Music as a platform for political communication:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Hershey, PA
IGI Global, Disseminator of Knowledge
[2017]
|
| Schriftenreihe: | Advances in media entertainment, and the arts (AMEA) book series
Premier reference source |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXI, 309 Seiten |
| ISBN: | 9781522519867 |
Internformat
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| 015 | |z Artistic expression is a longstanding aspect of mankind and our society. While art can simply be appreciated for aesthetic artistic value, it can be utilized for other various multidisciplinary purposes. "Music as a Platform for Political Communication" is a comprehensive reference source for the latest scholarly perspectives on delivering political messages to society through musical platforms and venues. Highlighting innovative research topics on an international scale, such as election campaigns, social justice, and protests, this book is ideally designed for academics, professionals, practitioners, graduate students, and researchers interested in discovering how musical expression is shaping the realm of political communication. Topics Covered: Apartheid; Election Campaigns; Identity Politics; Political Activism; Popular Culture and Films; Social Justice; Social Protests. (Klappentext) |2 dnb | ||
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| 505 | 8 | |a Title Page; Copyright Page; Book Series; Table of Contents; Detailed Table of Contents; Preface; Acknowledgment; Chapter 1: Bayan Ko and Other Songs; Chapter 2: Women and South Africa's Anti-Apartheid Struggle; Chapter 3: Political Repertoires; Chapter 4: Building a Music-Mediated Imagined Chinese Community; Chapter 5: Afrikaner Music and Identity Politics in Post-Apartheid South Africa; Chapter 6: The Sociopolitical Discourse of Violeta Parra and Víctor Jara -- The Culture of People's Power; Chapter 7: "In Toronto, Iranians and Israelis Make Music, Not War"; Chapter 8: George Harrison and the Concert for Bangladesh; Chapter 9: It's Not Only Rock and Roll; Chapter 10: Musical Messages; Chapter 11: Rap Music in Turkey; Chapter 12: Cultural Political System; Chapter 13: Zimbabwe Dancehall Music as a Site of Resistance; Chapter 14: Lyrics of Protest; Compilation of References; About the Contributors; Index | |
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Datensatz im Suchindex
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| adam_text | Table of Contents
Preface.................................................................................xii
Acknowledgment.........................................................................xxi
Chapter 1
Bayan Ko and Other Songs: The Soundtrack of Philippine Political Activism...............1
Zeny Sarabia-Panol, Middle Tennessee State University, USA
Rosario Maxino-Baseleres, Silliman University, Philippines
Chapter 2
Women and South Africa’s Anti-Apartheid Struggle: Evaluating the Political Messages in the
Music of Miriam Makeba..................................................................31
Uche Onyebadi, Texas Christian University, USA
Lindani Mbunyuza-Memani, Southern Illinois University, USA
Chapter 3
Political Repertoires: Tellability and Subjectivation in Gil Scott-Heron................52
Teófilo Espada-Brignoni, University of Puerto Rico, Puerto Rico
Frances Ruiz-Alfaro, University of Puerto Rico, Puerto Rico
Chapter 4
Building a Music-Mediated Imagined Chinese Community: A Content Analysis of Music Acts at
China Central Television’s Chunwan, 1983-2016...........................................70
Tao Fu, University of International Business and Economics, China
Xingyu Wang, Renmin University of China, China
Chapter 5
Afrikaner Music and Identity Politics in Post-Apartheid South Africa: Bok van Blerk and the De
la Rey Phenomenon.......................................................................89
P. Eric Louw, University of Queensland, Australia
Chapter 6
The Sociopolitical Discourse of Violeta Parra and Víctor Jara - The Culture of People’s Power:
Giving Voice to Social Justice in Chile’s New Song Movement.............................109
Elena Maria De Costa, Carroll University, USA
Chapter 7
“In Toronto, Iranians and Israelis Make Music, Not War”: Political Communication via Engaged
Musicking..............................................................................127
Noam Lemish, University of Toronto, Canada
Peter Lemish, Independent Researcher, USA
Parisa Sabet Sarvestani, University of Toronto, Canada
Dan Deutsch, University of Toronto, Canada
Chapter 8
George Harrison and the Concert for Bangladesh: When Rock Music Forever Fused with Politics
on a World Stage.......................................................................149
Mohammad Delwar Hossain, University of South Alabama, USA
James Aucoin, University of South Alabama, USA
Chapter 9
It’s Not Only Rock and Roll: The Influence of Music Preferences on Political Attitudes.167
Jessica T Feezell, University of New Mexico
Chapter 10
Musical Messages: Framing Political Content in Sudanese Popular Songs..................187
MohamedA. Satti, American University of Kuwait, Kuwait
Chapter 11
Rap Music in Turkey: Grobalization vs. Glocalization in Communicating Political Messages and
Dissent.................................................................................204
Didem Buhari-Gulmez, Istanbul Kemerburgaz University - Altınbaş, Turkey
Chapter 12
Cultural Political System: Popular Culture and Films in Indian Election Campaigns......221
Kavita Karan, Southern Illinois University, USA
Chapter 13
Zimbabwe Dancehall Music as a Site of Resistance........................................238
Blessing Makwambeni, Cape Peninsula University of Technology, South Africa
