The manual of museum exhibitions:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Walnut Creek, CA ; Lanham, MD ; New York, NY ; Oxford
Altamira Press
[2001]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXV, 544 Seiten Illustrationen, Diagramme 26 cm |
| ISBN: | 9780759102347 0759102341 |
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| 245 | 1 | 0 | |a The manual of museum exhibitions |c edited by Barry Lord and Gail Dexter Lord |
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Datensatz im Suchindex
| _version_ | 1804177387297964032 |
|---|---|
| adam_text | The Manual of
Museum Exhibitions
Edited by Barry Lord
and Gail Dexter Lord
I ^
•AITàA/IIPA
ROWMAN Sc I
Walnut Creei
t Kunsthistorisches
institut
Florenz Max ՝ī*lanck-l nstitut
Eigentum der MPRG
Contents
List of figures xi
List of tables xiii
List of contributors xvi
Foreword, with acknowledgements xxiv
Barry Lord and Gail Dexter Lord
CHAPTER 1 INTRODUCTION: THE EXHIBITION PLANNING PROCESS 1
Gail Dexter Lord
PARTI WHY ? 9
CHARTER 2 THE PURPOSE OF MUSEUM EXHIBITIONS 11
Barry Lord
2.1 Exhibitions as a Function of Museums 12
2.2 Museum Exhibitions as the Communication of Meaning 15
2.3 Modes of Exhibition Apprehension 19
Case Study 2.1: 23
Exhibitions at the Corning Museum of Glass: Combining Modes of
Visitor Apprehension
David Whitehouse
CHAPTER3 WHERE DO EXHIBITION IDEAS COME FROM? 27
3.1 Research-based and Market-driven Exhibitions 27
Barry Lord
3.2 Planning for Exhibition Research 29
Barry Lord
3.3 Exhibition Ideas: Integrating the Voices of Communities and Audiences 32
Margaret May
Case Study 3.1 : 35
HuupuKwanunrTupaat Out of the Mist,Treasures of the Nuu hah-nulth Chiefs
Royal British Columbia Museum,Victoria
Martha Black
CONTENTS
iii
39
CHAPTER 4 HOW WILL WE KNOW WHEN WE GET THERE?
EXHIBITION EVALUATION
4.1 The Role of Market Analysis 39
Kate Sellers
4.2 Before, During and After: Front-end, Formative and Summative Evaluation 44
Duncan Grewcock
Case Study 4.1: 54
Evaluation for a permanent exhibition about the work of conservators
Caught inTime at National Museums and Galleries on Merseyside
Anne Pennington
4.3 Qualitative and Quantitative Audience Research 58
Barbara Soren
PART II WHERE?
Space and Facilities for Exhibitions 67
chapter 5 PLANNING AND DESIGNING EXHIBITION FACILITIES 69
5.1 Developing Design Criteria for Exhibition Space 73
Heather Maximea
Case Study 5.1: 74
Design Criteria:The International Glass Museum,Tacoma,Washington
Heather Maximea
5.2 Projecting Display Space Requirements 76
Heather Maximea
Case Study 5.2: 86
Visible Storage at the Museum of Anthropology (MOA), University of British
Columbia,Vancouver, Canada
Heather Maximea
5.3 Behind the Scenes: Support Activities and Facilities 90
Heather Maximea
5.4 Access, Adjacency and Circulation 98
Heather Maximea
5.5 Preserving Collections in Exhibitions 110
Murray Frost
5.6 Security and Public Safety in Exhibitions 124
Peter Osborne
5.7 Exhibition Accessibility 134
Kristin Johnson
Iv
CONTENTS
143
chapter 6 EXHIBITION GALLERIES
Heather Maximea
6.1 Galleries for Art or Archives 144
6.2 Galleries for Artefacts or Specimens 148
6.3 Children’s Museum and Science Centre Galleries 153
6.4 Study Spaces 158
6.5 Multi-purpose Public Spaces 159
Case Study 6.1: 160
One New Kind of Gallery: Discovery Libraries at the Denver Art Museum
Patterson B Williams
Case Study 6.2: 164
Alaska Native Heritage Center: ‘A Gathering of Traditions’, Anchorage, Alaska
Heather Maximea
6.6 Light and Colour in the Galleries 166
6.7 Gallery Structure 172
6.8 Materials and Finishes 185
chapter 7 GALLERY FACILITIES AND EQUIPMENT 197
7.1 Display Cases 198
Till Hahn
7.2 Lighting 207
Kevan Shaw
7.3 Audio-Visual Hardware 214
Barry Crean
7.4 Multimedia: Enhancing the Experience 222
Maria Piacente
7.5 Advanced Media in Museum Exhibitions 234
Hugh A D Spencer
Case Study 7.1: 236
Multimedia Investment Strategies at the Minneapolis Institute of Arts:
Preparing for the Inevitable Tomorrows’
Scott Sayre
Case Study 7.2: 247
The Feast of a Thousand Years at the Ename Provincial Museum, Belgium
Marie-Claire Van der Donckt and Dirk Callebaut
CONTENTS V
PART III HOW?
