Performing Dumas: architecture and Mise en Scène at the Château de Monte-Cristo
When Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ li...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2017
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| Online-Zugang: | Volltext |
| Zusammenfassung: | When Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ literary ambition, as a complex aesthetic portrait. Dumas’ mise en scène of his whole life as artwork prompted him to create an elaborate display of visual rhetoric, an interplay of images and words developed through a physical and allegorical relationship with a place now appropriated by and absorbed into his persona. It is essential, therefore, that information on Dumas’ life and literary career may be combined with an iconographic analysis as a means of decoding the meanings bound up in the spectacle buildings at the Château de Monte-Cristo. |
| ISSN: | 2190-3328 |
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| spelling | Sánchez García, Jesús Angel Verfasser (DE-588)188467521 aut Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo Jesús Ángel Sánchez-García, Art History Senior Lecturer at the University of Santiago de Compostela, Spain 2017 txt rdacontent c rdamedia cr rdacarrier When Alexandre Dumas père was at the peak of his success and popularity, he was personally involved in the design and construction of the Château de Monte-Cristo (Port-Marly, France, 1847). The architectural and ornamental features of this lavish abode can be interpreted as a reflection of Dumas’ literary ambition, as a complex aesthetic portrait. Dumas’ mise en scène of his whole life as artwork prompted him to create an elaborate display of visual rhetoric, an interplay of images and words developed through a physical and allegorical relationship with a place now appropriated by and absorbed into his persona. It is essential, therefore, that information on Dumas’ life and literary career may be combined with an iconographic analysis as a means of decoding the meanings bound up in the spectacle buildings at the Château de Monte-Cristo. RIHA journal München, 2017 0145 (15 January 2017) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X text/html https://nbn-resolving.org/urn:nbn:de:101:1-201704261849 Verlag kostenfrei Volltext |
| spellingShingle | Sánchez García, Jesús Angel Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo |
| title | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo |
| title_auth | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo |
| title_exact_search | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo |
| title_full | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo Jesús Ángel Sánchez-García, Art History Senior Lecturer at the University of Santiago de Compostela, Spain |
| title_fullStr | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo Jesús Ángel Sánchez-García, Art History Senior Lecturer at the University of Santiago de Compostela, Spain |
| title_full_unstemmed | Performing Dumas architecture and Mise en Scène at the Château de Monte-Cristo Jesús Ángel Sánchez-García, Art History Senior Lecturer at the University of Santiago de Compostela, Spain |
| title_short | Performing Dumas |
| title_sort | performing dumas architecture and mise en scene at the chateau de monte cristo |
| title_sub | architecture and Mise en Scène at the Château de Monte-Cristo |
| url | https://nbn-resolving.org/urn:nbn:de:101:1-201704261849 |
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