Chapter 14
Lyrics of Protest: Music and Political Communication in Kenya..........................257
Nancy Gakahu, Masinde Muliro University, Kenya
Compilation of References...............................................................274
About the Contributors..................................................................302
Index
307
|
| any_adam_object | 1 |
| author | Onyebadi, Uche 1958- |
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| author_facet | Onyebadi, Uche 1958- |
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| bvnumber | BV044229357 |
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| contents | Title Page; Copyright Page; Book Series; Table of Contents; Detailed Table of Contents; Preface; Acknowledgment; Chapter 1: Bayan Ko and Other Songs; Chapter 2: Women and South Africa's Anti-Apartheid Struggle; Chapter 3: Political Repertoires; Chapter 4: Building a Music-Mediated Imagined Chinese Community; Chapter 5: Afrikaner Music and Identity Politics in Post-Apartheid South Africa; Chapter 6: The Sociopolitical Discourse of Violeta Parra and Víctor Jara -- The Culture of People's Power; Chapter 7: "In Toronto, Iranians and Israelis Make Music, Not War"; Chapter 8: George Harrison and the Concert for Bangladesh; Chapter 9: It's Not Only Rock and Roll; Chapter 10: Musical Messages; Chapter 11: Rap Music in Turkey; Chapter 12: Cultural Political System; Chapter 13: Zimbabwe Dancehall Music as a Site of Resistance; Chapter 14: Lyrics of Protest; Compilation of References; About the Contributors; Index |
| ctrlnum | (OCoLC)992493263 (DE-599)BVBBV044229357 |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV044229357 |
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| indexdate | 2024-07-10T07:47:12Z |
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| series2 | Advances in media entertainment, and the arts (AMEA) book series Premier reference source |
| spelling | Onyebadi, Uche 1958- Verfasser (DE-588)1196587973 aut Music as a platform for political communication Uche Onyebadi, Texas Christian University, USA Hershey, PA IGI Global, Disseminator of Knowledge [2017] XXI, 309 Seiten txt rdacontent n rdamedia nc rdacarrier Advances in media entertainment, and the arts (AMEA) book series Premier reference source Title Page; Copyright Page; Book Series; Table of Contents; Detailed Table of Contents; Preface; Acknowledgment; Chapter 1: Bayan Ko and Other Songs; Chapter 2: Women and South Africa's Anti-Apartheid Struggle; Chapter 3: Political Repertoires; Chapter 4: Building a Music-Mediated Imagined Chinese Community; Chapter 5: Afrikaner Music and Identity Politics in Post-Apartheid South Africa; Chapter 6: The Sociopolitical Discourse of Violeta Parra and Víctor Jara -- The Culture of People's Power; Chapter 7: "In Toronto, Iranians and Israelis Make Music, Not War"; Chapter 8: George Harrison and the Concert for Bangladesh; Chapter 9: It's Not Only Rock and Roll; Chapter 10: Musical Messages; Chapter 11: Rap Music in Turkey; Chapter 12: Cultural Political System; Chapter 13: Zimbabwe Dancehall Music as a Site of Resistance; Chapter 14: Lyrics of Protest; Compilation of References; About the Contributors; Index Politik Musik (DE-588)4040802-4 gnd rswk-swf Internationaler Vergleich (DE-588)4120509-1 gnd rswk-swf Aktivismus (DE-588)4000973-7 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Kommunikation (DE-588)4031883-7 gnd rswk-swf USA United States Politics and government (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Politik (DE-588)4046514-7 s Kommunikation (DE-588)4031883-7 s DE-604 Aktivismus (DE-588)4000973-7 s Internationaler Vergleich (DE-588)4120509-1 s 1\p DE-604 Erscheint auch als Online-Ausgabe 978-1-5225-1987-4 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029635054&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Onyebadi, Uche 1958- Music as a platform for political communication Title Page; Copyright Page; Book Series; Table of Contents; Detailed Table of Contents; Preface; Acknowledgment; Chapter 1: Bayan Ko and Other Songs; Chapter 2: Women and South Africa's Anti-Apartheid Struggle; Chapter 3: Political Repertoires; Chapter 4: Building a Music-Mediated Imagined Chinese Community; Chapter 5: Afrikaner Music and Identity Politics in Post-Apartheid South Africa; Chapter 6: The Sociopolitical Discourse of Violeta Parra and Víctor Jara -- The Culture of People's Power; Chapter 7: "In Toronto, Iranians and Israelis Make Music, Not War"; Chapter 8: George Harrison and the Concert for Bangladesh; Chapter 9: It's Not Only Rock and Roll; Chapter 10: Musical Messages; Chapter 11: Rap Music in Turkey; Chapter 12: Cultural Political System; Chapter 13: Zimbabwe Dancehall Music as a Site of Resistance; Chapter 14: Lyrics of Protest; Compilation of References; About the Contributors; Index Politik Musik (DE-588)4040802-4 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Aktivismus (DE-588)4000973-7 gnd Politik (DE-588)4046514-7 gnd Kommunikation (DE-588)4031883-7 gnd |
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| title | Music as a platform for political communication |
| title_auth | Music as a platform for political communication |
| title_exact_search | Music as a platform for political communication |
| title_full | Music as a platform for political communication Uche Onyebadi, Texas Christian University, USA |
| title_fullStr | Music as a platform for political communication Uche Onyebadi, Texas Christian University, USA |
| title_full_unstemmed | Music as a platform for political communication Uche Onyebadi, Texas Christian University, USA |
| title_short | Music as a platform for political communication |
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