The Exhibition Development Process 259
CHAPTER 8 PLANNING AND MANAGING AN EXHIBITION PROGRAMME 261
8.1 Permanent Collection Display 262
Barry Lord
Case Study 8.1: 268
Odyssey: A Journey into World Art at the Peabody Essex Museum,
Salem, Massachusetts
William Phippen
8.2 Planning and Managing Temporary Exhibitions 226
Barry Lord
Case Study 8.2: 288
African Zion: From Temporary to Permanent at the Walters Art
Gallery, Baltimore
GaryVikan
8.3 Travelling Exhibitions 2^
Barry Lord
Case Study 8.3: 2^3
The Treasures to Go Travelling Exhibitions Tour, Smithsonian American Art
Museum,Washington, DC
Elizabeth Broun
8.4 Educational and Other Public Programmes for Exhibitions 297
Kathleen Brown
chapter 9 FINANCIAL PLANNING AND MANAGEMENT OF EXHIBITIONS 317
9.1 Developing an Exhibition Budget Template 318
Martha Morris
9.2 Financial Planning and Management of a Temporary
Exhibition Programme 338
Robert Scott
chapter 10 CURATORSHIP IN THE EXHIBITION PLANNING PROCESS 345
John Nicks
10.1 Formulating the Exhibition Concept 346
10.2 Curatorial Research 346
Case Study 10.1: 348
Making and Meaning: Turner’s The FightingTemeraire at the National
Gallery, London
Michael Wilson
10.3 Collection Evaluation, Selection and Development 353
vi
CONTENTS
10.4 Documentation 354
10.5 Conservation 355
10.6 Preparation of the Exhibition Brief 356
Chapter 11 INTERPRETATIVE PLANNING 373
Hugh A D Spencer
11.1 The Communication Process 373
11.2 The Logistical Process 376
11.3 The Interpretative Planning Process 377
Case Study 11.1: 387
Making the Earth Move for You: the Earth Galleries
at the Natural History Museum, London
Robert M Bloomfield
chapter 12 EXHIBITION TEXT 393
12.1 Balancing Perspectives in Exhibition Text 394
Hugh A D Spencer
12.2 Exhibition Text Guidelines 398
Hugh A D Spencer
12.3 Including Text in the Exhibition Process 400
Hugh A D Spencer
12.4 The Language of Multimedia 402
Maria Piacente
CHAPTER 13 THE ROLE OF THE EXHIBITION DESIGNER 405
Yves Mayrand
13.1 Criteria for Effective Museum Exhibition Design 405
13.2 Designing the Space for a Museum Exhibition 409
13.3 Designing Exhibitions for the Whole Sensorium 411
13.4 The Exhibition Design Process 412
Case Study 13.1: 421
A Walk Past Time: Architecture, Evolution and the Tree of Life: the renovation
and re-interpretation of the American Museum of Natural History Fossil Halls
Ralph Appelbaum
CHAPTER 14 CONSTRUCTION AND INSTALLATION 425
Chuck Sutyla
14.1 Organising the Museum for Exhibition Construction and Installation 426
14.2 Contracting the Construction and Installation 426
CONTENTS
vii
CaseStudy 14.1: w
Testing Exhibits During Construction for the Kirby Science Discovery Center,
Sioux Falls, South Dakota
Erich Zuern
chapter 15 LIGHTING THE SHOW 437
Kevan Shaw
Case Study 15.1: 440
Lighting the Scotland in History Exhibition at the Museum of Scotland, Edinburgh
Kevan Shaw
CHAPTER 16 THE ROLE OF THE PROJECT MANAGER 443
Chuck Sutyla
16.1 Project Management Tools 444
16.2 Documentation 443
163 Attributes of a Successful Exhibition Project Manager 447
16.4 Commissioning and Completing the Exhibition Project 447
16.5 Warranty Period: Operation and Maintenance 448
Case Study 16.1: 450
