American drama: in dialogue, 1714-present
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Macmillan Education, Palgrave
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xi, 291 Seiten |
| ISBN: | 9781137605283 9781137605276 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface ix
Acknowledgements xi
Part I Un-American Origins (1714-1798) 1
A Transatlantic Touchstone: Richard Brinsley Sheridan,
The School for Scandal (1777) 6
Robert Hunter, Androboros (1714) 9
Royall Tyler, The Contrast (1787) 11
William Dunlap, Andre ( 1798) 14
Drama in Dialogue: The Contrast and André 18
Part II The Rise of Melodrama (1798-1870) 21
A Transatlantic Touchstone: René-Charles Guilbert
de Pixérécourt, Coelina, or the Child of Mystery (1800;
trans. A Tale of Mystery [1802] by Thomas Holcroft) 27
James Nelson Barker, The Indian Princess (1808) 30
John Augustus Stone, Metamora, or the Last of the
Wampanoags (1829) 33
Drama in Dialogue: The Indian Princess and Metamora 37
William Henry Smith, The Drunkard (1844) 40
Anna Cora Mowatt, Fashion (1845) 45
George L. Aiken, Uncle Toms Cabin (1852) 48
Dion Boucicault, The Octoroon (1859) 52
Drama in Dialogue: Uncle Toms Cabin and The Octoroon 55
Part III An Explosion of Entertainments - and the Emergence
of Realism (1870-1916) 59
A Transatlantic Touchstone: Henrik Ibsen,
A Dolls House (1879) 64
Sam T Jack, Beauty in Dreamland, or
The Pearls of the Orient (1889) 69
James A. Herne, Margaret Fleming ( 1890) 72
Eugene Walter, The Easiest Way (1908) 76
Drama in Dialogue: Margaret Fleming and
The Easiest Way 7 8
Part IV O’Neill, His Cohort, and the Legitimate Stage
between the Wars (1916-1945) 81
A Transatlantic Touchstone: Georg Kaiser, From
Morn to Midnight (1912,1917) 94
Susan Glaspell, Trifles (1916) 96
Elmer Rice, The Adding Machine (1923) 99
Sophie Treadwell, Machinal (1928) 102
Drama in Dialogue: The Adding Machine and Machinal 105
Lillian Heilman, The Childrens Hour (1934) 108
Clifford Odets, Waiting for Lefty (1935) 111
Thornton Wilder, Our Town (1938) 114
Eugene O’Neill, Long Day’s Journey into Night (1942) 116
Part V American Drama’s Golden Age (1945-1959) 119
A Transatlantic Touchstone: Anton Chekhov,
The Cherry Orchard (1904) 126
Tennessee Williams, A Streetcar Named Desire (1947) 130
Arthur Miller, Death of a Salesman (1949) 133
William Inge, Come Back, Little Sheba (1950) 136
Lorraine Hansberry, A Raisin in the Sun (1959) 139
Drama in Dialogue: Death of a Salesman and
A Raisin in the Sun 142
Part VI Albee, Others, and the American Absurdist Tradition
(1959-1980) 147
A Transatlantic Touchstone: Samuel Beckett,
Endgame (1957) 154
Edward Albee, The Zoo Story (1959) 158
Amiri Baraka, Dutchman (1964) 162
Drama in Dialogue: The Zoo Story and Dutchman 165
John Guare, House of Blue Leaves (1971) 167
Maria Irene Fornés, Fefu and her Friends (1977) 170
Sam Shepard, Buried Child (1978) 173
Drama in Dialogue: House of Blue Leaves and
Buried Child 176
Part VII Diversity and Social Change (1980-present) 179
A Transatlantic Touchstone: Athol Fugard,
Blood Knot (1961) 189
David Henry Hwang, FOB (1981) 195
William S. Yellow Robe, Jr., The Independence of
Eddie Rose (1986) 199
August Wilson, Fences (1987) 203
Drama in Dialogue: Death of a Salesman and Fences 208
David Mamet, Oleanna (1992) 211
Tony Kushner, Angels in America: A Gay Fantasia on
National Themes (1993) 214
Paula Vogel, How I Learned to Drive (1997) 219
Suzan-Lori Parks, Topdog/Underdog (2001) 220
Drama in Dialogue: Angels in America and Topdog/
Underdog 224
Nilo Cruz, Anna in the Tropics (2002) 227
Neil LaBute, Fat Pig (2004) 230
Drama in Dialogue: Oleanna and Fat Pig 234
John Patrick Shanley, Doubt (2004) 236
Sarah Ruhl, Dead Mans Cell Phone (2007) 239
Lin-Manuel Miranda, Hamilton (2015) 243
Bibliography
Index
249
270
This text tells the fascinating story of American identity formation through the
nation s unique staged narratives. Divided into seven historical periods, it provides
overviews of 38 American plays and their reception, from Robert Hunter s Androboros
(c.1714) to Lin-Manuel Miranda s Hamilton (2015). Each historical section begins with
an overseas play that proved significantly influential to American playwrights in that
period, such as Sheridan s The School for Scandal (1777), demonstrating an astonishing
dialogue taking place across the Atlantic.
Exploring themes such as indian removal, the slavery question, modern women and
the American dream, this text challenges the popular assumptions that American
playwrights wrote inside a vacuum of national self-consciousness, and especially that
American drama had no life worth consideration before the early twentieth century.
It provides the student of American drama with a unique vantage point over three
hundred years of American plays as well as their remarkable engagement with texts
from across the Atlantic.
|
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| title | American drama in dialogue, 1714-present |
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