The proletarian answer to the modernist question:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 218 Seiten |
| ISBN: | 9781474415828 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements vi
Introduction 1
1 ‘Her Heritage Was that Tragic Optimism’:
Edwardian Pastoral 56
2 ‘The Common Life’: Women and Men after
the General Strike 87
3 ‘She Had Finished with Men Forever’:
Lewis Grassic Gibbon’s Grey Granite 112
4 ‘The Raw Material of History’: 141
John Sommerfield’s May Day
5 ‘None of That “My Good Woman” Stuff’: 165
Outsider Observations
Conclusion 197
Bibliography 202
Index 213
Nick Hubble is a subtle and adept theorist, an engaging and
authoritative guide to the political meanings of diverse literary
genres and a sensitive reader with an easy reference to a broad
range of key primary and secondary texts. He is an expert whose
feeling for the drama of everyday life and command of history turns
his modernist readers into experts on proletarian literature, too.
Kristin Biuemel, Monmouth University
Reformulates our understanding of the relationship
between proletarian literature and modernism in Britain
The Proletarian Answer to the Modernist Question argues that British
proletarian literature was a politicised form of modernism which
culturally transformed Britain. Critical analysis and close readings
of key works are placed within a literary history stretching from
early encounters between Ford Madox Ford and D. H. Lawrence,
through Virginia Woolf s association with the Women s Co-operative
Guild, and on to the activity of Mass Observation in the late 1930s
and 1940s. The book analyses the way in which modernism and
proletarian literature were related to an intersectional web of class
and gender that took on a potent political shape following the 1926
General Strike and the Equal Franchise Act of 1928. The 1930s is
revealed not as an atypical, isolated decade but as central to the
literature of the twentieth century.
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