The Roald Dahl Children’s Gallery: Project Management at Buckinghamshire
County Museum
Colin Dawes and David Erskine
chapter 17 EXHIBITION RETAIL 455
Susan Dunlop
17.1 Retail Research 455
17.2 Merchandise Mix 457
17.3 Beyond the Museum Shop 459
17.4 Products Related to Temporary Exhibitions 461
Case Study 17.1: 465
Van Gogh: Foce to Face at the Detroit Institute of Art: Planning the Exhibition
Shop
Susan Dun lop
PART IV WHAT NOW? 467
chapter 18 MUSEUM EXHIBITIONS IN THE 21 ST CENTURY 469
Kevin Gosling
viii
CONTENTS
475
Case Study 18.1:
Questioning Scientific Authority: A Question ofTruth at the Ontario Science
Centre,Toronto, Canada
Hooley McLaughlin
Case Study 18.2 479
The Grande Galerie de I’Evolution Museum National d’Histoire Naturelle, Paris
Patrick Blandin
Case Study 18.3: 483
Follow the North Star at Conner Prairie, Indiana: A Case Study in Controversial
Programming
Stephen L Cox
Case Study 18.4: 487
Enchanted Worlds: A Presentation at the museum of Ethnology, Rotterdam for
Children on Multicultural Society
FredWartna
Case Study 18.5: 491
Art on Tyneside at the LaingArt Gallery,Tyne and Wear Museums, Newcastle
Upon Tyne
John Millard
GLOSSARY 497
ANNOTATED BIBLIOGRAPHY 511
Brad King
INDEX 523
CONTENTS ¡X
|
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| spelling | The manual of museum exhibitions edited by Barry Lord and Gail Dexter Lord Walnut Creek, CA ; Lanham, MD ; New York, NY ; Oxford Altamira Press [2001] © 2001 XXV, 544 Seiten Illustrationen, Diagramme 26 cm txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 511 - 521 Museum exhibits Handbooks, manuals, etc Museum exhibits Handbooks, manuals, etc Planning Ausstellung (DE-588)4129601-1 gnd rswk-swf Museum (DE-588)4040795-0 gnd rswk-swf Planung (DE-588)4046235-3 gnd rswk-swf Konzeption (DE-588)4204973-8 gnd rswk-swf Gestaltung (DE-588)4157139-3 gnd rswk-swf Aufsatzsammlung gnd rswk-swf Museum (DE-588)4040795-0 s Ausstellung (DE-588)4129601-1 s Aufsatzsammlung f DE-604 Planung (DE-588)4046235-3 s Konzeption (DE-588)4204973-8 s Gestaltung (DE-588)4157139-3 s 1\p DE-604 Lord, Barry 1939- (DE-588)1060330547 edt Lord, Gail Dexter 1946- (DE-588)172899931 edt KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029637858&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | The manual of museum exhibitions Literaturverzeichnis Seite 511 - 521 Museum exhibits Handbooks, manuals, etc Museum exhibits Handbooks, manuals, etc Planning Ausstellung (DE-588)4129601-1 gnd Museum (DE-588)4040795-0 gnd Planung (DE-588)4046235-3 gnd Konzeption (DE-588)4204973-8 gnd Gestaltung (DE-588)4157139-3 gnd |
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| title | The manual of museum exhibitions |
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| title_short | The manual of museum exhibitions |
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| topic | Museum exhibits Handbooks, manuals, etc Museum exhibits Handbooks, manuals, etc Planning Ausstellung (DE-588)4129601-1 gnd Museum (DE-588)4040795-0 gnd Planung (DE-588)4046235-3 gnd Konzeption (DE-588)4204973-8 gnd Gestaltung (DE-588)4157139-3 gnd |
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