Beyond objecthood: the exhibition as a critical form since 1968
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts ; London, England
The MIT Press
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | ix, 275 Seiten Illustrationen |
| ISBN: | 9780262035521 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804177385519579136 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS VII
INTRODUCTION: WARNING 1
BEYOND OBJECTHOOD 10
THE EXHIBITION AS A CRITICAL FORM SINCE 1968 16
CHAPTER 1: THE RISE OF THE EXHIBITION AS A FORM 21
STAGING GROUNDS 21
ROBERT SMITHSON: THE TIME TO SEE NON-SITES 23
AGAINST A MANNERISTIC MODERNISM 24
THE NON-SITE AS EXHIBITION 29
MICHAEL ASHER: THE GALLERY AS AN EXPERIENTIAL ENVIRONMENT 32
OTFIER FRAMES FOR THE VIEWER 39
AT MIINSTER: MOVING TOWARD THE PERIMETERS 42
GROUP MATERIAL: RESHAPING FORMS 50
GRABBING HOLD OF THE TECHNIQUE 55
THE EXHIBITION AS A WORK 57
INHABITING THE INSTITUTION: MODES OF THE DIALECTIC 62
CHAPTER 2: ON NEW INSTITUTIONALISM 71
THE CRITICAL WORK 71
THE CURATOR IN CHARGE: THIS IS HARALD SZEEMANN S DOCUMENTA 75
THE VENICE BIENNALE: YESTERDAY AND TODAY 92
THE 24/7 BIENNIAL: CONTEXT IS EVERYTHING 97
RELATIONAL ART: VALUES OF ENCOUNTERS 100
LEARNING TO INHABIT THE WORLD IN A BETTER WAY 101
MANIFESTA: ANTI-BIENNIAL AS NEW INSTITUTION 104
MANIFESTA 2: THE NONTHEMATIC, THEMATIC EXHIBITION 107
THE LIFESTYLE PACKAGE 113
KUNSTVEREIN MIINCHEN: INVISIBLE ORBITS WITH VISIBLE CHANGE 128
THE FUTURE IS NOW 134
CHAPTER 3: THE EFFICACY OF A CRITICAL ART 139
THE CRITICAL ACCORDING TO JACQUES RANCIERE 139
NOW IS OUR TIME: MARTHA ROSIER, JOSEPHINE MECKSEPER, AND LEVI S 143
THOMAS HIRSCHHORN: A GUILTY PLEASURE 162
PRESENCE AND PRODUCTION: THE BIJLMER SPINOZA-FESTIVAL 166
THE CRYSTALLIZATION OF A MICRO-SOCIETY 172
ONE IMMERSIVE WORLD 177
HARNESSING THE MEANS OF THE EXHIBITION 183
ANTON VIDOKLE: THEY DON T HAVE TO BE DONE LIKE THAT 185
MICHEL FOUCAULT: THE CRITICAL ATTITUDE 190
ASSUMING THE SHAPE OF THE WORK 193
CHAPTER 4: THE INDUSTRIAL ART COMPLEX 197
THE EDUCATIONAL TURN IN THE EXHIBITION 197
UNEXPECTED BYPRODUCTS OF A FAILED MANIFESTA 198
AN EXHIBITION-AS-SCHOOL GROWS IN THE FORMER EAST BERLIN 200
A MODE OF ADDRESS IN THE CURATORIAL TECHNIQUE 207
NEW INSTITUTIONALISM AND ITS CRITICS 209
AN OFFICE FOR CONTEMPORARY ART IN NORWAY 212
THINKING THINGS OTHERWISE 213
AN EXPANSION OF THE PUBLIC SPHERE 216
WHAT EVER HAPPENED TO NEW INSTITUTIONALISM? 222
CARSTEN HOLLER: DOWN A SLIDE 224
CONCLUSION: ON THE ROAD 231
NOTES 235
INDEX 265
|
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| spelling | Voorhies, James Timothy (DE-588)188396225 aut Beyond objecthood the exhibition as a critical form since 1968 James Voorhies Cambridge, Massachusetts ; London, England The MIT Press [2017] © 2017 ix, 275 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1900-2000 Geschichte 1968-2016 gnd rswk-swf Geschichte Kunst Art Exhibitions History 20th century Art Exhibitions History 21st century Art exhibition audiences Institutionalisierung (DE-588)4127678-4 gnd rswk-swf Innovation (DE-588)4027089-0 gnd rswk-swf Kunstausstellung (DE-588)4033628-1 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog gnd-content Kunstausstellung (DE-588)4033628-1 s Institutionalisierung (DE-588)4127678-4 s Innovation (DE-588)4027089-0 s Geschichte 1968-2016 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029636769&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Voorhies, James Timothy Beyond objecthood the exhibition as a critical form since 1968 Geschichte Kunst Art Exhibitions History 20th century Art Exhibitions History 21st century Art exhibition audiences Institutionalisierung (DE-588)4127678-4 gnd Innovation (DE-588)4027089-0 gnd Kunstausstellung (DE-588)4033628-1 gnd |
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| title | Beyond objecthood the exhibition as a critical form since 1968 |
| title_auth | Beyond objecthood the exhibition as a critical form since 1968 |
| title_exact_search | Beyond objecthood the exhibition as a critical form since 1968 |
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| title_full_unstemmed | Beyond objecthood the exhibition as a critical form since 1968 James Voorhies |
| title_short | Beyond objecthood |
| title_sort | beyond objecthood the exhibition as a critical form since 1968 |
| title_sub | the exhibition as a critical form since 1968 |
| topic | Geschichte Kunst Art Exhibitions History 20th century Art Exhibitions History 21st century Art exhibition audiences Institutionalisierung (DE-588)4127678-4 gnd Innovation (DE-588)4027089-0 gnd Kunstausstellung (DE-588)4033628-1 gnd |
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