................ 87 3.1. VORBEMERKUNG .............................................................................................................................................87 3.2. BILDELEMENTE UND REALIA .............................................................................................................................89 3.2.1. KENNZEICHNUNG DER UMGEBUNG....................................................................................................... 89 3.2.2. KOMPOSITION .................................................... 90 3.2.3. KLEIDUNG ........................................................................................................................................... 91 3.2.4. GEGENSTAENDE ..................................................................................................................................... 92 3.3. DEUTUNG DER FRAUEN....................................................................................................................................95 3.4. DEUTUNG DER EROTEN .................................................................................................................................. 101 3.5. DEUTUNG DER JUENGLINGE..............................................................................................................................103 3.6. FRAUEN IM DIONYSISCHEN BEREICH ............................................................................................................... 106 3.7. ZUSAMMENFASSUNG..................................................................................................................................... 107 4. FRAUENKOEPFE......................................................................................................................................................... 107 5. ORIENTALENKOEPFE UND GREIFEN ..............................................................................................................................108 6. AUSWERTUNG.......................................................................................................................................................... 109 VIII INHALTSVERZEICHNIS X. GEOGRAPHISCHE VERBREITUNG................................................................................................................... 111 1. VORBEMERKUNG....................................................................................................................................................... 111 2. ATHEN UND ATTIKA................................................................................................................................................... 115 3. GRIECHENLAND AUSSER ATHEN UND ATTIKA.................................................................................................................115 3.1. MITTELGRIECHENLAND, CHALKIDIKE, MAKEDONIEN, NORDAEGAEIS ........................................................................ 116 3.2. PELOPONNES, KYKLADEN, KRETA, OSTGRIECHISCHE INSELN.................................................................................. 118 4. KLEINASIEN...............................................................................................................................................................119 5. SCHWARZMEERGEBIET............................................................................................................................................... 120 5.1. NOERDLICHE SCHWARZMEERKUESTE..................................................................................................................... 120 5.2. WESTLICHE SCHWARZMEERKUESTE UND THRAKISCHES BINNENLAND....................................................................... 124 5.3. OESTLICHE SCHWARZMEERKUESTE........................................................................................................................ 125 6. ITALIEN...................................................................................................................................................................... 125 6.1. ETRURIA PADANA..............................................................................................................................................128 6.2. MARCHE......................................................................................................................................................... 129 6.3. UNTERITALIEN UND SIZILIEN.............................................................................................................................130 7. SUEDFRANKREICH......................................................................................................................................................... 131 8. IBERISCHE HALBINSEL.................................................................................................................................................133 9. NORDAFRIKA..............................................................................................................................................................136 10. ZYPERN UND VORDERER ORIENT............................................................................................................................. 137 11 .AUSWERTUNG.............................................................................................................................................................138 XI. ZUSAMMENFASSUNG ......................................................................................................................................... 145 XII. KATALOG..................................................................................................................................................................147 1. ROTFIGURIGE LEKANIDES............................................................................................................................................147 2. SCHWARZGEFIRNISSTE LEKANIDES.................................................................................................................................198 XIII. IN D ICES....................................................................................................................................................................217 1. FUNDKONTEXTE......................................................................................................................................................... 217 2. GRABKONTEXTE NACH GESCHLECHT UND ALTER..............................................................................................................220 3. FUNDORTVERZEICHNIS NACH REGIONEN....................................................................................................................... 221 4. BILDTHEMEN............................................................................................................................................................ 224 5. MUSEUMSINDEX.......................................................................................................................................................227 6. ALPHABETISCHES FUNDORTVERZEICHNIS.......................................................................................................................239 ABBILDUNGSNACHWEIS............................................................................................................................................ 241 TAFELN
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publisher	Reichert Verlag
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spelling	Breitfeld-von Eickstedt, Eva Diana 1956- Verfasser (DE-588)112627657X aut Attisch rotfigurige und schwarzgefirnißte Lekanides Eva Diana Breitfeld-von Eickstedt Wiesbaden Reichert Verlag 2017 XIX, 242, 40 Seiten Illustrationen, Diagramme, Karte txt rdacontent n rdamedia nc rdacarrier Dissertation Ruprecht-Karls-universität zu Heidelberg 1995 überarbeitete und erweiterte Fassung Geschichte 470 v. Chr.-300 v. Chr. gnd rswk-swf Lekanis (DE-588)4193871-9 gnd rswk-swf Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd rswk-swf Athen (DE-588)4003366-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Gefäßformen (DE-2581)TH000008165 gbd Keramik & Vasenmalerei (DE-2581)TH000008253 gbd Athen (DE-588)4003366-1 g Lekanis (DE-588)4193871-9 s Rotfigurige Vasenmalerei (DE-588)4124079-0 s Geschichte 470 v. Chr.-300 v. Chr. z DE-604 DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029639460&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Breitfeld-von Eickstedt, Eva Diana 1956- Attisch rotfigurige und schwarzgefirnißte Lekanides Lekanis (DE-588)4193871-9 gnd Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd
subject_GND	(DE-588)4193871-9 (DE-588)4124079-0 (DE-588)4003366-1 (DE-588)4113937-9
title	Attisch rotfigurige und schwarzgefirnißte Lekanides
title_auth	Attisch rotfigurige und schwarzgefirnißte Lekanides
title_exact_search	Attisch rotfigurige und schwarzgefirnißte Lekanides
title_full	Attisch rotfigurige und schwarzgefirnißte Lekanides Eva Diana Breitfeld-von Eickstedt
title_fullStr	Attisch rotfigurige und schwarzgefirnißte Lekanides Eva Diana Breitfeld-von Eickstedt
title_full_unstemmed	Attisch rotfigurige und schwarzgefirnißte Lekanides Eva Diana Breitfeld-von Eickstedt
title_short	Attisch rotfigurige und schwarzgefirnißte Lekanides
title_sort	attisch rotfigurige und schwarzgefirnißte lekanides
topic	Lekanis (DE-588)4193871-9 gnd Rotfigurige Vasenmalerei (DE-588)4124079-0 gnd
topic_facet	Lekanis Rotfigurige Vasenmalerei Athen Hochschulschrift
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029639460&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT breitfeldvoneickstedtevadiana attischrotfigurigeundschwarzgefirnißtelekanides

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